Dee Dee Bridgewater on a 'demanding role'
This image released by Cromarty and Co. shows Dee Dee Bridgewater performing in the off-Broadway musical play, "Lady Day," about legendary jazz singer Billie Holiday. The role not only involves more than 25 musical production numbers but also 16 monologues, or "regressions," that look at the brilliant singer's troubled life. (AP Photo/Cromarty and Co., Carol Rosegg)
NEW YORK (AP) — Dee Dee Bridgewater might have been a Broadway star were she not so successful as a jazz singer. She won a Tony Award in her Broadway debut as Glinda the Good Witch in "The Wiz." But she later rededicated herself to her jazz career, touring the world, winning three Grammys Awards and hosting NPR's nationally syndicated "Jazz Set."
Now the 63-year-old Bridgewater has put her jazz career on hold to return to the New York stage for the first time since 1979 in the off-Broadway musical play, "Lady Day," about legendary jazz singer Billie Holiday. The role not only involves more than 25 musical production numbers but also 16 monologues, or "regressions," that look at the brilliant singer's troubled life.
"It's just a very difficult and demanding role," said Bridgewater. "You have to call on so many different emotions and different periods in her life: you have to play a 10-year-old girl, a young Billie and then your present Billie," said Bridgewater, interviewed at Sardi's restaurant in the theater district.
Writer and director Stephen Stahl sketched out the play on a solitary Christmas Eve in 1979 while listening to Holiday's music which evoked his own feeling of loneliness and being an outsider as a gay, Jewish man who had started drinking at age 8 and dropped out of school.
"I understand what addiction is and what it is to feel different," Stahl said. "Billie expressed to me all of that desertion, fear and the need to be loved through her music. I also believe Billie was a survivor and saw her as a very strong human being who was giving out her love continually."
The play premiered in 1980 at the Walnut Street Theatre Studio 5 in Philadelphia and was staged at regional U.S. theaters but not in New York. Stahl cast Bridgewater for the European production after hearing her perform at a New York club.
As a young singer, Bridgewater considered Ella Fitzgerald to be the epitome of a virtuosic jazz singer, but regarded Holiday more as a song interpreter. She came to appreciate Holiday when her then-husband, trumpeter Cecil Bridgewater, encouraged her to read the singer's ghostwritten autobiography "Lady Sings the Blues." Bridgewater found that she shared experiences from Billie's life: encountering strict discipline from nuns at a Roman Catholic school, being molested at age 11 and raped at 18, and falling into abusive relationships with men.
"My experience wasn't as bad as Billie's, but I can take different points in my life and find some kind of similarity to what Billie went through," she said.
In 1986-87, Bridgewater performed "Lady Day" (in French) in Paris, and then in London where she received an Olivier Award nomination for best actress in a musical. Bridgewater felt "possessed" by Billie's spirit and months after the show closed she still found herself singing in Holiday's voice at her own concerts.