Josh Duhamel: It Doesn't Take Much To Make Me Cry
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Josh Duhamel has a lot to live up to now that he's bringing a Nicholas Sparks leading man to life. But how will Duhamel's in Safe Haven compare to Ryan Gosling's work in The Notebook, Channing Tatum's performance in Dear John or Liam Hemsworth's star-making role in The Last Song?
That was just one of the questions I asked when Duhamel rang up ETonine in support of A Night With Nicholas Sparks' Safe Haven: Filmmakers, Author and Stars Bring the Book to Life, the NCM Fathom event taking place in cinemas nationwide on January 17.
ETonline: This is a very cool partnership you're doing with NCM Fathom. What appealed to you about this opportunity?
Josh Duhamel: I thought it was an interesting new way to get people interested and involved with the movie. The way Hollywood involves fans now is much different than it was when I first started, 12 years ago. Especially with a genre like this.
ETonline: Twitter has become a major way stars connect with their fans. Are you a fan of the platform?
Duhamel: It's interesting. There's something to be said about keeping your anonymity in some ways; maintaining some mystery. Some people say that familiarity breeds contempt, while sometimes it's the other way around. Nobody wants to know what I'm doing 24 hours a day, they'd be painfully bored, trust me [laughs]. At the same time, if I'm doing something interesting or funny, I like being able to share that with my fans. I'm not a completely closed book; I'm a social person and if I see something worth sharing, I'm happy to do that.
ETonline: One of the things you'll talk about during the NCM Fathom event is the film's production. Did you have a good time making this movie?
Duhamel: It was one of the best experiences I've ever had. I'll be honest; you have to be a pretty miserable person to not enjoy making movies. It's something I always dreamed about. I do not take it for granted. We were in Southport, North Carolina -- this beachtown in the middle of summer. Julianne is so much fun to work with. She's so real, and Lasse [Hallstrom, director] is about the most collaborative director you could have. You can do no wrong with him, and when you're in a situation like that, you can't help but make a movie you're proud of. All the elements were there to make the kind of movie we set out to. I'm so grateful I got the opportunity to work with him, Lasse is one of the greats.