Review: 'Trek' goes not so boldly into rehash zone
This undated publicity film image released by Paramount Pictures shows, Zoe Saldana, left, as Uhura and Zachary Quinto as Spock in a scene in the movie, "Star Trek Into Darkness," from Paramount Pictures and Skydance Productions. (AP Photo/Paramount Pictures, Zade Rosenthal)
"Star Trek Into Darkness" is like fan-boy fiction on a $185 million budget. It's reverential, it's faithful, it's steeped in "Trek" mythology.
It's also an excessively derivative what-if rehash of themes and interactions that came before, most of the characters lesser copies and even caricatures of the originals. The scenario's been hijacked and rejiggered from better "Trek" plots of decades ago, the best verbal exchanges lifted nearly verbatim from past adventures.
In short, the new chiefs of Starfleet aren't coming up with much to call their own.
They pile on the spectacle in a way that's never been seen before in "Star Trek," whose old big-screen incarnations were so notoriously underfunded they had to go back and borrow props, miniatures and visual effects from previous installments. The action in "Into Darkness" is top-notch, the visuals grand, though the movie's needless conversion to 3-D muddies the images.
This undated publicity film image released by Paramount Pictures shows, Zachary Quinto, left, as Spock and Chris Pine as Kirk in a scene in the movie, "Star Trek Into Darkness," from Paramount Pictures and Skydance Productions. (AP Photo/Paramount Pictures, Zade Rosenthal)
But the heart is, well, halfhearted, as though the people of the 23rd century are there to mouth the standard logic-vs.-emotion, needs-of-the-many-vs.-needs-of-the-few patter of "Star Trek" to count time before the next space battle or ray-gun shootout.
Director J.J. Abrams was most definitely not a fan-boy for this franchise when he made 2009's "Star Trek," which reintroduced Kirk, Spock and the rest of the starship Enterprise gang with a time-travel twist that allowed the William Shatner-Leonard Nimoy original to coexist with an entirely different destiny for the new players.
Abrams grew up a fan of "Star Wars," the next space saga he'll be reviving with the launch of a third trilogy. But his key collaborators, screenwriters Roberto Orci, Alex Kurtzman and Damon Lindelof, are "Trek" fan-boys to their marrow. They know this world, they love this world, and like many fans, they have a particular fixation on 1982's "Star Trek II: The Wrath of Khan," the best that the franchise has ever had to offer, on the big-screen or TV.