The best Sony lenses in 2022: top E-Mount lenses for Sony Alpha mirrorless cameras

Matthew Richards

October 18, 2022 at 4:38 AM·45 min read

Sony first introduced mirrorless interchangeable lens cameras with its proprietary Sony E-mount back in 2010, and the first full-frame mirrorless camera, the Sony A7 was launched in 2013. Since then, Sony's share of the camera market has grown considerably, and the best Sony cameras are some of the most popular around.

In a short space of time, Sony lenses have also become considered some of the best camera lenses to buy. The best Sony lenses are typically the company's G Master lenses, which are big and beautiful but expensive. For photographers and videographers who need lenses that are lighter, smaller, or just not quite so expensive, there are plenty of alternatives. And many of these optics are so good in their own right that they can give Sony's G Master optics a real run for their money.

The best Sony lenses aren't just designed for Sony's full-frame models (which are among the best cameras for professionals), but there are also a number of great lenses out there for Sony's large range of APS-C models that are more for hobbyists and enthusiasts, like the Sony A6400 or the Sony ZV-E10 vlogging camera. And don't forget that you can use full-frame E-mount lenses on APS-C models too, and often this can be the best choice for telephotos, macro lenses, and other longer focal length options. But with standard zooms and ultra-wide lenses, you must get a lens designed for an APS-C format camera. And, if you haven't decided which model to buy, then do also check out our best Sony camera guide.

While some up-market Sony lenses are produced in conjunction with legendary optical manufacturer Zeiss, Sony now also produces its own premium ‘G’ and top-flight ‘G Master’ lenses as well. These aim for the ultimate in all-around performance and image quality, especially in terms of sharpness and bokeh (the quality of defocused areas within images). A prime example of this is Sony's 50mm F1.2 G Master lens, which is quite possibly the best 50mm lens on the market right now.

The best Sony lenses also tend to be the biggest, which isn't helpful if your work is travel or street photography, or if you are a vlogger capturing fast-moving events. It's really exciting, then, that Sony is turning its attention to smaller, more compact lenses for users like these.

We've added in Sony's FE 28-60mm F4-5.6, a remarkably compact retracting kit lens originally launched with the Sony A7C, but now available on its own. It's not much of a zoom range, but it makes for a very compact camera kit.

What we've been really impressed by, though, is Sony's trio of tiny full-frame primes: the Sony FE 24mm F2.8G, the Sony FE 40mm F2.5 G (included in this guide), and the Sony FE 50mm F2.5 G. All three sacrifice a little in maximum aperture to gain massively in portability, but it's a fresh approach that we're interested to see.

We've arranged our guide to the best Sony lenses in families, according to focal length types and uses so that it's easier to find the type of lens you're looking for. Use the navigation tab on the left to jump to the type of lens you're interested in.

Best Sony lenses in 2022

Sony FE standard lenses

Best Sony lenses: Sony FE 24-70mm f/2.8 GM

(Image credit: Sony)

1. Sony FE 24-70mm f/2.8 G Master

Sony’s range-topping standard zoom is a masterpiece

Superb image quality

High-speed autofocus

Robust build quality

Fairly big and hefty

Expensive to buy

No optical stabilization

Leapfrogging the Zeiss badged FE 24-70mm f/4 ZA OSS, this G Master lens is as good as it gets for an own-brand Sony standard zoom. And so it should be, costing about five times the price of the FE 28-70mm f/3.5-5.6 OSS kit lens. The weather-sealed construction of the lens feels really solid and sturdy, and the lens features a customizable focus hold function, along with AF/MF and zoom lock switches. There’s no shortage of quality glass in the 18-element line-up, including one ultra-high-precision XA (eXtreme Aspherical) element, two further aspherical elements, one ED (Extra-low Dispersion) element, and one Super ED element. Autofocus is blazing fast for stills and provides smooth and near-silent autofocus transitions during movie capture. There’s no optical stabilizer but this is only an issue with first-edition Sony mirrorless full-frame cameras that lack in-body stabilization. Image quality is spectacular in all respects: even when shooting wide-open, sharpness is simply phenomenal, throughout the entire zoom range.

2. Samyang AF 24-70mm F2.8 FE

A versatile lens at an affordable price

Impressive performance

Robust weather-sealed build

Half the price of Sony’s competitor

No optical stabilization

Fairly stiff zoom ring

Typically chunky and weighty

Also badged as ‘Rokinon’, the Samyang AF 24-70mm F2.8 FE is the company’s first-ever zoom lens but the manufacturer has certainly hit the ground running. Typical of a ‘trinity’ standard zoom, it combines a classic range of focal lengths with a constant aperture design. Built for Sony full-frame E-mount mirrorless cameras, it also works well on APS-C format bodies, with an ‘effective’ 36-105mm zoom range. That said, it’s typically large and weighs in at just over a kilogram, making it a bit of a hefty proposition for Sony’s smaller cameras. Either way, this Samyang goes head to head with the excellent Sony FE 24-70mm f/2.8 G Master zoom, but costs just half the price.

Read our full Samyang AF 24-70mm F2.8 FE review

3. Sony FE 28-70mm f/3.5-5.6 OSS

A popular and lightweight standard zoom for Alpha cameras

Compact and lightweight

3-stop optical stabilization

Relatively inexpensive

Modest aperture rating

Basic handling

Heavy pincushion distortion

There’s been a big uptake of the Sony FE 28-70mm f/3.5-5.6 OSS, largely because it’s a popular kit lens option with Sony’s full-frame mirrorless cameras. It’s pretty compact and lightweight for a full-frame compatible standard zoom lens, at 73x83mm and 295g, despite lacking a retractable design. It also includes a 3-stop optical stabilizer, which comes in very handy on first-generation A7-series cameras that lack in-body stabilization. A good budget option, this lens is relatively affordable for an own-brand Sony standard zoom. With quick autofocus and effective optical stabilization, the lens performs well overall. It ticks all the right boxes for casual, everyday shooting and travel photography, although the maximum field of view is naturally more restrictive than with Sony’s 24-70mm lenses.

Read our full Sony FE 28-70mm f/3.5-5.6 OSS review

Best Sony lenses: Sigma 24-70mm f/2.8 DG DN Art

(Image credit: Future)

4. Sigma 24-70mm f/2.8 DG DN Art

Sigma takes the fight to Sony’s acclaimed G-master standard zoom

Scintillating image quality

Superb build quality and handling

Noticeable distortion and vignetting when uncorrected

We rate Sigma’s 24-70mm f/2.8 Art lens for Canon and Nikon full-frame DSLRs very highly. The newer ‘DN’ edition for Sony full-frame E-mount cameras isn’t just a tweak of the original, but rather a complete redesign. The all-new optical path includes no less than six FLD (‘Fluorite’ Low Dispersion) and two SLD (Special Low Dispersion) elements. Top-notch construction includes comprehensive weather seals and a super-fast, virtually silent stepping motor autofocus system. Barrel distortion at 24mm and vignetting at f/2.8 are rather noticeable when uncorrected in-camera but overall handling, performance, and image quality are excellent, and it’s ultra-sharp. Bokeh is enhanced by an 11-blade diaphragm, whereas the DSLR version of the lens only has nine blades.

Read our full Sigma 24-70mm f/2.8 DG DN Art review

Best Sony lens: Sony FE 24-105mm f/4 G OSS

5. Sony FE 24-105mm f/4 G OSS

This constant aperture zoom makes a great long kit lens

Excellent build quality and handling

Fabulous image quality

Optical SteadyShot

f/4 rather than f/2.8 aperture rating

The Sony FE 24-105mm f/4 G OSS isn’t Sony’s ‘best’ standard zoom lens for its full-frame cameras. However, compared with the top-flight Sony 24-70mm f/2.8 G Master, this lens is smaller, lighter, and feels better balanced on A7-series bodies. It also has a more generous zoom range and adds optical stabilization which is lacking in the bigger lens, and it only costs about two-thirds of the price. Sure, you lose a f/stop in aperture rating compared with the G Master lens, but we think the 24-105mm is the best Sony lens for affordable everyday photography.

Best Sony lenses: Sony FE 28-60mm f/4-5.6

(Image credit: Rod Lawton/Digital Camera World)

6. Sony FE 28-60mm f/4-5.6

A fascinating new retracting kit lens for full frame Sony cameras

Ultra-compact design

Excellent performance

Limited zoom range

Minimum focus changes with zoom

The Sony FE 28-60mm f4-5.6 is surprising in a couple of respects. One is that for a kit lens it has an extremely modest 2.1x zoom range. Is it enough? Only if you are prepared to compromise on the sort of shots you can get, or you tend to shoot in a narrow focal range anyway. That’s the bad news. The good news is that it performs extremely well – far better than you might expect from a retracting kit lens. As a kit lens it’s limiting, but still rather good. It was initially launched as the kit lens for the Sony A7C, but now it's available separately and when it's fitted to a regular Sony body you get a camera/lens combo that's really compact for a full-frame camera.

Read our full Sony FE 28-60mm f/4-5.6 review

(Image credit: Matthew Richards/Digital Camera World)

7. Tamron 28-75mm f/2.8 Di III RXD

An attractively lightweight, high-performance standard zoom

Great image quality

Faster than Sony rival

Lacks wide-angle coverage

No optical stabilizer

Sony’s own-brand FE 28-70mm f/3.5-5.6 OSS is a popular lens, not least because it’s frequently sold as a kit lens with A7-series bodies. However, sharpness away from the centre of the image frame is lackluster and the aperture shrinks to a fairly narrow f/5.6 at the long end of the zoom range. This Tamron lens beats the Sony on both counts, with razor-sharp image quality right into the edges and corners, and a fast f/2.8 aperture rating that remains constant throughout the entire zoom range. That makes it two full f/stops faster at the long end, enabling faster shutter speeds and a much tighter depth of field. It’s perfect for everyday shooting and a brilliant buy at the price.

Read our full Tamron 28-75mm f/2.8 Di III RXD review

8. Sony FE 35mm f2.8 ZA Carl Zeiss Sonnar T*

This tiny 35mm lens is ideal for street photography

Compact and lightweight

Fast autofocus

Zeiss T* coatings

Heavy vignetting

Modest aperture rating

Pricey to buy

The Sony FE 35mm f2.8 ZA Carl Zeiss Sonnar T* has very compact dimensions of 62x37mm, almost qualifying it as a pancake lens, and it weighs a mere 120g. It, therefore, forms part of a very discreet package when mounted on one of Sony’s full-frame mirrorless bodies, while the 35mm focal length is the preferred choice of many street photographers. The lens is equally at home on Sony’s APS-C format mirrorless cameras, where it works well as a ‘standard prime’ with an effective focal length of just over 50mm. It has a fast autofocus system and works equally well in manual focus mode, and although vignetting can be noticeable when uncorrected in-camera, that’s not an issue when using the lens on APS-C format Sony mirrorless cameras.

Read our full Sony FE 35mm f2.8 ZA Carl Zeiss Sonnar T* review

9. Sony FE 50mm F1.2 G Master

Sony’s go-faster standard prime ticks all the right boxes

Great handling characteristics

Scintillating sharpness, even at f/1.2

Robust, weather-sealed build quality

Pricey, if you don’t need the f/1.2 aperture

A bit bulky

Heavy vignetting at f/1.2

Although this lens feels quite bulky on a Sony mirrorless body, it’s still fairly compact and reasonably lightweight for an f/1.2 lens. Even so, it goes extra-large in terms of features and performance. The weather-sealed construction feels of fully professional-grade quality, there are two customizable function buttons that fall naturally under the thumb in both landscape and portrait orientation shooting, and the manual aperture ring comes complete with a de-click switch for step-less control during video capture. Unlike most ultra-fast lenses, the Sony maintains spectacular sharpness across the entire image frame, even when shooting wide-open. Bokeh is beautifully smooth and both lateral and axial color fringing is very negligible. There’s noticeable vignetting when shooting at f/1.2 but this pretty much disappears by f/2, and automatic in-camera correction is available anyway.

Read our full Sony FE 50mm F1.2 G Master review

10. Sony FE 35mm f/1.8

Neat and tidy, it's an alluring lens with real street smarts

Mostly excellent image quality

Very good build quality

Nice handling characteristics

Expensive for a 35mm f/1.8

Heavy vignetting

There’s a lot to love about this lens, and so there should be given that it’s pricey for 35mm f/1.8 prime. It has a solid, weather-resistant construction featuring a metal barrel and mounting plate, while handling is very refined with a tactile focus ring and customizable function button. The image quality is excellent overall, although there’s some definite vignetting at wide apertures.

Read our full Sony FE 35mm f/1.8 review

(Image credit: Sony)

11. Sony FE 40mm F2.5 G

The middle lens in set of three brilliant pint-sized primes from Sony

Very slim, very light

Excellent image quality

Declickable aperture ring

Only f/2.5

Expensive given its specs

The Sony FE 40mm f/2.5G is the middle lens in Sony’s new series of compact full-frame mirrorless lenses. For anyone fed up with the front-heavy feel of Sony’s big, heavy zooms, it's perfect, completely changing the balance and feel of the camera. Like the other two primes in this new series, it’s small and light and has an aperture ring that can be de-clicked for video. These three lenses are even the same size and weight (near enough), and share the same 49mm filter thread. We've been complaining long enough that Sony lenses are too big, and now we've got these – and they are brilliant. The 40mm is our favorite of the three – just – for its handy standard/wide focal length and edge-to-edge sharpness.

Read more: Sony FE 40mm F2.5 G review

Sony FE telephoto lenses

Best Sony lens: Sony FE 70-200mm f/4 G OSS

(Image credit: Sony)

12. Sony FE 70-200mm f/4 G OSS

A constant aperture zoom that won't break the bank

Constant f/4 aperture

Relatively affordable

Image stabilisation

Lacks the class of the f/2.8 G Master

The Sony FE 70-200mm f/4 G OSS is a great lens that’s smaller and much lighter than the f/2.8 edition and only costs half the price. It's true that a 70-200mm f/2.8 is seen as a 'must-have' lens in any professional system, but you pay the price very literally, and there's a weight penalty with the f/2.8 version (below) too. This f/4 lens is cheaper, lighter, a lot less expensive and only one f-stop slower.

Read our full Sony FE 70-200mm f/4 G OSS review

Best Sony lens: Sony FE 70-200mm f/2.8 G Master OSS

13. Sony FE 70-200mm f/2.8 G Master OSS

This is a masterclass in telephoto zoom design

High-end handling characteristics

Excellent build quality

Good image quality overall

Only 2-stop optical stabilization

Autofocus not the fastest in class

Corner-sharpness is pretty average

The Sony FE 70-200mm f/2.8 G Master OSS is one seriously well-specced optic. A feast of glass includes one double-sided XA (Extreme Aspherical) element, two other aspherical elements, four ED (Extra-low Dispersion) elements and two Super ED elements. There’s not one but two autofocus systems, incorporating a double linear motor plus an RDSSM (Ring Drive Super Sonic wave Motor), the latter being used for the heavier forward focus groups. The construction is fully weather-sealed and includes a fluorine coating on the front element. Handling is particularly refined, with an autofocus range limiter, customisable focus hold buttons, and dual-mode stabilization for static and panning shots.

All this translates into decent performance. Image sharpness is very good indeed wide-open at f/2.8, throughout the entire zoom range, becoming excellent at f/4. Color fringing is minimal but distortion is a little worse than average for this type of lens. In our tests, autofocus speed proved slightly underwhelming compared with competing lenses in its class. The 2-stop optical stabilizer is less effective than in most similar lenses, but its performance is boosted in later Sony cameras that add in-body stabilization into the equation.

Best Sony lenses: Sigma 85mm f/1.4 DG HSM Art

(Image credit: Digital Camera World)

14. Sigma 85mm f/1.4 DG HSM Art

Beautiful bokeh adds to the attraction of this portrait prime

Ideal for full-frame portraiture

Excellent build quality

Big and heavy

No optical stabilization

Larger and nearly twice the weight of many 85mm f/1.4 lenses on the market, this Sigma 85mm f/1.4 DG HSM Art is quite a handful. A relative latecomer to Sigma’s Global Vision party, it wasn’t launched until late 2016, some two and a half years after the 50mm Art lens. Similar in design to the 50mm Sigma, this lens has one aspherical element and two rather than three SLD elements, along with a nine-blade diaphragm. Build quality and handling feel almost identical, although the newer 85mm lens adds weather seals in its ‘dust- and splash-proof construction. Sharpness is exceptional across the entire image frame, even at the widest aperture of f/1.4, while color fringing and distortion are minimal, and the bokeh is beautifully smooth. All in all, it’s a large optic that goes extra-large in image quality, making it one of the best portrait lenses.

Read our full Sigma 85mm f/1.4 DG HSM Art review

(Image credit: Sony)

15. Sony FE 85mm f1.4 GM

A portrait photographer’s dream lens

Stunning image quality

High-end handling

Top-quality construction

Fairly weighty

Expensive to buy

This Sony lens ticks all the right boxes for portraiture on a full-frame camera, with its 85mm focal length and fast f/1.4 aperture. As such, it works really well for isolating the main subject against a blurred background. As well as being super-sharp, the quality of bokeh is wonderfully soft and dreamy, and remains so even when stopping down a little, helped by a very well-rounded 11-blade diaphragm. It’s undeniably a very pricey lens but we've estabished that its performance more than justifies the cost.

(Image credit: Sony)

16. Sony FE 85mm f1.8

A portrait photographer’s dream lens

Excellent image quality

Compact and lightweight

Weather-sealed construction

No optical image stabilizer

More depth of field than an f/1.4 lens

Fallen in love with Sony's premium FE 85mm f1.4 GM, but want something cheaper? Sony's own FE 85mm f1.8 is the answer! It's only about a third of the cost and less than half the weight of its f/1.4 G-Master stablemate, so it lightens the load for handheld shooting and is much easier on your bank balance. Handling is refined, build quality is impressive and image quality is excellent in all respects: center-sharpness is absolutely outstanding, even when shooting wide-open, and it remains highly impressive right out to the extreme corners of the frame. Indeed, there’s virtually nothing to be gained in sharpness by stopping down to f/2.8. The quality of bokeh doesn’t match that of the f/1.4 G-Master lens but it’s nevertheless very dreamy, and remains smooth when reducing the aperture a little.

Read more: Sony FE 85mm f1.8 full review

(Image credit: Sony)

17. Sony FE 135mm f1.8 GM

A prime candidate for close-up portraits

Sharp but with smooth bokeh

High-end handling

Top-class build quality

Heavy at 950g

Weighty price tag

No optical stabilization

While the FE 85mm f/1.4 G Master will be seen as the most ideal portrait lens by many, this 135mm version gets you closer to you sitter while maintaining a natural shooting distance, thus working really well for close-up portraits, and any other shooting scenario that calls for impeccable image quality at this focal length. The high-grade optical path includes XA (eXtreme Aspherical), Super ED and regular ED elements, along with an 11-blade diaphragm that maintains a particularly well-rounded aperture when stopping down a bit. For hands-on aperture control, there’s a physical aperture control ring with one-third f/stop click steps and a straightforward de-click switch to enable smooth transitions during movie capture. Along with impressive sharpness and contrast, the lens delivers sumptuously smooth bokeh, helped not only by the long focal length but also by the sheer optical quality. The only slight niggle is that defocused lights near the edges and corners of the frame can take on a very elliptical appearance.

Best Sony lenses: Samyang AF 135mm F1.8 FE

(Image credit: Matthew Richards)

18. Samyang AF 135mm F1.8 FE

An excellent budget alternative to the Sony FE 135mm f1.8 GM

Superb all-round performance

Robust, weather-sealed build

High-end handling characteristics

No dedicated aperture ring

The Samyang AF 135mm F1.8 FE goes head to head with Sony’s own-brand Sony FE 135mm f/1.8 G Master lens. It boasts many of the same high-end features and handling exotica, as well as a tough, weather-sealed construction, but costs less than half the price to buy. It’s ideal for tight head shots in portraiture, as well as for sports and wildlife photography, and any time you want medium telephoto reach with a fast aperture for isolating the main subject with a tight depth of field, or for freezing motion under low lighting conditions. Autofocus is both fast and virtually silent, and it works particularly well with Sony’s eye-tracking AF mode in portraiture. The lens also features Samyang’s Astro-Focus Mode complete with LED Index for accurate infinity focusing at night. Although sharpness is very impressive, the quality of bokeh is arguably a bigger plus point in terms of image quality. It’s beautifully smooth when shooting wide-open at f/1.8 and remains excellent when stopping down a little. The 11-blade aperture diaphragm ensures that bokeh disks, formed by defocused bright spots, remain very well rounded.

Best Sony lenses: Sony FE 100-400mm f/4.5-5.6 OSS G Master

(Image credit: Future)

19. Sony FE 100-400mm f/4.5-5.6 G Master OSS

Packing a mighty telephoto reach into a relatively restrained build

Long telephoto reach

Excellent build and handling

Optical SteadyShot

Weighty and expensive

There’s no denying that the Sony FE 100-400mm f/4.5-5.6 G Master OSS is a large lens, but surprisingly, it’s barely any bigger than the 70-200mm f/2.8, slightly less heavy, and no more expensive. That’s despite having twice as much telephoto reach, albeit with a variable aperture that shrinks to f/5.6 at the long end of the zoom range. Although physically only 5mm longer than the 70-200mm, it lacks an internal zoom mechanism so the inner barrel extends when zooming toward the long end of the zoom range. Up-market build and handling characteristics are very similar to those of the 70-200mm f/2.8 G Master lens, but this one adds a variable torque adjustment for the zoom ring. Again, the Optical SteadyShot is very effective and the autofocus system is super-fast, this time based on a combination of double linear motor and DDSSM (Direct Drive SSM) systems.

Read our full Sony FE 100-400mm f/4.5-5.6 G Master OSS review

Best Sony lens: Sony FE 200-600mm F5.6-6.3 G OSS

(Image credit: Sony)

20. Sony FE 200-600mm f/5.6-6.3 G OSS

A full frame supertelephoto Sony zoom that's almost affordable!

3x supertelephoto zoom range

Optical stabilization

Expensive for a regular 'G' lens

Very heavy

Fast super-telephoto lenses on full-frame cameras are always expensive, and the Sony FE 200-600mm F5.6-6.3 G OSS is no exception, but compared to fast super telephoto primes it's actually not THAT expensive, and probably just about falls within an achievable price range for keen amateurs. It doesn't boast Sony's G Master badge of optical excellence, and it does have a relatively restricted maximum aperture of f/5.6-6.3, but in the stratospheric world of full-frame super-telephotos, this one is both effective and achievable.

Read our full Sony FE 200-600mm f/5.6-6.3 G OSS review

Sony FE wide-angle lenses

Best Sony lenses: Sony FE 12-24mm F2.8 GM

(Image credit: Future)

21. Sony FE 12-24mm f/2.8 G Master

Sony FE lenses don't get any wider, or any better, than this

Impeccable image quality and handling

Ultra-wide maximum viewing angle

Non-removable hood

Very expensive

Following on the heels of Sony’s FE 12-24mm f/4 G zoom, the new G Master edition delivers the same ultra-wide viewing angles but goes a f/stop wider in aperture. The f/4 lens is still on sale and a lot cheaper, so don't rule it out. By necessity, the front optical elements of this f/2.8 version are considerably larger but the lens is reasonably lightweight and easily manageable. It certainly goes large in terms of performance, with outstanding image quality and rapid autofocus, making it well worth the typically high asking price for a G Master lens. Before, the Sony FE 16-35mm f/2.8 G Master was the widest f/2.8 G Master lens in the Sony range, but the new Sony FE 12-24mm f/2.8 G Master has stolen its crown.

Read our full Sony FE 12-24mm f/2.8 G Master review

Best Sony lenses: Sony FE 16-35mm f/2.8 G

(Image credit: Digital Camera World)

22. Sony FE 16-35mm f/2.8 G Master

This lens is as good as it gets for a full-frame wide-angle zoom

Sumptuous image quality

Impeccably well built

No Optical SteadyShot

Expensive to buy

Featuring exotic glass that includes two ultra-high-precision XA (Extreme Aspherical) elements, the Sony FE 16-35mm f/2.8 G Master was Sony’s top-quality wide zoom until the arrival of the even wider Sony FE 12-24mm f/2.8 G Master. Having said that, many might find the 16-35mm range just a little more usable, and it does take conventional filters where the 12-24mm lens does not.. Other highlights include nano-structure coatings, a keep-clean fluorine coating on the front element, and extensive weather seals. There’s a fast and constant f/2.8 aperture and, when stopping down, the aperture remains extremely well-rounded thanks to an 11-blade diaphragm. The DDSSM autofocus system is incredibly accurate and the lens also features a customizable focus hold button on the barrel. For outright quality, this is the best Sony lens for landscapes, interiors, travel, and other subjects where space is tight.

Read our full Sony FE 16-35mm f/2.8 G Master review

Best Sony lenses: Tamron 17-28mm f/2.8 Di III

(Image credit: Matthew Richards)

23. Tamron 17-28mm f/2.8 Di III RXD

A compact ultra-wide-angle zoom with a fast, constant f/2.8 aperture

Fabulous image quality

High-grade weather-sealed construction

Fairly limited overall zoom range

No optical stabilizer

Neatly picking up the baton from Tamron’s 28-75mm standard zoom, this 17-28mm lens takes you into the ultra-wide-angle territory. It very much follows suit, with the same high-end, weather-sealed build quality, fast and constant aperture rating, quick and virtually silent RXD (Rapid eXtra silent stepping drive) autofocus system, and, best of all, the same terrific image quality. Corner-to-corner sharpness is particularly impressive for an ultra-wide-angle lens, even when shooting at the widest aperture. It doesn’t quite match Sony’s 16-35mm lenses for maximum viewing angle but it comes very close, and it’s great value at the price.

Read our full Tamron 17-28mm f/2.8 Di III RXD review

(Image credit: Matthew Richards)

24. Sony FE 20mm f/1.8 G

A pricey prime, but you get what you pay for

Super-wide viewing angle

Astonishingly excellent image quality

Refined handling

Fairly expensive to buy

There’s a raft of 20mm ultra-wide-angle prime lenses for E-mount full-frame cameras but for a long time, they’ve only been available from independent manufacturers like Sigma, Tamron, Samyang/Rokinon, and Tokina. Sony finally joined the fray with its own rather fabulous 20mm f/1.8 lens. It has a tough, weather-sealed construction and a top-grade optical path. High-speed autofocus combines with excellent handling, helped by the inclusion of a high-precision manual focus ring, a customizable autofocus hold button, and an aperture ring with a de-click switch. Image quality is absolutely phenomenal in all respects, with stunning sharpness, gorgeous color rendition, and absolutely minimal coma, distortion, and color fringing. It’s a pricey lens, but you get what you pay for.

Read our full Sony FE 20mm f/1.8 G review

Best Sony lenses: Tamron 20mm f/2.8 Di III OSD

(Image credit: Future)

25. Tamron 20mm f/2.8 Di III OSD M 1:2

A great value ultra-wide prime lens that fills a hole in the Sony lens range

Exceptional sharpness

0.5x macro capability

Not the fastest AF

Barrel distortion needs digital correction

Tamron offers a trio of wide-angle primes for Sony full-frame E-mount cameras, with 20mm, 24mm, and 35mm focal lengths. But if you're going to go wide, it may as well be the widest of the bunch. All three lenses share a common aperture rating of f/2.8 and a filter size of 67mm. The primes have a tough act to follow, as we’ve been hugely impressed with the Tamron 17-28mm and 28-75mm constant-aperture f/2.8 zooms. Keeping in step, this 20mm lens is very lightweight in build and price tag but goes large on performance with sumptuous image quality.

Read our full Tamron 20mm f/2.8 Di III OSD review

Best Sony lenses: Sigma 20mm F2 DG DN | C

(Image credit: Matthew Richards)

26. Sigma 20mm F2 DG DN | C

Another stellar 20mm FE-mount prime - you're spoilt for choice!

Compact but sturdy

Metal barrel, hood and cap

Aperture control ring

No aperture ‘de-click’ facility

Noticeable distortion if uncorrected

No focus distance scale

Smaller and lighter than Sony's 20mm f/1.8, yet almost as fast, Sigma's 20mm F2 is a simply superb wide prime. Despite being such a lightweight lens, it features a robust, full-metal construction and high-quality optical path. Intuitive handling combines with impressive image quality: the Sigma delivered very good levels of sharpness in our real-world tests, right out to the corners of the frame even when shooting wide-open at f/2. Vignetting is quite severe at apertures wider than f/5.6 but in-camera corrections are generally available for this as well as for distortion. Autofocus is fast and near-silent, based on a stepping motor. Overall, this is an ideal ultra-wide-angle lens for architectural interiors, sweeping landscapes, astrophotography and more besides.

Best Sony lenses: Samyang AF 24mm F1.8 FE

(Image credit: Future)

27. Samyang AF 24mm F1.8 FE

Great value for everyday shooting, and long into the night

Highly impressive image quality

Customizable controls

Tough weather-resistant construction

Not quite distortion-free

Minor vignetting when wide-open

Small and lightweight for a 24mm f/1.8 lens, this Samyang lens nevertheless feels strongly built and incorporates weather seals. It also packs a real punch, with fast, virtually silent, and consistently accurate autofocus, as well as excellent image quality in all respects. Handling is enhanced by a customizable autofocus hold button and a customizable dual mode switch, while the neat LED illumination makes infinity focusing easy for use as an astrophotography lens. The combination of a wide viewing angle and fast aperture rating further enhances the appeal to astrophotographers, but this lens is just as useful for everything from sweeping landscapes to architectural interiors. As usual, this Samyang lens is also available under Rokinon branding in North America, as the Rokinon 24mm F2.8 AF Sony E.

Read our full Samyang AF 24mm F1.8 FE review

Best Sony lenses: Sony FE 35mm F1.4 G Master

(Image credit: Rod Lawton/Digital Camera World)

28. Sony FE 35mm f/1.4 G Master

An ideal everyday fast, wide-angle prime

Twin XD AF motors

Outstanding optical quality

Fairly expensive

Not big… but not exactly compact

While the Sony Distagon T FE 35mm f/1.4 has been around for a while now, Sony's now got another fast 35mm prime in the shape of the FE 35mm f/1.4 G Master: a premium option that sits above the older optic. A mix of an ultra-fast maximum aperture and modest wide-angle focal length means it's a very versatile lens, suited to anything from portraits and weddings, to landscape and astrophotography. As you'd expect, it isn't cheap, but it delivers a spectacular optical performance. It's not the smallest 35mm prime we've seen, but the handling really impressed, with a perfectly weighted ‘de-clickable’ aperture ring, to the smooth and light focus ring. A lovely lens, but it inevitably comes at a hefty price.

Read our full Sony FE 35mm f/1.4 G Master review

Sony FE Macro lenses

Best Sony lens: Sony FE 90mm f/2.8 Macro G OSS

29. Sony FE 90mm f/2.8 Macro G OSS

Ready for your close-up? This quality macro prime certainly is

Full 1.0x magnification

High-precision auto and manual focusing

Great build quality and handling

Lackluster stabilization for full macro

Fairly expensive for its class

At its minimum focus distance of 0.28 metres, the Sony FE 90mm f/2.8 Macro G OSS lens delivers full 1.0x or 1:1 magnification. That basically means that small objects are reproduced on the camera’s image sensor at full life size. Naturally, if you’re filling the whole image frame with something as small as a postage stamp, the potential for massively enlarging tiny details is enormous. Beautifully built, this lens has up-market handling attractions including a customisable focus hold button, autofocus range limiter switch and Optical SteadyShot. Given that manual focusing is often preferred for extreme close-up shooting, there’s also a handy push-pull mechanism in the focus ring, for switching between auto and manual focus modes. Autofocus lives up to its billing in terms of speed and accuracy, while the OSS (Optical SteadyShot) system works well in general shooting but is relatively ineffective in macro photography. Image quality is very good in all respects, with excellent sharpness even wide-open at f/2.8, and the edges and corners catch up nicely when stopping down a little. More importantly for a macro lens, sharpness remains very good at narrow apertures, often required to get more than a tiny depth of field.

Sony E-mount APS-C lenses

(Image credit: Sony)

30. Sony E 10-18mm F4 OSS

Super-wide lenses for Sony APS-C E-mount cameras are rare...

Optical stabilization

Relatively compact

Constant f/4 maximum aperture

Not cheap

There aren't too many ultra-wide zooms out there for Sony APS-C mirrorless cameras, but this offering is conveniently compact and lightweight while still packing a punch with good overall performance, a constant f/4 aperture rating throughout the zoom range, and 3-stop optical stabilization. The latter is quite rare on an ultra-wideangle zoom lens, and very useful if you have one of Sony's un-stabilized A6000-series cameras. In terms of image quality, centre-sharpness is excellent throughout the zoom range but corner-sharpness is relatively lackluster at 10mm, even when stopping down the aperture. Thankfully, color fringing is pretty negligible at any combination of focal length and aperture setting, even towards the corners of the image frame, and distortion is quite well controlled.

(Image credit: Samyang)

31. Samyang AF 12mm F2.0 E

A high-quality wide-angle prime that's affordable and versatile

Images look fantastic

Fast, like A6000-series cameras

APS-C only

Very minor fringing/vignetting

Given that Sony's A6000-series APS-C cameras are built for speed, it makes sense to get a lens that can keep up with them. Step forward, Samyang's AF 12mm F2.0 E, a highly capable Sony E-mount lens with super-snappy autofocus, and enough image quality to make the most of those APS-C sensors. The previous 12mm f/2 from Samyang was manual-focus only, which doesn't really suit the vibe of the A6000 series, so it's good to see this new optic correcting that issue.

Images from the Samyang AF 12mm F2.0 E look fantastic, with excellent sharpness even when shooting wide open. You might notice some lateral chromatic aberration throughout the aperture range, but this can be easily corrected in-camera; the same goes for the minor vignetting and fringing that can crop up occasionally. This lens really punches above its weight for an optic at this price and is a tremendous addition to the kit bag of any Sony APS-C user.

Read our full Samyang AF 12mm F2.0 E review

Best Sony lenses: Sony E 16-55mm f/2.8 G

(Image credit: Matthew Richards/Digital Camera World)

32. Sony E 16-55mm f/2.8 G

The best Sony E-mount APS-C lens overall

Excellent image quality

f/2.8 maximum aperture

24-83mm equivalent focal range

No optical stabilization

There is an older Sony Vario-Tessar T E 16-70mm f/4 ZA OSS which is cheaper and lighter than this lens and has optical stabilization, but the maximum aperture is f/4, so the new Sony E 16-55mm f/2.8 G is, we think, the best 'pro' lens for Sony APS-C cameras. As a standard lens with a classic zoom range, the Sony E 16-55mm f/2.8 G ticks nearly all the right boxes. It delivers sumptuous image quality with fabulous sharpness and contrast, along with pleasant bokeh. Handling is very refined, with the addition of a customizable focus hold button, strong build quality, and weather seals. Autofocus is super-fast and deadly accurate. The only downside is the lack of optical stabilization.

Read our full Sony E 16-55mm f/2.8 G review

Best Sony lens: Sony E 18-135mm F3.5-5.6 OSS

(Image credit: Sony)

33. Sony E 18-135mm F3.5-5.6 OSS

A great long-zoom standard lens for A6000-series cameras

Effective zoom range of 27-202mm

Optical SteadyShot

Compact and lightweight

Relies heavily on digital corrections

The choice of standard zoom lenses for Sony's APS-C mirrorless cameras is narrower than you'd expect. The 16-50mm 'pancake' standard zoom sold with many A6000-series cameras is very small and convenient but not terribly good optically. Otherwise, the Zeiss Vario-Tessar (above) is a good buy but has a constant f/4 maximum aperture, and while the brand new Sony E 16-55mm F2.8 G fixes that with a constant f/2.8 aperture, it's big and expensive... and none of them have much of a zoom range. This is why we really rate the Sony E 18-135mm F3.5-5.6 OSS. It's compact, neat, and affordable, it offers a really good zoom range, and – unlike almost every other long-zoom lens – it holds its performance even at full zoom. If you use a raw processing program that doesn't automatically apply lens corrections you'll see how much digital corrections are needed, but if that's the price you pay for this level of optical quality, we'll take it!

Read our full Sony E 18-135mm F3.5-5.6 OSS review

(Image credit: Sony)

34. Sony E 30mm f/3.5 Macro

The best low-cost macro lens for APS-C Sony cameras

Cheap to buy

Small and light to carry around

Short focal length for a macro lens

No optical stabilizer

The Sony E 30mm f/3.5 Macro is really inexpensive and gives a good performance. The only drawback is that due to its 35mm focal length, the closest focus distance of 9.5cm for full 1.0x macro magnification puts the front of the lens just 2.4cm from the object you’re shooting. This can cast a shadow over the object if shooting under ambient lighting, as well as scaring away bugs and other tiny creatures you may be trying to shoot. Still, if you only shoot macros occasionally and don't want to spend a fortune on a lens you won't use very often, this lens is simply perfect.

(Image credit: Matthew Richards/Digital Camera World)

35. Sony E 70-350mm f/4.5-6.3 G OSS

A great long-range telephoto zoom for amateurs and enthusiasts

Very good image quality

Virtually silent autofocus

Slow-ish maximum aperture

Quite expensive

The Sony E 70-350mm f/4.5-6.3 G OSS is a really welcome addition to the Sony lens line-up. Designed specifically for APS-C format Sony E-mount cameras, it sports a 5x zoom range equating to 105-525mm on a full-frame body. It might not have an ultra-fast maximum aperture, but the modest f/4.5-6.3 aperture rating enables a much more compact, lightweight build, at a more affordable price. Image quality is also very impressive for a lens of this class and while it doesn’t have the world’s most effective optical stabilizer, you can still expect a good hit rate of sharp handheld shots. Overall, this is a lens that’s big on performance but refreshingly small and lightweight for handheld shooting.

Read our full Sony E 70-350mm f/4.5-6.3 G OSS review

36. Sigma 28-70mm f/2.8 DG DN | C

Compact, lightweight and affordable with a fast constant aperture

f/2.8 maximum aperture

Good value for a fast standard zoom

Lightweight

Not fully weather sealed

Missing 4mm from wide-angle

Corners not so sharp

If you're looking for a lightweight, affordable alternative to the standard 24-70mm f/2.8, the Sigma 28-70mm f/2.8 DG DN | C ticks all the boxes. It's not quite as wide at the wide end, but if you can get by without that extra 4mm the Sigma is an impressive bit of kit considering the price. The lens feels well-built, the focus and zoom rings are smooth, and you can rotate from 28-70mm in one fell swoop. The one downside is that it's not fully weather-sealed, so we wouldn't recommend using it in the pouring rain.

Read our full Sigma 28-70mm f/2.8 DG DN | C review

37. Viltrox AF 23mm F1.4

A strong performer that offers great value for money

f/1.4 maximum aperture

Good value for a fast lens

Lightweight

Not fully weather sealed

No aperture ring locking switch

This wide-angle 23mm lens is typical of others in the Viltrox trio (with the 33mm and 56mm) boasting a fast f/1.4 aperture rating. As such, it can deliver a tight depth of field, at least at fairly short focus distances, and enables fast shutter speeds for freezing motion even under low lighting conditions. Weighing 260g, it’s small and lightweight for an f/1.4 prime and feels a very natural fit on Sony's smaller mirrorless cameras.

Optical highlights include two ED (Extra-low Dispersion) elements and two HR (High Refractive index) elements, along with HD Nano multi-layer coatings to combat ghosting and flare. The autofocus system is based on a quick and super-quiet stepping motor and the focusing design ensures minimal focus breathing, which is another plus point for videographers.

Read our full Viltrox AF 23mm F1.4 review

How we test lenses

We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics. You can find out more about how we test and review on Digital Camera World.

You might like to look at the best lenses for Sony A6000 cameras, or head to the best mirrorless cameras you can get if that's the type of camera that you're interested in. Wondering what the difference is between the Sony A7R IV vs A7R III vs A7R II?

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Best Sony lenses in 2022

Sony FE standard lenses

5. Sony FE 24-105mm f/4 G OSS

Sony FE telephoto lenses

Sony FE wide-angle lenses

Sony FE Macro lenses

Sony E-mount APS-C lenses

34. Sony E 30mm f/3.5 Macro

How we test lenses

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