Dance Into the Weekend With Degas

Undercover, spring 2015 ready-to-wear
Undercover, spring 2015 ready-to-wear
Photo: Alessandro Garofalo / Indigitalimages.com
Edgar Degas, Dancer with Bouquets, c. 1895–1900. Oil on canvas; overall: 180.3 x 152.4 cm (71 x 60 in.). Chrysler Museum of Art, Norfolk, Gift of Walter P. Chrysler, Jr., in memory of Della Viola Forker Chrysler, 1971, 71.507
Undercover, fall 2017 ready-to-wear
Undercover, fall 2017 ready-to-wear
Photo: Yannis Vlamos / Indigital.tv

Opera and ballet companies, museums, and comedians have been finding innovative ways to share performances in this time of lockdown. There were no such alternatives in the 19th century; even photography was a nascent technology. Instead it was artists and writers who preserved gossamer fragments of live performances. Few did so with such immediacy as Edgar Degas, whose work was to be celebrated at the National Gallery of Art this spring in the exhibition “Degas at the Opéra,” (timed to the 350th anniversary of the Paris Opéra’s founding). This should have been a blockbuster show, but its run was cut short due to the pandemic. The museum has created a treasure trove of content that can be accessed online.

Edgar Degas, Dancer in Green, c. 1878. Pastel on pape; roverall: 46 x 30 cm (18 1/8 x 11 13/16 in.). New Orleans Museum of Art: Gift of Charles C. Henderson in Memory of Nancy S. Henderson, 74.282
Edgar Degas, Dancer in Green, c. 1878. Pastel on pape; roverall: 46 x 30 cm (18 1/8 x 11 13/16 in.). New Orleans Museum of Art: Gift of Charles C. Henderson in Memory of Nancy S. Henderson, 74.282
Photo: Courtesy National Gallery of Art
Molly Goddard, fall 2017 ready-to-wear
Molly Goddard, fall 2017 ready-to-wear
Photo: Marcus Tondo / Indigital.tv

Degas is a supremely fashion-friendly artist. Dancers were his favorite subject and he rendered their voluminous layers of tulle and their bow-tied sashes in a soft, dreamy palette that speaks to fashion romantics. The appeal—and importance—of Degas’s work extends beyond these aspects, however. There’s his explorations of various media, for one; yet what’s transmitted in painting, pastel, wax, or print is the artist’s all-encompassing passion for his subject. As designer Iris van Herpen, a former dancer, notes, Degas’s “are really intimate works. There’s a fragility and a strength at the same time—and I just love the romance as well. In dance there is such devotion; being a dancer really creates a devotion in life that goes beyond a profession. It’s like sacrificing your body to a higher cause, and I think that’s what’s being captured really beautifully in the paintings [of Degas], that devotion to the arts and the people in them.”

Edgar Degas, Practicing in the Rehearsal Room, 1873 - 1875. Oil on canvas; overall: 40.64 x 54.61 cm (16 x 21 1/2 in.). The Phillips Collection, Gift of Anonymous Donor, initiated 2001, completed 2006, 2001.014.0001

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Edgar Degas, Practicing in the Rehearsal Room, 1873 - 1875. Oil on canvas; overall: 40.64 x 54.61 cm (16 x 21 1/2 in.). The Phillips Collection, Gift of Anonymous Donor, initiated 2001, completed 2006, 2001.014.0001
Photo: Courtesy National Gallery of Art
Christian Dior, fall 2014 couture
Christian Dior, fall 2014 couture
Photographed by Kevin Tachman

In some of his work, Degas provides a sort of all-access pass to the behind-the-scenes world of the ballet, but he’s doing more than chronicling what he sees. As Kaywin Feldman, the National Gallery of Art’s director, notes in an audio tour, Degas’s opera “existed primarily in his mind.” His art is a combination of observation and interpretation, fact and fiction, and that’s what makes it sing. Encore!

Alexander McQueen, fall 2008 ready-to-wear
Alexander McQueen, fall 2008 ready-to-wear
Photo: Marcio Madeira
Edgar Degas, Dancer with a Bouquet Curtseying on Stage, 1878. Pastel on wove paper mounted on canvas; overall: 72 x 77.5 cm (28 3/8 x 30 1/2 in.). Musée d’Orsay, Paris, Bequest of Isaac de Camondo, 1911, RF 4039
Christian Dior, fall 20023 couture
Christian Dior, fall 20023 couture
Photo: Style.com
Edgar Degas, The Ballet, c. 1880. Pastel on light tan paper mounted on board; sheet: 12 3/4 x 10 in. (32.4 x 25.4 cm). National Gallery of Art, Washington, Corcoran Collection (William A. Clark Collection)
Edgar Degas, The Ballet, c. 1880. Pastel on light tan paper mounted on board; sheet: 12 3/4 x 10 in. (32.4 x 25.4 cm). National Gallery of Art, Washington, Corcoran Collection (William A. Clark Collection)
Photo: Courtesy National Gallery of Art
Comme des Garçons, spring 2005 ready-to-wear
Comme des Garçons, spring 2005 ready-to-wear
Photo: Marcio Madeira
Edgar Degas, Dancers with Double Basses, c. 1879. Pastel, black chalk and ink wash on paper; overall: 36 x 65 cm (14 3/16 x 25 9/16 in.). Private Collection, courtesy of Kristy Stubbs Gallery, Dallas
Edgar Degas, Dancers with Double Basses, c. 1879. Pastel, black chalk and ink wash on paper; overall: 36 x 65 cm (14 3/16 x 25 9/16 in.). Private Collection, courtesy of Kristy Stubbs Gallery, Dallas
Photo: Courtesy National Gallery of Art
Zac Posen, spring 2020 ready-to-wear
Zac Posen, spring 2020 ready-to-wear
Photo: Courtesy of Zac Posen
Iris van Herpen, fall 2016 couture
Iris van Herpen, fall 2016 couture
Photo: Kim Weston Arnold / Indigital.tv
Edgar Degas, executed in collaboration with Vicomte Lepic, The Ballet Master, c. 1876. Monotype (black ink) heightened and corrected with white chalk or wash on laid paper.   
National Gallery of Art, Washington, Rosenwald Collection, 1964, 1964.8.1782
Marjan Pejoski, fall 2001 ready-to-wear
Marjan Pejoski, fall 2001 ready-to-wear
Photo: JB Villareal / Shoot Digital
Edgar Degas, Dancers Backstage, 1876/1883. Oil on canvas; overall: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.). National Gallery of Art, Washington, Ailsa Mellon Bruce Collection
Edgar Degas, Dancers Backstage, 1876/1883. Oil on canvas; overall: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.). National Gallery of Art, Washington, Ailsa Mellon Bruce Collection
Photo: Greg Williams / Courtesy National Gallery of Art
Rodarte, spring 2020 ready-to-wear
Rodarte, spring 2020 ready-to-wear
Photo: Daria Kobayashi Ritch / Courtesy of Rodarte
John Galliano, spring 1996 ready-to-wear
John Galliano, spring 1996 ready-to-wear
Photo: Condé Nast Archive
Edgar Degas, Seated Dancer (Nelly Franklin), c. 1880. Charcoal heightened with white chalk; overall: 46 x 31 cm (18 1/8 x 12 3/16 in.). Private Collection
Edgar Degas, Seated Dancer (Nelly Franklin), c. 1880. Charcoal heightened with white chalk; overall: 46 x 31 cm (18 1/8 x 12 3/16 in.). Private Collection
Photo: Courtesy National Gallery of Art
Chanel, spring 1992 ready-to-wear
Chanel, spring 1992 ready-to-wear
Photo: Condé Nast Archive
Edgar Degas, Ballet Dancers, c. 1877. Pastel and gouache over monotype; overall: 29.7 x 26.9 cm (11 11/16 x 10 9/16 in.). National Gallery of Art, Washington, Ailsa Mellon Bruce Collection
Edgar Degas, Ballet Dancers, c. 1877. Pastel and gouache over monotype; overall: 29.7 x 26.9 cm (11 11/16 x 10 9/16 in.). National Gallery of Art, Washington, Ailsa Mellon Bruce Collection
Photo: Courtesy National Gallery of Art
Louis Vuitton, spring 2012 ready-to-wear
Louis Vuitton, spring 2012 ready-to-wear
Photo: Yannis Vlamos / GoRunway.com
Edgar Degas, Dance Examination, 1880. Pastel on paper; overall: 62.2 x 46.5 cm (24 1/2 x 18 5/16 in.). Lent by the Denver Art Museum, 1941.6
Edgar Degas, Dance Examination, 1880. Pastel on paper; overall: 62.2 x 46.5 cm (24 1/2 x 18 5/16 in.). Lent by the Denver Art Museum, 1941.6
Photo: Courtesy National Gallery of Art
Christian Dior, spring 2014 couture
Christian Dior, spring 2014 couture
Photographed by Kevin Tachman
Edgar Degas, Dancer Seen from Behind and Three Studies of Feet, c. 1878. Black chalk and pastel on blue-gray laid paper; overall: 45.6 x 59.8 cm (17 15/16 x 23 9/16 in.). National Gallery of Art, Washington, Gift of Myron A. Hofer in memory of his mother, Mrs. Charles Hofer
Co, spring 2018 ready-to-wear
Co, spring 2018 ready-to-wear
Photo: Courtesy of CO
Armani Prive, spring 2017 couture
Armani Prive, spring 2017 couture
Photographed by Kevin Tachman
Edgar Degas, Four Dancers, c. 1899. Oil on canvas; overall: 151.1 x 180.2 cm (59 1/2 x 70 15/16 in.). National Gallery of Art, Washington, Chester Dale Collection
Edgar Degas, Four Dancers, c. 1899. Oil on canvas; overall: 151.1 x 180.2 cm (59 1/2 x 70 15/16 in.). National Gallery of Art, Washington, Chester Dale Collection
Photo: Studio A / Courtesy National Gallery of Art
Anne Valérie Hash, fall 2004 couture
Anne Valérie Hash, fall 2004 couture
Photo: Marcio Madeira
Edgar Degas, The Ballet Rehearsal on Stage, 1874. Oil on canvas; overall: 65 x 81.5 cm (25 9/16 x 32 1/16 in.). Musée d’Orsay, Paris, Bequest of Isaac de Camondo, 1911
Edgar Degas, The Ballet Rehearsal on Stage, 1874. Oil on canvas; overall: 65 x 81.5 cm (25 9/16 x 32 1/16 in.). Musée d’Orsay, Paris, Bequest of Isaac de Camondo, 1911
Photo: Patrice Schmidt / Art Resource, NY; © RMN-Grand Palais / Courtesy National Gallery of Art
Balenciaga, spring 2006 ready-to-wear
Balenciaga, spring 2006 ready-to-wear
Photo: Marcio Madeira
Edgar Degas, Blue Dancer and Double Basses, 1891. Oil on panel; overall: 21.6 x 15.8 x 0.5 cm (8 1/2 x 6 1/4 x 3/16 in.). Private Collection
Edgar Degas, Blue Dancer and Double Basses, 1891. Oil on panel; overall: 21.6 x 15.8 x 0.5 cm (8 1/2 x 6 1/4 x 3/16 in.). Private Collection
Photo: Studio Sebert / Courtesy National Gallery of Art
Viktor & Rolf, spring 2016 couture

Viktor & Rolf

Viktor & Rolf, spring 2016 couture
Photographed by Kevin Tachman

Originally Appeared on Vogue