New 'Scooby-Doo' Movie 'Curses' Daphne From Size 2 to Size 8
Photo by Warner Bros.
The latest Scooby Doo mystery is scary — but not because of the usual monsters, ghosts, and bad guys. “Scooby-Doo! Frankencreepy,” the latest direct-to-video animated installment featuring the mystery-solving and crime-fighting gang, follows Scooby, Shaggy, Fred, Velma, and Daphne to Transylvania, Pennsylvania, where they are going to check out the castle that Velma has inherited from her great-great-uncle Dr. Von Dinkenstein. Obviously, high jinks ensue, and when Daphne comes face to face with the bad guy, she is “cursed” with losing the thing that she holds most dear: her small frame. With a simple hex, the cartoon character instantaneously balloons from size 2 to (cover your eyes!) size 8.
Considering that the average clothing size American women wear is size 14 (plus-size is considered anything over size 12) and that the average woman in the United States, according to the Centers for Disease Control and Prevention, is about 5-foot-4 and weighs 166 pounds, being a size 8 shouldn’t be considered the worst thing that could possibly happen to Daphne, or any woman for that matter. What if something horrible happened to her, her parents, or the rest of the Scooby-Doo gang? What about losing the job that she’s held since the show premiered in 1969? All of these circumstances would be measurably worse than gaining weight, right?
Daphne’s curse has sparked a conversation on social media. One person on Twitter wrote, “I must be cursed too. Such nonsense.” And another said, “An 8 is smaller than I am; they drew her 2x bigger. So many things wrong here.” Tom Burns of the blog The Good Men Project also added, “It’s sad to think that my daughter can’t even watch a cartoon about a dog solving mysteries without negative body stereotypes being thrown in her face.” Considering that children start dieting as young as 10, according to a recent study, it’s especially important that what’s being displayed to children in the media elicits healthy messages about body image.
Daphne’s personality throughout the cartoon’s nearly half-century-long run has consistently been seeded with vapidity and selfishness, but the way to identify these flaws, solve them, and teach a lesson in front of an adolescent audience doesn’t require fat-shaming. Instead, as Burns points out, why wouldn’t the storytellers “cover her in hair and fangs and turn her into a wolf-girl? Why not give her a third eye, green skin, a tail?”