Who Will Win at Tonight's Oscars—And Who Should

Photo credit: Dia Dipasupil - Getty Images
Photo credit: Dia Dipasupil - Getty Images

From ELLE

It's Oscar Sunday, the culmination of two months of Hollywood back-patting and structural gatekeeping. Tonight, the Motion Picture Academy must contend with a host-less show, widespread criticism for its mostly-white nominees, and the shadow of last night's Independent Spirit Awards, which awarded truly innovative—and, yes, better—movies than the Academy even nominated. With expectations already tempered, here's what you have to look forward to tonight.

Best Picture

  • Ford v Ferrari

  • The Irishman

  • Jojo Rabbit

  • Joker

  • Little Women

  • Marriage Story

  • Once Upon a Time in Hollywood

  • 1917

  • Parasite

What should win: Parasite is the only logical choice. As Candice Frederick put it for ELLE.com, "If we’re talking about the most well-made film of last year—which I think is what the Best Picture category is supposed to be about—then we don’t have to look anywhere else."

What will win: This is a very tight race, and 1917 and Parasite both feel like they have a 50 percent chance. Unfortunately, 1917 might have the slightest of edges, because Parasite is a lock for International Feature. If that's the case, Bong Joon-Ho will likely take home the Director Oscar.

Best Director

  • Bong Joon-Ho, Parasite

  • Sam Mendes, 1917

  • Todd Phillips, Joker

  • Martin Scorsese, The Irishman

  • Quentin Tarantino, Once Upon a Time in Hollywood

Who should win: In a perfect world, a movie like Parasite takes home Director and Picture.

Who will win: This will likely go to Bong, but if Parasite miraculously lands Best Picture, Mendes will almost certainly take Director.

Best Actress

  • Cynthia Erivo, Harriet

  • Scarlett Johansson, Marriage Story

  • Saoirse Ronan, Little Women

  • Charlize Theron, Bombshell

  • Renée Zellweger, Judy

Who should win: No disrespect to Renée Zellweger, who is, in fact, fantastic as Judy Garland. But this has been one of the most boring awards seasons in recent memory. It's never any fun knowing exactly who will be taking home the statue ahead of time, and it's particularly disheartening when there's no real competition in the rest of the category. The Academy snubbed Awkwafina, who delivered the only true competition for Zellweger with The Farewell.

Who will win: Zellweger won every major award leading up to Oscar night, and tonight will be no different.

Photo credit: LD Entertainment and Roadside Attractions / David Hindley
Photo credit: LD Entertainment and Roadside Attractions / David Hindley

Best Actor

  • Antonio Banderas, Pain and Glory

  • Leonardo DiCaprio, Once Upon a Time in Hollywood

  • Adam Driver, Marriage Story

  • Joaquin Phoenix, Joker

  • Jonathan Pryce, The Two Popes

Who should win: This category opted for safe choices over a lot of extraordinary performances, including Eddie Murphy in Dolemite Is My Name and Robert Pattinson in The Lighthouse. If the Academy wants to right that wrong and award originality, the Oscar will go to Antonio Banderas as a regretful director in Pedro Almodóvar's sublime Pain and Glory.

Who will win: Joaquin Phoenix's Arthur Fleck cleaned up this year, and the actor will likely become the second person to win an Oscar for playing the Joker. (Heath Ledger posthumously won Supporting Actor in 2009 for The Dark Knight.)

Photo credit: Warner Bros.
Photo credit: Warner Bros.

Best Supporting Actress

  • Kathy Bates, Richard Jewell

  • Laura Dern, Marriage Story

  • Scarlett Johannson, Jojo Rabbit

  • Florence Pugh, Little Women

  • Margot Robbie, Bombshell

Who should win: Again, this category features some truly egregious snubs, including Jennifer Lopez in Hustlers and Zhao Shuzhen's transcendent performance as Nai Nai in the The Farewell. Frankly, none of the nominees stand out here, but Florence Pugh has the slightest edge for her engaging screen presence.

Who will win: Just like the other acting categories, this is a lock, this time for Laura Dern.

Photo credit: WILSON WEBB - Netflix
Photo credit: WILSON WEBB - Netflix

Best Supporting Actor

  • Tom Hanks, A Beautiful Day in the Neighborhood

  • Anthony Hopkins, The Two Popes

  • Al Pacino, The Irishman

  • Joe Pesci, The Irishman

  • Brad Pitt, Once Upon a Time in Hollywood

Who should win: Here's a category I could not care less about; not a single one of these performances is particularly inspired. If I was the sole member of the Academy, I'd give this to Kevin Garnett for his standout acting debut in Uncut Gems. If I have to choose from the above five, make it Joe Pesci, the bright spot in the interminable viewing experience that is The Irishman.

Who will win: This is Brad Pitt's award to lose, and he won't.

Photo credit: Sony Pictures Entertainment
Photo credit: Sony Pictures Entertainment

Adapted Screenplay

  • The Irishman, Steven Zaillian; based on the book I Heard You Paint Houses by Charles Brandt

  • Jojo Rabbit, Taika Waititi; based on the novel Caging Skies by Christine Leunens

  • Joker, Todd Phillips and Scott Silver; based on characters created by Bill Finger, Bob Kane, and Jerry Robinson

  • Little Women, Greta Gerwig; based on the novel by Louisa May Alcott

  • The Two Popes, Anthony McCarten; based on his play The Pope

What should win: Greta Gerwig reinvigorated an American classic without sacrificing the integrity of the source material. Little Women is the obvious choice.

What will win: Inexplicably, Jojo Rabbit—a forgettable movie with serious tonal issues—emerged as the frontrunner following last weekend's WGA Awards.

Original Screenplay

  • Knives Out, Rian Johnson

  • Marriage Story, Noah Baumbach

  • 1917, Sam Mendes and Krysty Wilson-Cairns

  • Once Upon a Time in Hollywood, Quentin Tarantino

  • Parasite, Bong Joon-Ho and Han Jin-Won

What should win: Knives Out received a much-deserved nomination for its clever ode to Clue and Agatha Christie novels, but Bong and co-writer Han Jin-Won are again unparalleled for their tight, witty thriller.

What will win: Parasite's WGA win also gives it the edge here.

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