Revisiting old work for Jeff Lynne
This undated image released by Frontiers Records shows Jeff Lynne of the Electric Light Orchestra. Lynne just-released "Mr. Blue Sky" CD is a Take Two of 12 of ELO's best-known songs, by a one-man orchestra. It is paired with another release, "Long Wave," where he interprets some youthful favorites and standards like "Bewitched, Bothered and Bewildered" and "Love is a Many Splendored Thing." (AP Photo/Frontiers Records, Martyn Atkins)
NEW YORK (AP) — Far be it for us to call Jeff Lynne obsessive.
But the man did just spend countless hours in a recording studio painstakingly remaking his 1970s era hits with the Electric Light Orchestra so they sound, to amateur ears ... exactly the same as they did when they were in the Top 40.
Ah, but his aren't amateur ears. And every time Lynne would hear songs like "Mr. Blue Sky," ''Evil Woman" or "Telephone Line" on the radio, it would drive him a little nuts. He'd hear something he wished was done differently, a vocal that sounded muddy or an instrument lost in the mix, and remember how it was usually recorded hurriedly.
So Lynne, who built a successful post-ELO career as a producer to members of the Beatles and Tom Petty and has a state-of-the-art studio in his California home, set about recreating history.
His just-released "Mr. Blue Sky: The Very Best of Electric Light Orchestra" CD is a take two of 12 of ELO's most popular songs, by a one-man orchestra. It is paired with another release, "Long Wave," where Lynne interprets some youthful favorites and standards like "Bewitched, Bothered and Bewildered" and "Love Is a Many-Splendored Thing."
This CD cover image released by Frontiers Records shows "Mr. Blue Sky: The Very Best of Electric Light Orchestra." (AP Photo/Frontiers Records)
The English musician spent three years on the projects, working six days a week.
There are virtually no differences in the ELO arrangements on "Mr. Blue Sky" and the instruments that are played. Lynne had no interest in reinterpreting material that he wrote. His voice sounds slightly deeper in spots, but that's barely noticeable. Only when you play old and new versions back-to-back do you notice the much clearer vocal on "Evil Woman" and the way the violin jumps out at you on "Strange Magic."
"It may be technical, but it is vastly different," Lynne said in a recent interview. "The sound of it is totally different. It's much more powerful. It's much better sounding."
In the old days, band members would play the basic tracks and Lynne would overdub extra instruments. This time Lynne did everything, often starting with rhythm guitar and adding bass, drum, keyboards, voice and other instruments one by one.
"It was a lot of work, but it was a total pleasure," he said. "To me, making records isn't work."