Review: 'The Butler' tells a story we need to hear
This film image released by The Weinstein Company shows, from second left, Chloe Barach as Caroline Kennedy, Minka Kelly as Jackie Kennedy, James Marsden as President Kennedy and Forest Whitaker as Cecil Gaines, third from right, in a scene from "Lee Daniels' The Butler." (AP Photo/The Weinstein Company, Anne Marie Fox)
"You hear nothing. You see nothing. You only serve." Such are the instructions Cecil Gaines receives as he embarks on his daunting new job at the Eisenhower White House in "Lee Daniels' The Butler."
But of course Gaines, played by Forest Whitaker in a moving, grounded performance that anchors the film and blunts its riskier excesses, hears and sees everything.
And that means that over more than three decades on the job, he has a Forrest Gump-like view not only of the White House under seven presidents, but of the long arc of the civil rights struggle in 20th-century America.
This film image released by The Weinstein Company shows Forest Whitaker as Cecil Gaines in a scene from "Lee Daniels' The Butler." (AP Photo/The Weinstein Company, Anne Marie Fox)
Much has been said about this movie's potential future as an Oscar powerhouse. The speculation is natural — especially given its star-studded cast — but it takes away from the more important discussion of its simpler virtues, as an absorbing film that has the potential to teach a new generation (and remind an older one) about these crucial events.
The story is inspired by a Washington Post profile of Eugene Allen, a White House butler from 1952 to 1986. Some anecdotes remain, but much is different. Most importantly, Daniels and screenwriter Danny Strong create a father-son dynamic between Gaines and a rebellious older son, Louis (a terrific David Oyelowo) that serves as a backdrop against which the civil rights struggle can play out — through the eyes of black characters, not white ones, for a refreshing change.