Jennifer Damiano's next chapter has no fireworks
This undated theater publcity image released by The Public Theater shows actress Jennifer Damiano in the Public Lab musical "Venice," running at The Public Theater at Astor Place in New York. Damiano is following up her role as Mary Jane Watson in "Spider-Man: Turn Off the Dark" with a darker, less cartoonish young woman in "Venice," a thrilling musical that debuts at the Public this month. It marks her return to the stage after taking time off after a five-year nonstop grind. (AP Photo/The Public Theater, Joan Marcus)
NEW YORK (AP) — The shift from Jennifer Damiano's last workplace to her new one is striking.
The old one was the biggest theater in Times Square, with 2,000 or so seats. The new one is downtown and has room for just 275. The old stage — the setting for the most expensive musical on Broadway — had pyrotechnics and aerial stunts. Her new stage has just a bare scaffolding and a chair.
"It's such a shift but I'm happy for that," Damiano said during a recent interview at The Public Theater. "It feels very different, very intimate, which is what I needed."
Damiano is following up her role as Mary Jane Watson in "Spider-Man: Turn Off the Dark" with a darker, less cartoonish young woman in "Venice," a thrilling musical that debuts at the Public this month. It marks her return to the stage after taking time off after a five-year nonstop grind.
"This project just came up right at the perfect time. I had taken a little bit of time (off) and it just kind of happened," she said. "I honestly wasn't sure what the next thing would be at all, even if it would be theater. But I can't stay away from the new musicals."
"Venice," which has been incubating for five years, is a collaboration between Eric Rosen and Matt Sax and can best be described as an "Othello"-inspired futuristic hip-hop musical. The story centers on an attempt by a dynamic new leader to reunite his war-fractured city of Venice, still reeling from a terrorist attack.
Damiano, who grew up in Westchester County, N.Y., plays the leader's bride-to-be, Willow, who may or may not be lying about whom she really loves. The body count mounts as jealousy and ambition run rampant.
"It's so new and so its own thing," says Damiano, who celebrated her 22nd birthday last month during rehearsals. "It just felt like the perfect role for me at this age and this moment in my life."
Rosen wrote the book, Sax composed the songs and stars as the rapping narrator, and the two combined forces on the lyrics. They pursued Damiano and got her to say yes on the third attempt.
"We knew the purity of her voice, and the simplicity of her acting style was such a huge dream for us," said Rosen, who also directs. "It's a totally different vibe for her and I think she's really thriving in it. She grows more and more every day."
Sax said two songs in the show have even been written with Damiano in mind and with her input. "She has such a soulful spirit when she sings. I think we're really lucky that she's part of the team and also lucky that she's invested her heart in the show," he said.
Damiano may be young but she's a stage veteran. She made her Broadway debut as an understudy in 2006 in "Spring Awakening" at 15 — so young that she almost got into legal trouble.
She had been rehearsing for parts that included simulating onstage sex but the creative team found out that New York City law prohibits actors under 17 from such acts. So she took over another part. "Thank God they didn't know this when they cast me," she said.
Damiano's next job was as an overachieving daughter in "Next to Normal," for which she earned a Tony Award nomination. She went from that to Spider-Man's love interest, riding that roller coaster until late 2011.
Despite all the bad press, the accidents and the internal fights, Damiano doesn't regret being part of the show. She was never herself injured, and she made lifelong friends.