Taylor Swift's TTPD : Joe Alwyn, Matty Healy Lyrics Decoded
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Originally appeared on E! Online
Buckle up, Swifties: We're riding in a getaway car to a new era.
On April 19, Taylor Swift dropped The Tortured Poets Department—a surprise double album!—featuring songs filled with love, loss and, of course, Easter eggs.
In fact, the track "So Long, London," an apparent nod to the Grammy winner's 2023 breakup with Joe Alwyn, includes some of the most heartbreakingly beautiful lyrics on the album.
"You swore that you loved me but where were the clues? I died on the altar waiting for the proof," Taylor—who has since moved on with NFL star Travis Kelce—sings on the track. "You sacrificed us to the gods of your bluest days."
"And I'm just getting color back into my face," the lyrics continue, before referencing the time Taylor spent in the city throughout her six-year relationship with the British actor. "I'm just mad as hell 'cause I loved this place for so long, London / Had a good run / Moment of warm sun / But I'm not the one."
Several songs on the album—including "Fortnight" and "Fresh Out the Slammer"—also appear to address Taylor's rekindled romance with The 1975's Matty Healy, which was briefly revived in the spring of 2023 after her breakup with Joe.
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"Now pretty baby, I'm running back home to you," Taylor—who first sparked relationship rumors with Matty in 2014—sings in "Fresh Out the Slammer," adding, "I know who my first call will be to."
And although Taylor reflects on her past in TTPD, she noted in an April 19 social media message that this chapter has officially come to an end.
"The Tortured Poets Department. An anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time - one that was both sensational and sorrowful in equal measure," she wrote. "This period of the author's life is now over, the chapter closed and boarded up.'
"There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted," she continued. "This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it. And then all that's left behind is the tortured poetry."
Keep reading for a complete breakdown of Taylor's The Tortured Poets Department, including lyrics about Kim Kardashian.
"Fortnight" (featuring Post Malone): In the first track of TTPD, Taylor Swift and Post Malone team up to sing about a "temporary" romance that lasted for a fortnight (two weeks).
"And I love you, it's ruining my life," the lyrics tease. "I touched you, for only a fortnight."
It appears the song is a reference to Taylor's rekindled romance with The 1975's Matty Healy, which first began in 2014 and revived a decade later in the spring of 2023 following her breakup with Joe Alwyn.
And although the revival of Taylor and Matty's relationship was brief, it was jam-packed with emotion, according to these lyrics.
"The Tortured Poets Department": While fans previously pointed out the connection between the album's name TTPD and Joe's WhatsApp group chat called "The Tortured Man Club," the titular song actually includes references to Matty.
Even the track's opening lyrics, "You left your typewriter at my apartment," gives a nod to Matty, who noted he "really" likes typewriters in a 2019 interview with GQ.
Later on in the song, the lyrics offer more insight into Taylor and Matty's strong bond. Taylor even recalls, "At dinner you take my ring off my middle finger and put it on the one people put wedding rings on. And that’s the closest I’ve come to my heart exploding."
Taylor's lyrics also include shoutouts to poet Dylan Thomas—"you're not Dylan Thomas"—and singer-songwriter Patti Smith—"I'm not Patti Smith." As well as Charlie Puth. "You smoked then ate seven bars of chocolate / We declared Charlie Puth should be a bigger artist."
"My Boy Only Breaks His Favorite Toys": "I'm queen of sandcastles he destroys," Taylor sings on the third song on the album, in which she recalls a partner who ran away from their relationship.
"Cause I knew too much / There was danger in the heat of my touch," the lyrics note. "Saw forever so he smashed it up."
She previously compared lovers to toys in 2019's "Cruel Summer," in which she sang, "Bad, bad boy, shiny toy with a price / You know that I bought it."
"Down Bad": In the lyrics to this song, Taylor reflects on being ghosted by a guy, who she calls her "twin," after being infatuated by him.
"How dare you think it's romantic / Leaving me safe and stranded," she sings. "Cause f--k it, I was in love / So f--k you if I can't have us."
The "stranded" lyric may sound familiar to Swifties, given that Taylor uses it in the 1989 song "New Romantics": "Please leave me stranded / It's so romantic."
"So Long, London": Taylor has been known to reserve track five for her most heartbreaking songs, and, yes, "So Long, London" definitely fits the bill.
In this track, Taylor reflects on the end of her relationship with Joe (who previously inspired "London Boy") and the memories they shared in the city together over the years. She also alludes to what led to the demise of their relationship.
"I didn't opt in to be your odd man out," she sings. "I founded the club she's heard great things about / I left all I knew, you left me at the house by the Heath."
"But Daddy I Love Him": Taylor raised eyebrows when she spent time with Matty, who's been called out for his controverisal comments over the years. In "But Daddy I Love Him," she addresses a similar theme of wanting a relationship to work despite criticism from the outside world.
"No I'm not coming to my senses," she declares. "I know it's crazy but he's the one I want."
"Fresh Out the Slammer": After getting out of a long relationship with Joe, Taylor seemingly knew who she wanted to call: Matty.
"I did my time," she sings. "Now pretty baby I'm running back home to you."
"Florida!!!" (featuring Florence and the Machine): What to do when you need an escape? Head to Florida. At least, that's what Taylor and Florence Welch advise in this track.
"You can beat the heat if you beat the charges too / They said I was a cheat, I guess it must be true," Taylor sings, referencing speculation about her personal life. "And my friends, all smell like weed or little babies / And the city reeks of driving myself crazy."
"I need to forget, so take me to Florida," the lyrics later continue. "I've got some regrets, I'll bury them in Florida."
Taylor explained that the song was actually inspired by true crime sagas of escaping town.
“I’m always watching like Dateline—people, you know, have these crimes that they commit," she told iHeart Radio. "Where do they immediately skip town and go to? They go to Florida, you know? They like try to reinvent themselves, have a new identity, blend in. And I think when you go through a heartbreak, there’s a part of you that thinks, 'I want a new name, I want a new life, I don’t want anyone to know where I’ve been or know me at all. And so that was the jumping-off point behind, Where would you go to reinvent yourself and blend in?' Florida.”
"Guilty as Sin?": In another apparent nod to Matty, Taylor starts "Guilty as Sin?" with the lyrics, "Drowning in the Blue Nile / He sent me downtown lights." Well, it just so happens that, back in 2022, Matty named The Blue Nile's Hats as one of his favorite albums of the 1980s.
"Who's Afraid of Little Old Me?": Taylor tackles her critics in this passionate track."Is it a wonder I broke? Let’s hear one morе joke," she sings. "Then we could all just laugh until I cry."
"I Can Fix Him (No Really I Can)": As Taylor notes in this song, she believed she could help change someone, despite any naysayers.
"The smoke cloud billows out his mouth like a freight train through a small town," she sings. "The jokes that he told across the bar were revolting and far too loud."
"Thеy shake their heads saying, 'God, help her' when I tell 'em he's my man," the lyrics continue. "But your good lord doesn't need to lift a finger / I can fix him, no, really, I can / And only I can."
"Loml": In this moving track, Taylor first sings about being called the love of someone's life "about a million times." However, the dynamic soon changed.
"If you know it in one glimpse, it's legendary," she notes. "What we thought was for all time was momentary."
She ends the song by letting the person know, "You're the loss of my life."
"I Can Do It With a Broken Heart": The song appears to be about Taylor slaying her Eras Tour despite the heartbreak, noting that she's "hittin' my marks" on stage in front of a chanting crowd. She hides her emotions by putting on a strong face: "Lights, camera, bitch smile."
Though this song is upbeat, it's filled with lyrics of unrequited love.
"I'm so obsessed with him, but he avoids me like the plague / I cry a lot, but I am so productive, it's an art," she sings. "You know you're good when you can even do it with a broken heart."
"The Smallest Man Who Ever Lived": Taylor has a few questions for "the smallest man who ever lived," who seemingly left their relationship out of nowhere.
"You kicked out the stage lights, but you're still performing," she sings. "And in plain sight you hid / But you are what you did."
"The Alchemy": After ditching "the clowns," Taylor found the guy on the Chiefs. In "The Alchemy," an apparent nod to her NFL player boyfriend Travis Kelce, Taylor makes several sports references.
"I haven't come around in so long / But I'm coming back strong," Taylor sings. "So when I touch down, call the amateurs and cut 'em from the team."
She later references her past "blokes," who "warm the benches," noting "we been on a winning streak."
"Clara Bow": The lyrics to the final song on the album address the connection between Taylor and the late actress Clara Bow, whose life, similar to Taylor's, was subjected to much speculation and scrutiny.
"It's hell on earth to be heavenly," Taylor sings. "Them's the brakes, they don't come gently."
The lyrics also put a spotlight on the comparisons of women in the public eye, with the mention of Clara, Stevie Nicks and Taylor herself.
And, as if being told to the next star in line, "You look like Taylor Swift / In this light, we're loving it," the lyrics state. "You've got edge, she never did / The future's bright, dazzling."
"thanK you aIMee": After surprising fans at 2 a.m. with a double album, featuring 15 additional Tortured Poet songs, Swifties were quick to spot Kim Kardashian's name in the title of "thanK you aIMee."
"And it wasn't a fair fight, or a clean kill / Each time that Aimee stomped across my gravе," Taylor sings, seemingly referencing the infamous phone call between her and Kanye West that Kim posted online in 2016. "And then she wrote hеadlinesIn the local paper, laughing at each baby step I'd take."
But, as the lyrics note, Taylor is stronger now: "All that time you were throwin' punches, I was buildin' somethin' / And I couldn't wait to show you it was real / Screamed "F--k you, Aimee" to the night sky, as the blood was gushin' / But I can't forget the way you made me heal."
"So High School": Taylor seems to compare her love story with Travis to a sweet high school romance.
"Are you gonna marry, kiss or kill me?" she sings. "It's just a game, but really I'm bettin' on all three for us two."
She alludes to the night she rode in a convertible with Traivs after one of his football games, noting, "Get my car door, isn't that sweet? Then pull me to thе backseat."
Not to mention this mic-drop: "You know how to ball, I know Aristotle."
"The Manuscript": The lyrics may reference her romance with John Mayer—who she dated in 2009 when she was 19 and he was 31—since she sings about an age gap.
“In the age of him, she wished she was thirty / And made coffee every morning in a Frеnch press," Taylor sings, later adding, "She thought about how he said since she was so wise beyond her years / Everything had been above board / She wasn't sure."
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