White House celebrates the sounds of Memphis soul
President Barack Obama speaks during the “In Performance at the White House” in the East Room of the White House in Washington, Tuesday, April 9, 2013, a program for a celebration of Memphis Soul Music. (AP Photo/Pablo Martinez Monsivais)
WASHINGTON (AP) — President Barack Obama said he'd been looking forward to a White House celebration of Memphis soul music for one reason.
"Let's face it, who does not love this music?" he asked Tuesday, opening the night's concert in an East Room bathed in amber light and transformed by the addition of a stage and backup musicians.
"These songs get us on the dance floor," Obama said. "They get stuck in our heads. We go back over them again and again. And they've played an important part in our history."
Memphis, Tenn., was segregated in the 1960s, but blacks and whites came together despite the institutional racism to create a soulful blend of gospel and rhythmic blues music that sought to "bridge those divides, to create a little harmony with harmony," Obama said.
First lady Michelle Obama waves to students as she introduces the panel of a workshop, “Soulsville, USA: The History of Memphis Soul,” Tuesday, April 9, 2013, in the State Dining Room of the White House in Washington. Mrs. Obama hosted an event for students before tonight's “In Performance at the White House: Memphis Soul”. (AP Photo/Jacquelyn Martin)
He noted that two of the night's guests, Booker T. Jones and Steve Cropper, helped form one of the city's first integrated bands.
"They weren't allowed to go to school together. They weren't always allowed to travel or eat together," the president said. "But no one could stop them from playing music together."
"And that was the spirit of their music — the sound of Soulsville, U.S.A., a music that, at its core, is about the pain of being alone, the power of human connection, and the importance of treating each other right," Obama said. "After all, this is the music that asked us to try a little tenderness. It's the music that put Mr. Big Stuff in his place. And it's the music that challenged us to accept new ways of thinking with four timeless words: 'Can you dig it?'"