Playwright takes on 'Clybourne Park' with new work
This 2011 photo released by Center Stage shows Kwame Kwei-Armah, Artistic Director of Center Stage theater in Baltimore, Md. The 46-year-old black British actor, director and playwright launches "Beneatha's Place." The new production will play in rotation with Bruce Norris' “Clybourne Park,” which won a Tony Award last year for best new play. (AP Photo/Center Stage, Richard Anderson Photography)
BALTIMORE (AP) — Growing up in Britain, Kwame Kwei-Armah saw the American classic "A Raisin in the Sun" perhaps more often than any other play, with its powerful portrayal of race relations.
More than 50 years after the debut of "Raisin," the 2011 Pulitzer Prize-winning drama "Clybourne Park" picked up on the story. It was striking to Kwei-Armah for its frank take on race and made him want to respond.
Now the 46-year-old British actor, director and playwright is introducing a new story inspired by Lorraine Hansberry's "Raisin" of 1959. "Beneatha's Place" launches his American career in his second season as artistic director of Baltimore's CenterStage, Maryland's state theater, after an award-winning career in London. The new production will play in rotation with Bruce Norris' "Clybourne Park," which won a Tony Award last year for best new play.
The two spinoffs from "Raisin" are being staged as "The Raisin Cycle" through June 16 with the same cast under director Derrick Sanders. Each actor plays two roles in each play.
PBS is filming a documentary about the project to be broadcast in October.
On Broadway and on screen, "A Raisin in the Sun," followed the Younger family, living in a dilapidated Chicago apartment, striving to escape poverty and move to a new house in a white neighborhood. "Clybourne," which has become one of the nation's most-produced plays, is set in the same house when it's sold again in 2009, this time to a white family when the neighborhood is primarily black.
The new play, "Beneatha's Place," picks up the story of Beneatha Younger, the young intellectual from "Raisin," and follows her journey over 50 years, moving to Nigeria and to a American university where she becomes dean, tangling with white faculty over whether an African-American studies program should be replaced with a degree exploring white privilege.
Kwei-Armah told The Associated Press about his inspiration for "Beneatha's Place" and the "Raisin Cycle" in his adopted city.
AP: How did you come to know Lorraine Hansberry's "A Raisin in the Sun," and how has that story influenced you?
Kwei-Armah: I read it at school, and I saw the film, of course, starring Sidney Poitier back when I was a young boy. Later, I saw the play in London, and I became a fan.... But actually, I became really fond of Beneatha. And I became slightly like Beneatha in my early 20s. I became political, and I began to find politics — pan-African politics. I began to find those things interesting intellectually.
AP: Some 50 years after "Raisin's" debut, what struck you about "Clybourne Park?"
Kwei-Armah: Well, I thought rather wonderfully what Bruce did is he created a wonderful, brilliantly crafted narrative. It did what we really like theater to do, which is to be a wonderful catalyst for a debate.
AP: Did you find something offensive in "Clybourne Park?"
Kwei-Armah: Offensive is a strong word. I found myself questioning one or two of the connotations. I do say connotations. I don't think that Bruce went out to say this, nor do I somehow assign him the term racist or anything of that ilk. But I found myself questioning the connotation of the play, which was, in my reading, that whites build and blacks destroy. In Act I, the antagonist says, if you let them in, one by one they will enter and then they will destroy. Then lo and behold, we meet Act II 50 years later, and it is destroyed. The neighborhood is destroyed.