Immaculate First Reviews and Reactions: “Sweeney Has Never Been Better” and “Unhinged in All the Right Ways”
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Michael Mohan's Immaculate, starring Sydney Sweeney, debuted last night at SXSW, and the first reactions and reviews are rolling in.
Sweeney stars as Cecilia, a woman of devout faith who travels to the picture-perfect Italian countryside, where she is offered a new role at an illustrious convent. However, it slowly becomes clear to Cecilia that her new home harbors dark and horrifying secrets.
Also a producer on the film, Sweeney reunites with executive producer of Euphoria, Will Greenfield, to bring this religious horror story to life.
First reactions say it "might just be one of the best religious horror films in ages" that is "unhinged in all the right ways".
#Immaculate is a slow, terrifying burn that transforms into a hell of a time! It’s gory and unhinged in all the right ways. That ending will have a lot of people talking FOR SURE. #SXSW pic.twitter.com/QJwNoP5ySt
— Ryan McQuade (@ryanmcquade77) March 13, 2024
#Immaculate might just be one of the best religious horror films in ages. It takes its time to build up to one of the craziest final acts I’ve ever seen carried by an excellent script, wonderful performances, and a beautifully haunting score. #sxsw @neonrated @ImmaculateMovie pic.twitter.com/37KzcvAiKL
— Ryan Ranc @ SXSW (@RyanRanc) March 13, 2024
The haunting #Immaculate brings sheer terror. Depicting religious fanaticism & and women’s loss of body autonomy, it smashed expectations, and Sydney Sweeney gave EVERYTHING in this. The last ten minutes of the film have been the biggest HOLY SHIT of the fest! #SXSW pic.twitter.com/tnkwoIZTp3
— Mo Moshaty (@MoMoshaty) March 13, 2024
Immaculate went so hard and blew me away. A beautifully shot film and well crafted. Sydney Sweeney gives a performance of her career! A new horror icon has emerged! I’m happy to say that this movie delivers the horror. I’m actually smiling so hard right now! #Immaculate #SXSW pic.twitter.com/zNxl4w8Vdu
— Frederick Nuti @ SXSW (@FrederickNuti) March 13, 2024
Whatever the next level beyond Scream Queen is, Sydney Sweeney gets there in IMMACULATE. The trailer’s promise of Rosemary’s Baby in a convent doesn’t even begin to cover it. A gauntlet of gore with some righteous fury behind it. Sweeney is a horror heroine for the ages. #SXSW pic.twitter.com/DKxTme4hXK
— Dancin' Dan in Oscar Land (@dancindanonfilm) March 13, 2024
IMMACULATE
Sydney Sweeney’s punchy nunsploitation pregnancy horror has THE BALLSIEST ENDING of any mainstream horror you’ll see this year. I can’t believe they went there. #SXSW #SXSW2024 #Immaculate pic.twitter.com/sMPJJqnzGH— Whitlock And Pope 🏳️⚧️🤘at SXSW (@WhitlockAndPope) March 13, 2024
Reviews, however, are a little less enthusiastic as the film debuts on Rotten Tomatoes with 67%, saying Immaculate suffers from "stale beats and absurd twists" "relying on tawdry visual effects".
Here's a closer look at some of the first reviews out of SXSW.
Screen International: By the time the film develops a perceptible pulse, it's nearly over. The final tiny freakout is overly sanitised, relying on tawdry visual effects and isolated shocks of violence to demand an unearned angst on the part of the viewer.
The Daily Beast: Given that the stale beats and absurd twists of this new film very much recall the successful franchise preceding it, Immaculate ends up feeling like one of those cheap knockoffs of popular movies that are buried on streaming services.
Bloody Disgusting: The film's breakneck plotting, inert jump scare overreliance, and familiar tropes undermine a fierce performance by its lead.
Collider: Mohan's direction is confident, the film's visuals emblematic and elegant, yet lasting impressions aren't quite in line with the film's dreadful tone.
TheWrap: Giving life to a horror vision that would not have nearly the same power and potency without her at the forefront of it, Sweeney has never been better than she is here. What a darkly beautiful yet brutal, bloody and bold film this is for her to wield.
Immaculate hits theaters on March 22.