30 Rock Finale Recap: Lemon Out!
30 Rock Finale Recap: Lemon Out!
Were it not for you and the clause in your ridiculous contract – which promises you $30 million if TGS doesn’t make it to 150 episodes – there’d be no reason for Liz and the gang to return to the studio for one last go. Hence, we’d miss out on a 30 Rock series finale that’s funny, touching and stuffed like a Cheesy Blaster with shout-outs to the (real) NBC comedy’s seven-season run.
So let’s work on our night cheese, reminisce about our time dating Mickey Rourke (blerg) and grimace at our mom’s friend Ron as we review the major events of “Hogcock!”/”Last Lunch.”
JUST WHEN I THOUGHT I WAS OUT… | With TGS off the air, Liz is an unhappy stay-at-home mom. Her ennui manifests itself in a visit to Jack, who has nailed the position of Kabletown CEO but is experiencing a similar emptiness in his life. They both pay calls to new NBC CEO Kenneth. Liz pitches him a sitcom based on the story of her life, “A woman writer, living in New York…” but he cuts her off by saying everything she’s just mentioned is on his list of “TV no-no words,” which also includes “shows about shows,” “Justin Bartha” and “immortal characters.” (Ha!) She later tries again, but Kenneth passes and instead drops this news: Per Tracy’s aforementioned contract, she’s gotta come back for one more TGS.
Meanwhile, Jack’s consultation with Kenneth fires up the older man to dominate his happiness the way he crushes business, and we’re treated to a montage that includes Donaghy systematically making things right. He spends quality time with his daughter. He has a Forrest Gump-like moment in a church choir. And — perhaps the most impressive — he gets Julianne Moore’s Nancy and Salma Hayek’s Elisa (Skyped in from a Puerto Rican prison) to agree to a group relationship. Even with his home life in order and having “pissed off my enemies – Pelosi, Maddow, Baldwin” (ha!), Jack still can’t figure out what’s missing.
So when Liz stomps into his office and demands a job, she’s shocked to hear that he’s resigned as Kabletown’s head honcho… and he won’t help her find a new gig, because work is never going to make her happy. “Oh my god,” she says, realization dawning. “This whole time, you’ve been telling me how to run my life, you didn’t know what you were talking about. You’re just an alcoholic with a great voice.” (I waited for a joke line to lighten that burn. It didn’t come. Ouch.)
The interaction gets nastier, with both agreeing that they’re nothing more than co-workers. “So we ruined each other. Good to know,” she spits. (Between this argument and Jim and Pam’s terrible phone call last week, NBC comedies, you are ruining me.) The moment is broken (hilariously, thank goodness) by Jonathan gleefully running in and banishing Liz for good. “Get out of our lives!”
Everyone returns to the set, so let’s just break the rest of the episode down by character.
JENNA | After grandly announcing her plans to advance her career, Jenna fails at primetime TV (as a too-vocal Law & Order: SVU corpse) and at making a splash in Hollywood (her “Shut it down” when she realized she was the oldest person at the airport made me laugh out loud). The blonde’s intention to hit Broad-WAY is interrupted by playing therapist to Jack, who’s rapidly falling apart, and by maintaining that there’s no one on TGS she’ll really miss. That’s not actually true: She and Tracy have a soggy embrace before their “Hitler to Hitler” scene, and she tearfully sings the song from Rural Juror to close out TGS‘ run; lyrics as follows:
The Irma Luhrmer-Merman murder
Turned the bird’s world lurid
The whir and the purr of a twirler girl
She would the world were demurer
The insurer’s allure for valor were pure Kari Wuhrer
One fervid whirl over her turgid error