Correction: Music Review-Sting story

The Associated Press
Associated Press
In this Saturday, Nov. 12, 2016 photo provided by Universal Music France, British musician Sting performs on stage at the Bataclan concert hall in Paris, France, Saturday, Nov. 12, 2016. A concert by British pop legend Sting is marking the reopening of the Paris' Bataclan concert hall one year after suicidal jihadis turned it into a bloodbath and killed 90 revelers. (Boris Allin/Universal Music France via AP) MANDATORY CREDIT

In a music review Nov. 14 of Sting's album "57th and 9th," The Associated Press misidentified a song by the Police. The song is called "Every Breath You Take" not "I'll Be Watching You."

A corrected version of the story is below:

Music Review: Sting rocks out again with a familiar sound

Sting's new album, his first in more than a decade, sounds a lot like the old stuff, but that's not a bad thing

By SCOTT STROUD

Associated Press

Sting, "57th and 9th" (A&M/Interscope)

The first single on Sting's new album, "I Can't Stop Thinking About You," sounds like the love child of Police classics "Every Breath You Take" and "Can't Stand Losing You."

There are the achy lyrics of the former, which holds up well but has more of a stalker vibe than it seemed to the first time around. And there's the driving bass line of the latter, the style of playing that made Sting's former band one of the best of the 1980s.

"57th and 9th" as a whole sounds a lot like Sting's old stuff, but that's not a bad thing. It's musically incredible and lyrically wiser, though it also veers into self-importance at times — just as the old stuff did.

Unlike a lot of aging rockers living on past glory, Sting's return to rock 'n' roll from other projects seems driven more by a desire to return to something he loves than the need to make a buck. There's a payoff for waiting.

Recorded in a period of weeks, the album has spontaneity but also a rawness. He could have scrubbed a few clichés from the lyrics — the sands of time on one song, old rockers never die (they just fade away) on another — but the pulsating rush that was the hallmark of Sting's early work makes up for it.

A man who knows how to rock this well can be forgiven. It is good to have him back.