Elie Saab Resort 2024

Lily Templeton
·2 min read
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If Elie Saab’s initial feminine ideal for the resort season was Marella Agnelli Caracciolo, the late elegant Italian photographer, textile designer and art collector dubbed “The Last Swan” by Truman Capote, the couturier was quick to add that he wanted to “touch [all] the women of the Mediterranean,” a group that he defined less as an origin than a mindset.

“Let’s be honest, [it’s] simply the most beautiful part of the world — don’t get mad if you’re from elsewhere,” he joked. But despite his attachment to the region, he wanted to break away from the idea of resort as a warm-weather exercise.

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Given that his client is global and can find herself in winter at one moment and, within days, in the opposite season by being in the other hemisphere, he said touching all seasons rather than a range of occasions was a cannier choice.

Cue a three-part articulation that went from a sober and structured opener representing colder climes and a business-focused wardrobe hinging on lightweight yet structured coats, smart tweed separates and chic jumpsuits in bold black, white and red; segued into a more romantic direction in crisp lilac and white cottons, and ended with warm-weather glamour with flowing floral kaftans, gradient gowns and embroidered numbers.

Among the standouts were a crisp poplin blouse and matching skirt with a lick of lace, a white and gold knit dress in a sunburst pleated style that would look smashing on a wide range of body types and most of all the structured looks, particularly a black belted duster and a gradient pantsuit.

Along with new shoes and a duo of bag shapes introduced this season, they brought out a fresh and smart angle that will have the Saab client coming for work as well as for play.

Launch Gallery: Elie Saab Resort 2024

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