Review: Elba anchors 'Mandela' with dignity, charm
This photo released by The Weinstein Company shows Idris Elba, left, as Nelson Mandela, and Riaad Moosa, as Ahmed Kathrada, in the film, "Mandela: Long Walk to Freedom." (AP Photo/The Weinstein Company, Keith Bernstein)
If there were ever a season to learn, via the movies, about crucial periods of history, it's this one. Last month we were introduced to "12 Years a Slave," Steve McQueen's unforgettable look at American slavery, through one man with an incredible story.
And now we have "Mandela: Long Walk to Freedom," a film about another vital chapter in the world's history — the struggle against apartheid in South Africa — also through the incredible story of one man, albeit one we know well, and an adored hero of our times.
Cinematically, "Mandela," directed by Justin Chadwick and based on Mandela's autobiography, is not nearly as groundbreaking, nor as powerful, as "12 Years a Slave." But that doesn't mean it doesn't handle its subject with admirable ambition and scope.
It is, though, that ambition and scope that also bogs down the movie a bit. Mandela's life is portrayed here from his beginnings in a rural village to his election as president in 1994 at age 75. That's a huge amount of ground to cover, even without the newsreel-like scenes of historical context. And so, the film can feel too much like a stock, traditional biopic, with little time to delve into any one thing.
The happy news here is Idris Elba's magnetic performance as Mandela, portraying both the man's heroic aspects and, at times, his faults: The younger Mandela was rather a playboy, it appears, and the film does not portray his behavior toward his first wife in a favorable light.
Most of all, Elba finds the core of humanity, wisdom, strength and patience that made this one man capable of changing his country's history. By the end of this 139-minute film, Elba has so inhabited the character that you might be stunned to see photos of the real man, during credits, and realize the extensive physical differences (although the real man, apparently, thought he might be seeing footage of himself when the producer showed him a scene).
The wise casting extends to the second most important character, Winnie Mandela. As portrayed by Naomie Harris, the woman who would become Mandela's second wife first appears to us as a hypnotically lovely young lady, full of verve. "I've heard you have a lot of girlfriends," Winnie tells Mandela when they meet. "I'm different." And you believe her. Later, Harris must transform Winnie into a hardened, increasingly bold activist, eventually at odds with her husband. Again, you believe her.