Gary Graham Relaunches From a Room of His Own in Upstate New York

Gary Graham Relaunches From a Room of His Own in Upstate New York

Maple Leaf Rug Coat, woven by Thistle Hill Weavers from an 1850s design.
Unisex coat made from a vintage Baroque tapestry.

GaryGraham422

Unisex coat made from a vintage Baroque tapestry.
Photo: Courtesy of GaryGraham422
Narrative drives Graham’s work, and he writes and sketches a lot.

GaryGraham422

Narrative drives Graham’s work, and he writes and sketches a lot.
Photo: Courtesy of GaryGraham422
Coverlet coats made from antique textiles.

GaryGraham422

Coverlet coats made from antique textiles.
Photo: Courtesy of GaryGraham422
Fringed cocoon jacket made from an antique tapestry.

GaryGraham422

Fringed cocoon jacket made from an antique tapestry.
Photo: Courtesy of GaryGraham422
Long cocoon coat with piano fringe made from an overshot coverlet that can be worn right-side up or upside down.

GaryGraham422

Long cocoon coat with piano fringe made from an overshot coverlet that can be worn right-side up or upside down.
Photo: Courtesy of GaryGraham422
Cropped cocoon jacket with detachable hood made from vintage tapestries.

GaryGraham422

Cropped cocoon jacket with detachable hood made from vintage tapestries.
Photo: Courtesy of GaryGraham422
Moving blanket coat.

GaryGraham422

Moving blanket coat.
Photo: Courtesy of GaryGraham422
Each garment comes with a labor card.

GaryGraham422

Each garment comes with a labor card.
Photo: Courtesy of GaryGraham422
Precut coverlet jacket.

GaryGraham422

Precut coverlet jacket.
Photo: Courtesy of GaryGraham422

Gary Graham is a history-loving designer storyteller with a Gothic streak, and his work, which is included in several museum collections, often has a deconstructed Miss Havisham quality. A graduate of the School of the Art Institute of Chicago, Graham worked as a costumer before launching his own line in 1999. Despite successes, which included being picked up by Dover Street Market and Barneys New York, and becoming a 2010 CFDA/Vogue Fashion Fund finalist, last December the designer shuttered both his label and his Tribeca shop. “Things just didn’t line up ever,” says Graham, who has relocated to upstate New York, where he’s enjoying the freshness of nature’s bounty and, he says, not having to “get a permit for every little thing I do.”

The view from Graham’s studio in Andes, New York.
The view from Graham’s studio in Andes, New York.
Photo: Courtesy of GaryGraham422

Having settled in, Graham has developed a new way of working at a remove from the traditional fashion system, which is currently in a state of turmoil. Asked to identify what’s “broken” about the industry, Graham notes that “the glamour of going into the store and paying full retail is really diminishing.” That makes sell-throughs challenging. The issue, he thinks, is that customers are wise to the real price of things (wholesale versus retail) and have been conditioned to wait for the sale. This is in contrast to the ritual and longing that created desire around attainment that he once knew: “I grew up in the ’80s, and we would go into IF boutique and save up for a Gaultier something or other,” he recalls.

An antique tapestry, before it became a bodice.
An antique tapestry, before it became a bodice.
Photo: Courtesy of GaryGraham422

Graham’s fans can now get their hands on one of his one-off designs online: He’s back in business as GaryGraham422. His new jackets and coats are handmade from vintage textiles (or ones made in collaboration with local mills inspired by historical materials) in modern and romantic shapes. “So you’re getting history,” he says. Each garment comes with a labor card that documents the textile’s provenance and who worked on it for how long. This personal touch is in keeping with a new sense of connectedness the introspective designer is feeling.

Graham’s studio in Franklin during demolition. “I needed room to explore and just create this idea of a new company instead of trying to explain it or make it fit into a traditional ‘cash flow,’ where every idea/action must contribute to an increase in volume,” the designer says.

The 422 in his new business name refers to 422 Main Street, in Franklin, New York, the address of the historic 19th-century former bank and trading post he and his partner, Sean Scherer, the proprietor of the wondrous curiosity shop Kabinett & Kammer, formerly in Andes, New York, now own. Graham is currently renovating a light-filled atelier above what will be his storefront. “My studio [in Tribeca] was under my store, so I was living a subterranean life for a long time,” notes Graham. “I wanted a place where I could work and have sunlight and fresh air, and that had a lot to do with just being with someone else who is also creative; having that support is really important.” As is the opportunity to see Graham’s work in a new light.