Taylor Swift’s ‘You’re Losing Me (From the Vault)’ Debuts on Hot 100

Xander Zellner
·2 min read
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After only two days of tracking, Taylor Swift’s “You’re Losing Me (From the Vault)” debuts at No. 46 on the latest Dec. 9-dated Billboard Hot 100.

The song tallied 8.7 million official streams and sold 19,000 downloads in the United States Nov. 29-30, according to Luminate. (The latest Hot 100’s tracking week ran Nov. 24-30.)

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“You’re Losing Me (From the Vault)” also launches at No. 1 on the Digital Song Sales chart, becoming Swift’s record-extending 28th leader.

The track earns Swift her 322nd career entry on the Hot 100, the second-most after Drake’s 327. The song is also Swift’s 54th entry on the chart in 2023 alone, extending her record for the most ever in a calendar year among solo artists. The only act with more in any year is the Glee Cast, which tallied 80 entries in 2010.

“You’re Losing Me (From the Vault)” arrived on streaming services and for wide paid digital download Nov. 29 after Spotify announced Swift as its most-streamed artist on the platform in 2023. Posted Swift on social media that day, “Um ok this is unreal?? I just wanted to say to anyone who listened to my music this year, anywhere in the world, thank you. Getting named Spotify’s Global Top Artist in 2023 is truly the best birthday/holiday gift you could’ve given me. We’ve seriously had THE MOST fun this year out there on tour and now this. Are you serious. So I was trying to think of a way to thank you, and a lot of you have been asking me to put ‘You’re Losing Me (From the Vault)’ on streaming… so here you go! You can finally listen EVERYWHERE now [kiss emoji]”

The song was first released on Swift’s Midnights (The Late Night Edition), a version of her 2022 studio set initially only available to fans that attended her The Eras Tour, starting with the May 26 concert at MetLife Stadium in East Rutherford, N.J. The album was briefly made available for purchase that night in Swift’s webstore, though “You’re Losing Me” had previously never been sold as a stand-alone track until Nov. 29.

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