Review: A noisy 'Cat on a Hot Tin Roof' distracts
This undated theater image released by Boneau/Bryan-Brown shows Scarlett Johansson during a performance of "Cat on a Hot Tin Roof," playing at the Richard Rodgers Theatre in New York. (AP Photo/Boneau/Bryan-Brown, Joan Marcus)
NEW YORK (AP) — The creative team behind the Broadway revival of "Cat on a Hot Tin Roof" has apparently concluded that Tennessee Williams' script needed more fireworks. So they went ahead and added them.
They also added cap guns, the sound of crickets, musical crescendos, ringing telephones, chiming clocks, thunder crashes and a mind-boggling nine songs, some sung while the action is happening. One more song and this show might be classified a musical.
Whether all the sound effects are meant to enhance the performances onstage or cover up the acting is unclear. What's not unclear is that an unnecessarily noisy production opened Thursday at the Richard Rodgers Theatre. The ruckus distracts from some fine performances and a play that deserves — as most of the men in it also wish — silence sometimes.
This undated theater image released by Boneau/Bryan-Brown showsBenjamin Walker, left, and Scarlett Johansson during a performance of "Cat on a Hot Tin Roof," playing at the Richard Rodgers Theatre in New York. (AP Photo/Boneau/Bryan-Brown, Joan Marcus)
Scarlett Johansson turns in a nifty turn as Maggie, finding humor and barely hidden desperation in her role as frustrated wife and mother-to-be. She's less overtly sexy than other actresses who have played the ironic role, making her Maggie more cerebral, angry and proud.
Benjamin Walker, as her husband Brick, is slow to boil but savage when he does, a former athlete turned into a languid hunk of beef who sits on the edges of the stage avoiding conversation and hiding in a bottle. They have little chemistry at first — but that's kind of the point.
The older couple in this three-act melodrama — Debra Monk as Big Mama and Ciaran Hinds as Big Daddy — are excellent as a long-married pair whose love has turned poisonous. Emily Bergl as the scheming Mae is also first-rate. You won't believe Hinds is Irish, so wonderfully does he capture a Southerner whose genteel facade dissolves.