Letterman books it with artist-writer Bruce McCall
This Oct. 21, 2013 photo shows writer and illustrator Bruce McCall in New York. McCall teamed up with TV host David Letterman for their new book "This Land Was Made for You and Me (But Mostly Me)" by Blue Rider Press. (AP Photo/Frazier Moore)
NEW YORK (AP) — Hear David Letterman, who knows something about comedy, pay tribute to the comic artistry of Bruce McCall.
"The standard by which comedy should be judged," says Letterman.
Relaxing at his mid-Manhattan offices after a "Late Show" taping last week, he continues celebrating the man he has just played host to (not for the first time) as one of that night's guests.
He calls McCall's writing and illustrations "a perfect combination of the ridiculous and hyperbolic, but still with a glimmer of plausibility."
Then, when told that McCall says the two of them share "exactly the same sensibilities in humor," Letterman responds with a wary smile: "Anybody can carve meat. Some can carve it with a sharp knife, some can carve it with a dull knife. Mine," he pauses for maximum effect, "needs sharpening."
No wonder Dave teamed up with McCall for their new book, "This Land Was Made for You and Me (But Mostly Me)" with the sassy subtitle "Billionaires in the Wild" (Blue Rider Press).
Their book treats readers to the McCallian charm that Letterman has adored since the 1970s, when he stumbled onto McCall's work in National Lampoon and Esquire magazines, then became a fan of McCall's text-and-illustration classics including "Zany Afternoons" and "All Meat Looks Like South America," as well as his 50-and-counting covers for The New Yorker (the most recent last month).
McCall, now 78, depicts a wonderland of gracious living writ extravagantly large. His is a Gatsby-like world of urbane but unconscionable excess that feels fancifully authentic, that indeed might have existed in bygone times, or might today, or might tomorrow — that is, if expense, taste and even minimal respect for Mother Nature were no object.
The new book stemmed from Letterman's off-hours whiled away at his Montana ranch, where, around him, he saw fortunes and hauteur fuel outrageous back-to-nature lifestyles.
"I kept thinking, I would just like to see one Bruce McCall rendering of a million-acre ranch," Letterman recalls.
"This Land" goes even further. Broadening its scope beyond just Montana's "billionaires in the wild," it goes global with dozens of imagined case histories, like the 23-year-old casino titan who buys an island in the Fijis, where he installs a nuclear power plant to furnish hot water to his Olympic-size Jacuzzi, and a "Bangalorean packaged-suttee mogul" who removes the craggy peak of Mount Everest and transports it to the roof of his ritzy Manhattan apartment house, with his valet posted at the summit to serve martinis to parched mountain-climbing guests.
Closer to home: the fire-insurance baron's mile-long fireplace in his Wyoming manse. Or the Montana hunting lodge whose vast living room serves, for added convenience, as an indoor landing strip for his private plane.
Granted, Letterman, who at 66 is a well-heeled TV star, might be accused of guilt-by-association with McCall's "brainless rich" as he mocks high rollers who turn unspoiled nature into a private Disneyland.