- CelebrityYahoo Life
Camila Alves McConaughey posts bikini picture with ‘friendly reminder to love yourself’
"NO my body doesn’t look like this now," the 39-year-old model wrote.
- CelebrityIn The Know
Mom refuses to stop editing ‘terrifying’ teeth onto baby despite husband’s wishes: ‘I’m with dad’
Parents couldn't stop laughing at the unsettling photos.
- LifestyleDaily Paws
This Adorable Rescue Pup's Family Was Told He Was a Corgi, But They Couldn't Have Been More Wrong
This little mutt has a huge personality to match his oversized ears.
- PoliticsWashington Examiner
Brad Raffensperger demands firing of Fulton County, Georgia, election officials after double-counted ballots
- U.S.NextShark
Oregon woman tells Filipino man to ‘go back to the Philippines,’ yells the N-word
A viral video on Twitter shows an Oregon woman spewing anti-Asian comments at a couple, telling them to ‘go back to Philippines’ before dropping the N-word. YouTuber Joseph Morris claims the woman is Shauna Nicol Foreman, and that the two parties reportedly got into a dispute over the loudness while caring for their lawn. Oregon law states: “It is legal to record telephone conversations with the consent of at least one party, but recording in-person conversations requires the consent of all pa
- CelebrityWomen's Health
January Jones, 43, Flashes Her Toned Abs In Funny 'Uneven Boobtape' Selfie
She credits her strong core to yoga and Pilates.
- WorldThe Conversation
How Sarah Baartman's hips went from a symbol of exploitation to a source of empowerment for Black women
Sarah Baartman was an international sensation of objectification. British LibraryIn “BLACK EFFECT,” a track from Beyoncé and Jay-Z’s 2018 collaborative album “EVERYTHING IS LOVE,” Beyoncé describes a quintessential Black female form: Stunt with your curls, your lips, Sarah Baartman hips Gotta hop into my jeans like I hop into my whip, yeah The celebration of Sarah Baartman’s features marks a departure from her historical image. Saartjie “Sarah” Baartman was an African woman who, in the early 180

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