Court Yard Hounds Barking Up the Right Country-Rock Tree
"Nobody has one band anymore," laughs Martie Maguire. "They’ve got two and three and four!" By today's promiscuous musical standards, then, she and sister Emily Robison are actually playing it pretty conservative by keeping it to just a couple — one of which, Court Yard Hounds, has a sophomore album, Amelita, out this week.
Their other group, a little combo called the Dixie Chicks, is still officially together but has not darkened the doorstep of a recording studio in over seven years and isn't likely to any time soon. So one thing that's changed in a big way since Court Yard Hounds released their debut in early 2010 is the perception of which group represents their day gig, as it were. The sisters ain't just whistlin' Dixie when it comes to affirming which job counts as the "side project."
"The Chicks shows are definitely the moonlighting," says Robison, "and we feel like this is where most of our energy and focus goes. Because we live so close and we’re sisters, we’re together all the time and always talking, thinking, writing music. It’s a more natural extension of what’s on our minds musically, versus the Chicks, which is a little more difficult just logistically to get together and record... With the Chicks shows, it's a little bit easier to get out there and do ‘em and put together the set list that you know and love (than make records). But I think our passion right now is the Court Yard Hounds."
Robison and Maguire put their passion where their mouth is by settling into an Austin studio and performing an exclusive set for Yahoo! Music, including their new single, "Sunshine," along with two of their favorite album cuts, "Amelita" and "Divided."
If you have any fear of Pollyanna-ishness, rest assured that "Sunshine" is not a song that lives up to its name — except maybe musically. The leadoff track from Amelita has a barbed lyric to go with the blue-sky melody, directed at a certain someone who really tends to be a walking storm cloud. Robison enjoyed the trickiness of pairing "the light production and music with the sarcastic lyrics." And yes, tell-all fans, "everyone wants to know, who is 'Sunshine' about? I definitely have people in my mind as to who I’m talking to, but it’s not just one person but more of a conglomeration of a lot of different people. I think most people have a person in their world who’s just a total Debbie Downer, turd-in-the-punchbowl person that you just feel like, 'Aw, are they showing up and are just gonna bring everybody down?'"
The title song of Amelita has some of that same contrast between spirited music and a conflicted set of lyrics. Its Tex-Mex-inspired arrangement gives regional flavor to a tune about a young prostitute eking out an existence south of the border.