Venice Market Projects Include Films From Agnieszka Holland, Alexey German Jr & Jasmila Zbanic
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The sixth edition of the Venice Gap-Financing Market (August 30 – September 1), which takes place during the Venice Film Festival, will feature 51 projects in the final stages of development and funding.
Of those, 23 projects from Europe and beyond are narrative features with 70% funding in place. Five projects are documentaries.
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Among highlights are Czech feature Sarlatan by Oscar-nominated Polish director Agnieszka Holland (Mr. Jones) about a man gifted with exceptional abilities set against the background of the events of the totalitarian ’50s; Russian film Air by Dovlatov director Alexey German Jr; Grbavica director Jasmila Zbanic’s Euro co-pro Quo Vadis Aida (working title); and Canadian pic Saint-Narcisse by Bruce La Bruce.
Here’s a full list of projects taking part in the market:
28 SELECTED FICTION AND DOCUMENTARY PROJECTS
Air (Russia) by Alexey German Jr., SAGa, Metrafilms
Alam (France, Lebanon, Belgium) by Firas Khoury, MPM Film
A la sombra de los árboles (Chile) by Matías Rojas Valencia, Quijote Films
Aleph doc (USA, Croatia) by Iva Radivojevic, Ivaasks Films, Picture Palace Pictures
Anadolu Leopari (Turkey, Germany) by Emre Kayis, TatoFilm
Death of Nintendo (Philippines) by Raja Martin, IndieFlip
El Prófugo (Argentina) by Natalia Meta, Rei Cine
Guerra e Pace doc (Italy, Switzerland, France) by Massimo D’Anolfi and Martina Parenti, Montmorency Film
Het Mirakel van Almeria doc (Belgium, Netherlands) by Moon Blaisse, Cassette for Timescapes
Iguana Tokyo (Turkey, Germany, Japan) by Kaan Müjdeci, Colored Girafes
Kommunioun (Luxemburg, Belgium, France) by Jacques Molitor, Les Films Fauves
La Nuit des rois (France, Canada, Ivory Coast) by Philippe Lacôte, Bhanshee Films
La Sirène (France, Luxemburg, Germany, Belgium) by Sepideh Farsi, Les Films D’Ici
Les Cahiers (Lebanon, France, Canada) by Joana Hadjithomas and Khalil Joreige, Abbout Productions
MICA (Morocco, France) by Ismaël Ferroukhi, La Prod
My Sunny Maad (Czech Republic, France, Slovakia) by Michaela Pavlátová, Sacrebleu Productions
Place de l’Europe doc (Germany, France) by Philip Scheffner, Pong Films
Quo Vadis Aida (working title) (Bosnia and Herzegovina, Austria, Romania, Netherlands, Poland, Germany, France) by Jasmila Zbanic, Deblok
Re Granchio (Italy, Argentina, Chile) by Alessio Rigo de Righi, Matteo Zoppis, Ring Film
Saint-Narcisse (Canada) by Bruce La Bruce, Les Films 1976 & Six Island Productions
Šarlatan (Czech Republic) by Agnieszka Holland, Marlene Film Production s.r.o.
Sharaf (Germany, Tunisia, Egypt, France) by Samir Nasr, Soilfilms Media GmbH
Spaccapietre (Italy, France) by Gianluca and Massimiliano De Serio, La Sarraz Pictures Srl
Sposob lyubvi (Lovehack) (Russia) by Tamara Dondurey, Atlantic Film
The Quest for Tonewood doc (Norway, Italy, Bosnia and Herzegovina) by Hans Lukas Hansen, Norsk Fjernsyen
The Hunter’s Son (Netherlands, Iceland, Belgium, Poland) by Ricky Rijneke, Rotterdam Films
The Last Ride of the Wolves (Netherlands, Italy) by Alberto de Michele, Halal
Woken (Ireland, France, Luxemburg) by Alan Friel, Fantastic Films
12 VIRTUAL REALITY IMMERSIVE STORY PROJECTS
12 VR Immersive Reality Story projects (8 from Europe and 4 from outside of Europe), including fiction, documentary, animation film and other interactive installation based experiences. The projects include both original concept and adaptations. All projects have secured 30% of their budget and have this financing in place.
38 Minutes (France, United Kingdom) by Mike Brett, Steve Jamison and Pierre Zandrowicz, Atlas V, Princeton, Archer’s Mark, Games for Change
African Space Makers (Kenya, Germany) by Vincenzo Cavallo Faras and Isa Mohamed, Cultural Video Production, Black Rhino VR, INVR
Agence (Canada) by Pietro Gagliano, National Film Board of Canada, Transitional Forms Inc.
Captured (Finland, India, Canada) by Hanna Haaslahti, Dpt.
Here (United Kingdom) by Lysander Ashton, 59 Productions
Hush (Denmark) by Vibeke Bryld, Final Cut for Real
Hypha (Chile) by Natalia Cabrera, Maltrato Films
Kusunda (Germany, United States of America, Nepal) by Gayatri Parameswaran and Felix Gaedtke, NowHere Media
The Greatest Moon Hoax (Taiwan) by John Hsu, Serendipity
The Great Orator (Netherlands) by Daniel Ernst, Submarine Channel
Under Attack (United Kingdom) by Kate Parkinson and Aela Callan, AKA Media Ltd.
Welcome to the Savoy (France, Canada, USA) by Landia Egal, Tiny Planets
12 VIRTUAL REALITY IMMERSIVE STORY PROJECTS
12 VR Immersive Reality Story projects (8 from Europe and 4 from outside of Europe), including fiction, documentary, animation film and other interactive installation based experiences. The projects include both original concept and adaptations. All projects have secured 30% of their budget and have this financing in place.
38 Minutes (France, United Kingdom) by Mike Brett, Steve Jamison and Pierre Zandrowicz, Atlas V, Princeton, Archer’s Mark, Games for Change
African Space Makers (Kenya, Germany) by Vincenzo Cavallo Faras and Isa Mohamed, Cultural Video Production, Black Rhino VR, INVR
Agence (Canada) by Pietro Gagliano, National Film Board of Canada, Transitional Forms Inc.
Captured (Finland, India, Canada) by Hanna Haaslahti, Dpt.
Here (United Kingdom) by Lysander Ashton, 59 Productions
Hush (Denmark) by Vibeke Bryld, Final Cut for Real
Hypha (Chile) by Natalia Cabrera, Maltrato Films
Kusunda (Germany, United States of America, Nepal) by Gayatri Parameswaran and Felix Gaedtke, NowHere Media
The Greatest Moon Hoax (Taiwan) by John Hsu, Serendipity
The Great Orator (Netherlands) by Daniel Ernst, Submarine Channel
Under Attack (United Kingdom) by Kate Parkinson and Aela Callan, AKA Media Ltd.
Welcome to the Savoy (France, Canada, USA) by Landia Egal, Tiny Planets
8 BIENNALE COLLEGE CINEMA – VIRTUAL REALITY PROJECTS
8 projects, that have been developed during the workshop of Biennale College Cinema VR, 3rd edition, and that have reached different stages of development, pre-production and post-production.
Doubts of a Genius (Italy) by Matteo Lonardi, Reframe VR
Frontera (Venezuela) by Emiliana Ammirata, Emblematic Group
Goliath (United Kingdom) by Barry Gene Murphy, Anagram
How is the Water (Czech Republic, Germany) by Ninja Müller, Go 360 s.r.o
My Room (Taiwan, Germany) by Uta Arning, Movie Design
Queerskins Ark (USA) by Illya Szilak, Cyril Tsiboulski, Cloudred
This is for you (France, Argentina) by Mercedes Arturo, Atlas V
Ways to School (France, Israel) by Zohar Kfir , Floreal Films
3 BIENNALE COLLEGE CINEMA PROJECTS
3 projects, that have been developed during the first workshop of Biennale College Cinema, 7th edition, and that have reached different stages of development and pre-production.
Marwell (United Kingdom) by Benjamin Bee, Candle & Bell
The Properties of Metals (Italy) by Antonio Bigini, Kiné Società Cooperativa
Those Who Whistle After Dark (South Korea, Turkey) by Pinar Yorgancioglu, Oh Picture Co.
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