1 / 8

Robert Indiana: Beyond LOVE

Robert Indiana, LOVE, 1966
Oil on canvas - 71 7/8 x 71 7/8 in.
Indianapolis Museum of Art; James E. Roberts Fund 67.8
©2013 Morgan Art Foundation, Artists Rights Society (ARS), New York

Robert Indiana: Beyond LOVE

September 27, 2013

Robert Indiana (b. Robert Clark, 1928) first emerged on the wave of Pop Art that engulfed the art world in the early 1960s. Bold and visually dazzling, his work embraced the vocabulary of highway signs and roadside entertainments that were commonplace in post war America. Presciently, he used words to explore themes of American identity, racial injustice, and the illusion and disillusion of love. The appearance in 1966 of what became his signature image, LOVE, and its subsequent proliferation on unauthorized products, eclipsed the public's understanding of the emotional poignancy and symbolic complexity of his art.

A new retrospective at the Whitney Museum of American Art in New York City will reveal an artist whose work, far from being unabashedly optimistic and affirmative, addresses the most fundamental issues facing humanity—love, death, sin, and forgiveness—giving new meaning to our understanding of the ambiguities of the American Dream and the plight of the individual in a pluralistic society.