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Michel Hazanavicius’ Animated Holocaust Tale ‘The Most Precious of Cargoes’ to Open Annecy Film Festival
- The Most Precious of Cargoes, the first animated feature from Oscar-winning French director Michel Hazanavicius (The Artist), will open this year’s Annecy International Animation Film Festival. The feature is a 2D animated adaptation of the best-selling book by French author Jean-Claude Grumberg. Set during World War II, it tells the story of a French Jewish …
AWARDS
| Year | Associations | Category | Work | Result |
|---|---|---|---|---|
| 2013 | César Award | Best Actor | Amour (2012 film) | Winner |
| 1995 | César Award | Best Actor | Three Colours: Red | Nominated |
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- CelebrityVariety
Jean-Louis Trintignant, French Star of ‘A Man and a Woman,’ ‘Amour,’ Dies at 91
French film great Jean-Louis Trintignant, best known for his roles in “A Man and a Woman,” “Z,” and “The Conformist,” died Friday. He was 91. Trintignant died at his home in southern France, his wife, Marianne, and agent told the Agence France-Presse. Trintignant was more recently known for roles in Krzysztof Kieslowski’s “Red” and for […]
- CelebrityAssociated Press
French film titan Trintignant, of 'A Man and a Woman,' dies
French film legend and amateur race car driver Jean-Louis Trintignant, who earned acclaim for his starring role in the Oscar-winning film “A Man and a Woman” half a century ago and went on to portray the brutality of aging in his later years, has died. Trintignant died in his home in southern France, according to Bertrand Cortellini, who operated a vineyard with the actor and visited him Thursday before his death. French news reports said Trintignant had prostate cancer.
- CelebrityThe Wrap
Jean-Louis Trintignant, French Star of ‘The Conformist’ and ‘Amour,’ Dies at 91
The actor, filmmaker and race car driver worked with auteurs such as Costa-Gavras, Éric Rohmer, Francois Truffaut and many more
- CelebrityThe Hollywood Reporter
Jean-Louis Trintignant, French Star With a Gift for Introspection, Dies at 91
Jean-Louis Trintignant, the thoughtful French actor who headlined such art house classics as A Man and a Woman, My Night at Maud’s, The Conformist, Three Colors: Red and Amour, has died. He was 91. Trintignant died Friday at his home in the Gard region of southern France, his wife, Marianne, and agent told the Agence France-Presse. Trintignant […]
- EntertainmentVariety
Cannes Film Review: ‘The Best Years of a Life’
Something unusual happened at the Cannes premiere of "The Best Years of a Life," Claude Lelouch's syrupy second sequel to his trend-setting 1966 global smash "A Man and a Woman." Not the endless, roaring standing ovation that happened when the lights came up: That's expected, even required, of the tuxed-up crowd at Grand Théâtre Lumière, […]
- EntertainmentIndiewire
‘The Best Years of a Life’ Review: A Corny Sequel to ‘A Man and a Woman’ — Cannes
Jean-Louis Trintignant and Anouk Aimée reprise their roles in a touching nod to the Oscar-winning love story, but nostalgia overtakes their chemistry.
- NewsDeadline
‘The Post’ Scoops Into Top Ten In Best 3-Day Averages of 2017; Holdovers Solid – Specialty Box Office
Fox opened Steven Spielberg's <em>The Post</em> with Meryl Streep and Tom Hanks in just nine locations Friday, with a solid start. <em>The Post</em> is tracking at $495K Friday to Sunday of Christmas weekend, averaging $55K, which would make it the tenth-best opening-per-theater average for the year. <em>The Post </em>is the highest-profile Friday limited release debut of the holiday weekend, though Christmas Day will feature the anticipated limited roll-outs of Paul Thomas Anderson's <stron
- NewsThe Daily Beast
A Dark, Demented Satire of the Disgustingly Rich
Master filmmaker Michael Haneke (‘Amour,’ ‘The White Ribbon’) returns with ‘Happy End,’ another scathing cinematic critique of the upper crust.
- NewsThe Telegraph
Michael Haneke interview: the master of misery cinema on selfies, Snapchat, and 'the despair that comes after the tears'
Christmas is a curious time to be releasing a Michael Haneke film, unless your idea of festive cheer is repeatedly watching a pig being slaughtered on grainy camcorder footage, or curling up for an excruciatingly tense and sexualised fracas between strangers on the Paris metro. “Happy Haneke!”, London’s Curzon Soho is proudly and hilariously flaunting on its frontage, as they prepare for a December retrospective of the Austrian filmmaker’s work, timed to celebrate the release of his latest film,
- NewsThe Telegraph
Happy End review: even with a Sia number, Michael Haneke's latest outrage feels shockingly familiar
Director: Michael Haneke. Cast: Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Loubna Abidar, Toby Jones. 110 mins When a film starts with creepy, Facebook-Live-style cameraphone footage, secretly observing her bathroom rituals, of a character who then spends the rest of it vegetatively swaddled in hospital bedsheets, most alert cinephiles could probably have a decent stab at the source. It’s not going to be Ivan Reitman. No, Michael Haneke is back to many of his old tricks in Happ
