Maya Angelou honors mom, grandmother in new book
FILE - In this May 20, 2010 file photo, poet and author Maya Angelou smiles at a garden party at her home in Winston-Salem, N.C. Angelou's latest book, memoir "Mom & Me & Mom," is a sweet ode to "Lady," her mother Vivian Baxter, and "Momma," her paternal grandmother Annie Henderson. (AP Photo/Nell Redmond, file)
NEW YORK (AP) — Writer, actor, dancer. Activist, teacher, composer. In the melange of Maya Angelou's 85 years is also daughter, of two women who deserved one with a good memory.
So Angelou writes in her latest literary memoir, "Mom & Me & Mom," a sweet ode to "Lady," her mother Vivian Baxter, and "Momma," her paternal grandmother Annie Henderson, who took her in at age 3 in tiny, segregated Stamps, Ark., and returned her at age 13, when the time was right.
Baxter, rough-and-tumble poor from St. Louis, and Henderson, refined believer in southern etiquette, are both long gone but figure big in Angelou's legendary life.
The fierce and fun Vivian was Angelou's abandoner and, later, her most loyal protector. She and Annie are familiar to admirers of the poet and spinner of autobiographical fiction. It's Angelou's eighth book to unravel her often painful and tumultuous life, including the 1969 National Book Award winner "I Know Why the Caged Bird Sings," chronicling her rape as a girl that left her mute for five years.
Angelou lost her beloved older brother Bailey in 2000, after his slide into drugs, and her mother in 1991, at age 79 or 85, depending on who's doing the counting, joked Angelou in a recent telephone interview from her home in Winston-Salem, N.C., where she has lived part-time for more than 30 years while on the faculty of Wake Forest University.
Her son, Guy, whom she had at age 17, remains with us, enduring years on crutches after numerous surgeries for spinal injuries he suffered in an auto accident.
A conversation with Maya Angelou:
AP: Where does this book fit into your cycle of autobiography? Is this a completion of sorts?
Angelou: Well, I don't want to say that because it sounds like it's The End. I don't want to do that to myself. I had been trying to write it for about 25 or 30 years, but it wasn't ready to be written. I wasn't ready to write it. When it came it was right. My mom had said she wanted my brother to write it, and I knew he wasn't going to. I'm sorry to say drugs had so taken him over.
AP: This is a story about forgiveness. How did you come to that point with your mother?
Angelou: I began to like her. I liked the fact that she didn't laugh at people. She had everything. You know, she was pretty, she was young, she had money. She had respect, and when she saw people who were poor, who were crippled or uncomfortable in their skin, she didn't laugh at them, and I liked that in her. It was a big heart.
AP: You were not happy with the notion of leaving your grandmother at 13 to return to your mother in California.
Angelou: It was terrible, because she (Annie) really loved me. She never once kissed me the whole time in Stamps, that I can remember, but she loved me. She was so proud of me, and the fact that I was a mute and had my own problems, she never took the position that, 'Oh, well you've been so injured.' She'd say, 'You're gonna be a teacher. Sister you're gonna teach all over this world.' She taught me how to be a victor.
AP: What are some of the revelations in this book, about yourself and your relationship with your mother?
Angelou: Well, I didn't know I loved her. I just didn't know I loved her, until I loved her. I'm not trying to be clever or mystic, but I mean I admired her. I got on with her. But I guess when I really began to see that I loved her, it was because she could make me laugh. And she had once tried so hard to make me laugh and I couldn't. I wouldn't. I was pregnant when I realized that I loved her. She just didn't do anything that girls' mothers did. She didn't put me down. She didn't make fun of me.