Sixties out, CIA in? Looking for meaning in Emmys
Actress Claire Danes, winner of the Emmy for outstanding lead actress in a drama series for "Homeland," left, and actor Damien Lewis, winner of the Emmy for outstanding lead actor in a drama series for "Homeland" pose together backstage at the 64th Primetime Emmy Awards at the Nokia Theatre on Sunday, Sept. 23, 2012, in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
NEW YORK (AP) — Have the '60s gotten boring? Has the CIA become sexy?
Or have we gotten weary of looking back, albeit stylishly, at our collective past, and are now eager to face our precarious present and perhaps scarier future?
Or were Emmy voters, like fashionistas awaiting the new collections, just a little restless and ready for change?
It's perhaps foolhardy to draw any broad cultural lessons from the Emmy awards — but that doesn't mean people don't try. And there were a few themes emerging on Monday after, in the most surprising news of this year's awards, AMC's "Mad Men" was dethroned in rather spectacular fashion, losing all 17 awards it was nominated for and replaced by "Homeland" as best drama.
Sure, "Homeland," the Showtime thriller about a bipolar CIA agent trailing an Iraq war hero whom she suspects is working for al-Qaeda, has been much praised for its writing and its stellar cast, led by Claire Danes and Damian Lewis (both acting winners on Sunday).
But was there something broader at play? TV critic and analyst David Bianculli was struggling with that thought, saying he was drawn to "this really nice idea that one show, teaching us about our present by focusing on our past," was making way for another show, "Homeland," which was "focusing on our present and showing us our future."
But he wasn't sure he believed that. It could simply be, he noted, "this natural inclination of people just wanting to gravitate to something new." That was the feeling of TV historian Tim Brooks, who noted that the Emmys "are a matter of what's hot at the moment."
Not that Emmy winners change every year, of course — "Mad Men" had won the best series Emmy four years running. But what it ran into, added Brooks, a former executive at Lifetime, was a show that was managing both to capture the current zeitgeist — it is, after all, an election year, and "Homeland" delves into politics as well as national security and terrorism — and to say something weighty.
"Emmy voters like to reward the 'big statement,'" said Brooks. "They like the big subjects."
What is precisely the "big statement" of "Homeland"? To Showtime president David Nevins, who was basking on Monday in the glow of his network's first series Emmy win, it's not just the obvious connection between the show and current events, although that's part of it. (And some of that was unplanned; the second-season trailer shows anti-American protests overseas, scenes that were filmed before the attacks on the U.S. Consulate in Benghazi, Libya, that left the U.S. ambassador and three other Americans dead.)
"The show has a very intense relevance to the world that we live in, and that adds greatly to its watercooler effect," Nevins said in a phone interview. "But it's also topical and political in less obvious ways. The politics of the show are complicated. Is it coming from the right? The left? What is it saying about America's position in the world? It's not obvious." And that, he said, means it can resonate for both sides in a polarized country.