Cannes is a celebration of achievement in film. Apparently, though, it's also a place where celebrities can show off their heinous dad-dancing. SEE ALSO: Kristen Stewart ditches heels, goes barefoot on the Cannes red carpet 50 Cent uploaded a video of John Travolta dancing with him at the festival in the early hours of Wednesday morning: Me and John Travolta partying 😆 l swear l only came out here because of him. pic.twitter.com/naQXTMGnxr — 50cent (@50cent) May 16, 2018 Apparently the video was taken at a celebration to honour John Travolta for receiving the inaugural Variety cinema icon award for his film Gotti . Some fans were surprised at the quality of the dancing. When the fuck did John Travolta forget how to dance? lol This dude been dancing his whole life... Now he dance like every cliche comedy scene where they get old white people that can't dance to dance to "hip" music lol https://t.co/2PkBsanvOI — R.A. the Rugged Man (@RAtheRuggedMan) May 16, 2018 Travolta should serve as irrevocable evidence that we all eventually dance like awkward old white men https://t.co/vVopv57Nep — T-Bob Hebert (@TBob53) May 16, 2018 sorrybutJOHN TRAVOLTA looks like he's dad-dancing there 🤣 https://t.co/kYRv9eB4tW — justme (@zante03) May 16, 2018 the simulation is glitching again https://t.co/FRFIJdvRjh — Frank Costa (@feistyfrank) May 16, 2018 someone explain pic.twitter.com/ACg0zCW2kQ — rah (@goldenberryx) May 16, 2018 Age comes for us all, guys. Don't go judging Travolta. WATCH: 82 women walked this year's Cannes red carpet in protest, calling for gender equality in the film industry
Former "Teen Mom OG" star Farrah Abraham sported a gown that was more revealing than she might have expected.
Director Spike Lee received a six-minute standing ovation at the Cannes Film Festival after the Monday night premiere of his new drama “BlacKkKlansman.”
The 2018 Cannes Film Festival will include new films from directors Spike Lee, Pawel Pawlikowski, David Robert Mitchell and Jean-Luc Godard, as part of a lineup light on American films and long on international auteurs both young and old.
First U.S. trailer for 'The Square,' winner of the Palme d'Or at this year's Cannes Film Festival, starring Elisabeth Moss, Dominic West, and Terry Notary
Colin Farrell reteams with director Yorgos Lanthimos ('The Lobster') for 'The Killing of a Sacred Deer,' co-starring Nicole Kidman; watch its first trailer
Actress Diane Kruger might wanna think twice about gambling on her own movies. According to the Hollywood Reporter, Kruger recently bet Fatih Akin, the director of her new movie In the Fade, that the film wouldn’t make it into the main competition at the 2017 Cannes Film Festival. The Inglourious Basterds actress wagered that she’d get an anchor tattoo if she lost.
Charlize . Nicole . Uma . Arnold . Clint . Will . The Cannes Film Festival attracts some of the biggest movie stars and moviemakers in the world. This year, however, it seems to also have attracted a crew that is better known for making headlines than making movies. While Paris Hilton and Lindsay Lohan have been doing no work and all play there for years, there are even more festival crashers in 2017, led by the KarJenner contingent ( Kendall Jenner , Kourtney Kardashian , and Scott Disick ). Take a look at some of the people who have nothing to promote at Cannes other than … themselves.
First full trailer for 'Okja,' including the reveal of the title creature, arrives as the film's distribution method via Netflix is hotly debated at Cannes
Netflix will bring Bong Joon Ho's 'Okja' and Noah Baumbach's 'The Meyerowitz Stories' to competition at the world's biggest film festival in May in France
A day after Gus Van Sant’s The Sea of Trees got some boos from the press corps at Cannes, Todd Haynes’s period romance Carol earned bravos at its press screening. The cheers were well-deserved — as was the insanely early awards-season chatter both for the movie and for the stunning performances from Cate Blanchett and Rooney Mara. A remarkably well-made in-competition drama, Carol is a marvel: A stirring, obsessive romance, it evokes a 1950s New York that feels both impossibly distant and unmistakably familiar. Carol is structured as a flashback: We open with Therese (Mara) and Carol (Blanchett) sitting at a table in an elegant tea room.