Actor Tambor carries on annual tradition at SXSW
Jeffrey Tambor, center, conducts his acting workshop with students Matthew Newton, left, and Kate Sheil during the SXSW Film Festival and Conference in Austin, Texas, on Sunday, March 11, 2012. (AP Photo/Jack Plunkett)
AUSTIN, Texas (AP) — Alongside rooms peopled with visions of technological futures and carefully calibrated self-promotion, Jeffrey Tambor is urging two young actors to scream and wrestle with each other.
This has become an annual tradition at South By Southwest, the yearly tech, film and music gathering in Austin. Tambor, the booming baritone character actor of "Arrested Development," ''The Larry Sanders Show" and many films, has hosted his acting workshop, "Performing Your Life," for the past five years.
The contrast of Tambor at SXSW can be stark. Tambor's only gadget is a microphone. He has little interest in hyping his career. And he refuses to present himself as a divined oracle of certainty.
Instead, he simply coaches two young actors before a crowd of SXSW attendees, repeatedly insists on disrupting his elevated platform by having the house lights turned on, and rambles through an inspirational and intentionally chaotic 90-minute riff on acting and, ultimately, one's attitude in life. He denied ownership of the lessons he teaches, noting they're ones he's "tripped on all my life."
Jeffrey Tambor, right, comments on student Kate Sheil's, left, performance during his acting workshop at the SXSW Film Festival and Conference in Austin, Texas, on Sunday, March 11, 2012. (AP Photo/Jack Plunkett)
"I cannot tell you how important attitude is during this little thing that we're doing," Tambor said. "What I'm interested in is attitude on the set and care and maintenance of directors, actors, writers. Especially when you have no money, especially when you're behind. Just especially."
In what followed, Tambor touted, above all, the importance of confidence, friendly collaboration and positive reinforcement. He urged his two actors to push outward in different directions — everything from "over-act" to "do a French accent" — make mistakes and mess up their performances to find them.
A sampling of his encouragements:
— "There's no such thing as a finished performance."
— "You know what I think of sincerity? I hate it."
— "Resistance is hard. ... 'Atta boy' is easy."
— "Don't make waves? Make waves."
— "Confidence is the game. ... It's the game in life and art."