After Seven Years in the Making, It's Finally Clear "Skies" for Psych: The Musical
Dule Hill, James Roday | Photo Credits: Alan Zenuk/USA Network
When asked when he first thought of doing a musical episode of the USA cult favorite, Franks readily admits that it was during production on the pilot — before the project had even been picked up to series.
"We did a lot of driving shots where [stars James Roday and Dulé Hill are] being towed by a trailer and then the cameras are mounted on the car so when that happens, these two guys are stuck in the car," Franks tells TVGuide.com. "You can hear everything they're saying the whole time and between every single take as we're turning around, they started singing. They were singing nonsense stuff and making up bits and singing songs. I was like, 'Wow, these guys can really sing and they're just fantastic performers. We could do a musical episode.'"
It may have sounded like a long-shot at the time, but lo and behold, seven years later, Psych: The Musical premieres Sunday at 9/8c on USA. So what took so long? "Of course I insisted, like, I want to write these songs and I want to direct it. I kind of wanted to do everything so I think I was the big impediment with this thing going off," Franks says with a laugh. After trying to tackle the project in Season 3 to no avail — "at that point I was still figuring out how to run a television show" — plans for the musical were finally announced in 2011. "I thought, I'm going to announce it at Comic-Con to force myself to do it," he recalls.
Sadly for eager Psych-os, it would be another year before the musical truly started to take shape. "I give him lots of credit for waiting until he had a concept that he knew we had a real shot at executing. I think it's a fair question for any show that does a musical at this point, especially in the culture of shows that are just musicals every week," Roday says. "It was definitely something that was sort of ever present in our heads: If we're going to do this, we've got to have a pretty good reason for why and we've got to blow it out of the box."
Fortunately, Psych's creator was not only very ambitious, but also very well-versed in songwriting. The only issue Franks had was switching gears from writing rock songs for his band of 20-plus years, The Friendly Indians, to writing showtunes. All in all, Franks penned 12 original songs for the musical, in addition to the script. "It was like a vacation for me, oddly enough, but I've never worked harder on anything in my life," he says.
The same holds true for the cast. After seven years in the holding stage, the cast and crew only had 14 days to shoot the entire two-hour musical once things kicked into high gear. "We literally had half a day with a choreographer on a Saturday to go through all the choreography for all the numbers in the whole show. It was like, 'OK, a lot of this isn't going to stick," Roday says. "We're always ready to look silly if it helps make the show work, so I don't think any of us were that concerned about dancing badly."
Other than letting a few dance moves slide by the wayside, however, Franks, Roday & Co. knew the pressure was on to create a musical episode that was both worthy of the fans who had waited so long, and a satisfying response to its naysayers. "We've taken pretty big swings on this show so far. Some of them have been successes and some of them have been hot messes, and one of the cool things about Psych is that we're not afraid to fall on our face," says Roday, who shares a memorable tango with Timothy Omundson. "Sure, I think there were some people that probably, rightfully, voiced the concerns that go along with doing a musical episode, but we didn't really listen. We rarely listen."