On a warm July evening in the backyard of a private Beverly Hills mansion secured by Spotify, a crowd of A-list stars including Olivia Rodrigo, Ben Platt, Willow and Jaden Smith, Amanda Kloots, and Khalid is counting down the minutes until the official release of Billie Eilish’s sophomore album, Happier Than Ever. Eilish is both excited and nervous about the world finally listening to her new album, which she likens to letting other people taste her “favorite cookie” she’s been baking in secrecy for the past year. Wearing vintage Prada sunglasses, a copper Miaou corset with a sheer, long-sleeve black Maison Margiela shirt, and vegan TLZ L’Femme black vinyl strappy pants, she addresses the crowd from the top of a staircase overlooking an illuminated cerulean pool. “This is fucking nuts!” she says with a throaty cackle. “I am so happy to see people in person and get hugs and see smiles…and my album comes out in two minutes!” As she shakes her microphone triumphantly in the air, the crowd bursts into wild cheers.
“I just love this album,” she says, leaning over the wrought iron balcony. “It’s my favorite thing I’ve ever created.” After thanking her brother and collaborator, Finneas, she throws her head back and lets out a gleeful whoop. “I’m just so stoked!” she says. At exactly 9 p.m. PDT, the album bursts through the sound system. Fifteen minutes into the listening session, the title track begins to play. And as the lush, melancholy ballad explodes into a cathartic blast of hard rock, Eilish executes a perfect rock-star move—she jumps into the pool fully clothed. Without missing a beat, her two best friends, Zoe and Drew, jump in with her, and they all start singing the lyrics together at the top of their lungs.
“Oh my God. It was amazing!” says Eilish, reflecting back on that wildly spontaneous moment one week after the party. “It was completely unplanned. I was standing on the edge of the pool singing, and my friend Carly was like, ‘Billie, get in the pool!’ And I don’t know, I was just feeling in the moment, so I got in, wearing four-inch-high platform boots!”
From the side of the pool, Finneas watched the joyful spectacle with bemused appreciation. “I was like, ‘Oh, there she goes!’” says her brother, noting that it was classic Billie behavior. “One of the many great qualities she possesses is her appetite for fun.” Eilish stayed in the pool for most of the party. Almost all her friends eventually got in with her. “I kept pulling them in,” she says with a laugh. The Gatsby-like soiree was meant to be an immersive experience of her album, and the impromptu aquatic rave allowed Eilish to direct the experience—both for herself and others. “I love big parties, but they can be a little overwhelming because everyone wants to talk to you. In the pool, I could call my own shots. I would swim up to somebody, talk to them, and then swim away and talk to somebody else.”
These days, Eilish is calling the shots more than ever before. After famously shooting to the top of the music charts at just 13 when “Ocean Eyes,” the single she created in her L.A. bedroom with Finneas, went viral on SoundCloud, the seven-time Grammy winner is upping the ante for her highly anticipated second studio album. In addition to writing her own songs (some with the help of Finneas), she also directed all the videos. “I am a very visual person, and music videos have always been my favorite form of artistry, ever since I was a kid,” she says. “Since the beginning, almost all of my videos were my own ideas. I just didn’t know that I could direct them. It’s hard to translate an idea that you have in your own head—to make somebody else understand it—and then make it come to life. Sometimes you’ve just got to do it yourself, even if it’s hard.”
For the title song’s video, Eilish was filmed in a dreamlike sequence escaping from a flooding house. “Water used to be my biggest fear—I was terrified of drowning and having my head stuck underwater. But I’m a daredevil. I want to do everything that scares me.” To conquer her phobia, the pop star jumped right in, literally and figuratively. The video’s water stunts were shot in a giant outdoor tank used in the obstacle-course game show Wipeout. With the aid of clever sets and a weighted scuba instructor who pulled her underwater, Eilish swam through the flooded house, surfacing on a constructed rooftop, holding her breath through multiple takes. “Half of the video was shot underwater,” Eilish says. “So I pretty much overcame my fear of water. It was fucking crazy, dude.”
Water isn’t the only fear Eilish has confronted head-on recently. For several years now, she hasn’t even felt safe leaving her own home. After her address was leaked online, stalkers and paparazzi started showing up in her yard. And as her fame has grown, she has endured relentless scrutiny on the internet for everything from the way she dresses to whom she dates. “Or my sexuality!” she says. “Like, oh yeah, that’s everyone else’s business, right? No. Where’s that energy with men?” Like many stars who are thrust into the spotlight at a young age, she was initially blindsided by the relentless drumbeat of criticism. “I just wanted to make a song once, and then I kept making songs. I never said, ‘Hey, pay attention to my life.’ All my friends know I don’t wanna see any of [the negative chatter]. When people send me something mean, it hurts my soul.”
Even the simple act of getting dressed has posed challenges for Eilish, who spent the early years of her career honing a silhouette specifically designed to deflect attention from her body. Many of her fans were deeply attached to her signature oversize-streetwear, skater-goth aesthetic, which some saw as a refusal to be sexualized. So when she started experimenting with new looks, occasionally stepping out in more form-fitting clothes, the reaction from certain fans was swift—and vicious. Beneath a recent Instagram shot of her wearing a Miaou tomato-print corset with a lace bra peeking out, trolls wrote “disingenuous” and “cringy asf.” One person posted, “The industry really changed you huh smh.”
While Eilish understands why some fans might want her to remain suspended—Peter Pan–like—in the exact state in which they first encountered her, she struggles to process the vitriol. “People hold on to these memories and have an attachment. But it’s very dehumanizing.” The corset post represents a perfect snapshot of the insanity. “I lost 100,000 followers, just because of the boobs,” she says with a rueful laugh. “People are scared of big boobs.”
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Eilish’s struggles are far from unique; double standards within the music industry go way back. “The problem is, we still live in a very sexist world where women are put into categories,” says Madonna, who knows whereof she speaks. “You’re either in the virgin category or the whore category. Billie started off in a non-sexualized category, not pandering to the masses and not using her sexuality in any way, which is her choice and God bless her for that—after all, she’s been a teenager all this time. [But] if she wants to turn around and take photographs where she is portrayed as a feminine woman, showing her body in a way that she hasn’t in the past, then why should she be punished for it? Women should be able to portray themselves in any way they want. If Billie were a man, no one would be writing about this. A man can show up dressed in a suit and tie for the first three years of his career, and then the next month he could be dressed like Prince or Mick Jagger, shirt off, wearing eyeliner, and no one would say a word.”
At 19, Eilish is still evolving. “You’re not even supposed to really know who you are until you’re at least my age or older,” she says. She still mixes streetwear with designer clothes, and—as her outfit at the release party attests—she is not going to let a few angry haters dictate how she dresses. For our interview, which takes place in a private suite at L.A.’s swanky The London West Hollywood hotel a few days before the album release party, Eilish wears baggy ecru basketball shorts and a white hoodie with images of anime bikini girls bleeding green goo over a Prada soccer jersey. Her buttery blonde hair, which she recently debuted online to much fanfare, is cut in a shoulder-length shag that swishes when she talks. Though she isn’t wearing a hint of makeup, her large, ice-blue eyes give her an otherworldly quality that calls to mind the hypnotic lyrics, “Fifteen flares inside those ocean eyes.”
Eilish says she dyed her hair blonde because she was tired of acid green. “I couldn’t go anywhere with that hair because it was so obviously me. I wanted anonymity.” When she first went blonde, she suddenly felt free, like she was reintroduced to the world. “I went to a park with a friend, and I was like, ‘No, I can’t take off my hood!’ I was terrified of the paparazzi and these stalkers I’ve had. But my friend was like, ‘Don’t worry: You’re okay. Nothing’s gonna happen.’ And I took my hood off, and I felt like a new person.”
Like anyone who colors her hair, Eilish also just wanted a change. “I had no goal of ‘This is going to make everybody think differently of me.’ I’ve had different-colored hair and vibes for everything I’ve ever done. I wanted this album to have its own thing.” Still, many fans resisted the new look, and made their opinions known. “The other day, I posted a video from when I had green hair, and I saw people go, ‘I miss this Billie, the green-haired Billie,’” says Eilish, who is sprawled out on a giant L-shaped couch, her feet dangling over the edge. Her bodyguard hovers by the door. “I’m still the same person. I’m not just different Barbies with different heads.”
Eilish doesn’t want fans to overthink her hair choices, or her decision to wear more revealing clothing. In fact, ditching the uniform of cavernous sweatsuits was less of a strategic move than a practical one for Eilish, who loathes the summer heat in L.A. so much it gives her a kind of reverse seasonal affective disorder. “The other day, I decided to wear a tank top. It wasn’t even a provocative shirt. But I know people are going to say, ‘Holy fuck, she’s dressing sexy and trying to make a statement.’ And I’m like, ‘No, I’m not. It’s 500 degrees and I just want to wear a tank top.’”
She feels burned-out on social media. “I’m jealous of people who don’t have it. I really wish that there was a way to avoid it. Literally delete my account but still have contact with the fans. I want to be able to have both, but you can’t.” She misses live touring, which is her favorite way to maintain a connection with fans.
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For Eilish, whose life had been “going, going, going,” the pandemic offered a chance to pause and reflect on how her life had changed with success. And while Happier Than Ever is not a “COVID album” per se, it was produced during lockdown, and one can’t help but imagine that the fear and isolation of this time brought some intensity to the creative process. “The album came from a lot of self-reflection. Happier Than Ever is really just me processing trauma,” she says, nervously tracing patterns in the velvet couch with her fingers.
Success may have made Eilish a critical darling, but it couldn’t protect her from the challenges facing many young women today: toxic boyfriends, a complicated relationship with her own body, the fear of doing or saying the wrong thing online. Moody and raw, the lyrics in Happier Than Ever explore the challenges she has endured in the past few years with unflinching honesty. Throughout the album, Eilish grapples with dark subjects like how the human need to be desired is twisted back on young women and turned against them, how victims are blamed for their own assaults, and how girls are pushed into certain molds and punished when they don’t fit them. “Making this album was cathartic and freeing,” she told the crowd of friends and music-industry insiders at her album release party.
In Happier Than Ever, Eilish’s signature breathy vocals are still there, but she leans into the power of her singing voice more and more. She cites jazz vocalists like Julie London, Johnny Mathis, and Peggy Lee as her heroes, and lights up when asked about “Billie Bossa Nova,” her take on the Brazilian bossa nova genre. “‘The Girl From Ipanema’ is one of my all-time favorite songs,” she says excitedly.
To fans and critics alike, her sophomore album marks a triumphant and logical progression from the first, the music of an extraordinarily talented singer-songwriter who refuses to rest on her laurels and isn’t afraid to explore the darkest corners of the female experience. She chose to make an artistic album—the album she wanted to make—instead of pandering to the latest trends, charts, and other people’s expectations. “If you are making an album to please other people, you can sometimes lose sight of what would really make you happiest with your music,” says her brother Finneas. “Billie is the opposite of that. Her North Star is just like, ‘I love this’ or ‘I don’t love this.’” Her vision paid off. Crushing through the pop-music status quo, which typically favors catchy and relatable music, Happier Than Ever debuted at number one in 19 different countries, including the U.S. It also nabbed the record for highest vinyl sales upon release over the last 30 years.
Eilish says she is happy to see rock ’n’ roll—especially girl rock—coming back. A fan of contemporaries like Willow Smith and Olivia Rodrigo, she resists the popular notion that female musicians—and women in general—should be pitted against one another. In fact, some had tried to manufacture a rivalry between Eilish and Rodrigo (“This is where the real love is,” Eilish captioned a series of photos from her album release party she posted on Instagram, including one in which she is hugging Rodrigo). “It’s sad because girls are trained to be competitive with each other. And all the people who have modified their bodies or their faces and then deny it make it worse.” To be clear, she is not against changing your body with plastic surgery or beauty filters; she just believes in disclosure. “I totally understand Facetuning a pimple,” she says, gesturing to an unfiltered breakout on her own chin. “Just don’t lie about ‘Oh yeah, that’s just naturally how it looks.’”
While the blockbuster success of her second album hasn’t inured Eilish to the threat of stalkers or the sting of online trolls, she is learning to navigate the more jagged edges of fame with grace and humor. A few days before this article went to press, an online hater interrupted a Q&A with fans to write, “no more plain boring outfits were so fucking tired…what happened to you.” Instead of allowing the negative comment to “hurt her soul,” she clapped back with a hilarious image of herself dressed in a massively oversize blue outfit. “What, you want this again?” she joked. And the internet laughed—with her, not at her.
Hair by Benjamin Mohapi at BENJAMIN; Makeup by Robert Rumsey at A-Frame Agency; Manicure by Ashlie Johnson at The Wall Group; Set Design by Nicholas Des Jardins at Streeters; Produced by Honor Hellon at Honor Hellon Production
This article appears in the October 2021 issue of ELLE.
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