It takes eight voices at Cotuit Center for the Arts to recreate Neil Diamond's sound

Cotuit Center for the Arts is presenting a tribute to Neil Diamond, the musical icon of the 1960s, 1970s and 1980s. Its “September Morn” is a melodic and energy-filled compendium of the master’s works, performed by a troupe of eight vocalists, backed up by a seven-piece band. There is a total of 24 numbers in two sets, with an intermission in between. All the greats are there, including “Cracklin’ Rosie,” “Song Sung Blue,” “I Am I Said” and “Kentucky Woman.” The show offers a glimpse of the incredible range and versatility of the man who once said, “The human voice is the most important vehicle at your disposal, yet it is one of the most difficult to understand or define. It is more than just a sound, it is the soul itself.”

About the production: “September Morn,” conceived and produced by Ruth Condon, musical direction by Malcolm Granger.

What it's about: On an unadorned stage, with a seven-piece band serving as the only backdrop, a group of seven performers (with musical director Granger also adding his voice to a couple of numbers) offers renditions of Diamond’s work. There are some group numbers and some solos, all handled competently and pleasantly by the performers. Thanks to choreographer DJ Kostka and stage manager and choreographer Diana Anderson, simple choreography offers some additional eye candy to songs such as “Cherry Cherry” and “Cracklin’ Rosie.” The dance moves are reminiscent of those that became emblematic of mid-century groups like The Platters and The Supremes.

Spoiler alert: One of Diamond’s biggest hits that seems to be missing from the program is “Sweet Caroline.” But I promise you will not be disappointed … just wait.

Highlights of the show: The show is uniformly pleasant and engaging. The mostly older audience on opening night sang along and clapped in time to numbers like “Brother Love’s Traveling Salvation Show.” That number, with vocals by Nick Anastasia, was especially fun, with the backup chorus dressed in the black robes of old-time revival choir singers.

There are so many standout numbers, it’s hard to choose a few. But I was particularly struck by the voice and energy of Anastasia in songs like “Kentucky Woman” and “Soolaimon.” And Kate Pazakis’s renditions of “Hello Again” and “Play Me” (sung with Granger) were pleasantly sweet and mournful. Then there is Kostka, who offers powerful renditions of “I Am I Said” and “Walk on Water.”

On opening night, there was an unexpected treat as noted Cape performer Alex Valentine stepped in to sub for the ill Anthony Teixeira. Valentine’s perfect voice and commanding presence brought “Brooklyn Roads” and “September Morn” to life. (I still have yet to recover from my play-long laughing fit as he delivered quip after quip in the Falmouth Theatre Guild’s May production of “Something Rotten.”)

Worth noting: Costumes are simple but attractive, with the silky and sparkly outfits of the second set especially attractive.

Go or no go: Go if you can nab a ticket or two. Most performances are sold old, but there is a waitlist.

One more thing: The best part of the show may be the encore. Bet you can't sit still and in your seat during that number.

Interesting fact: I just checked and Diamond is 82 years old. Not possible.

If you go: 7:30 p.m. Thursdays through Saturdays, 2 p.m. Sundays, through Oct. 15. Tickets $40, $30 for members, $38 for seniors/veterans. Cotuit Center for the Arts, 4404 Falmouth Road, Cotuit, 508-428-0669, www.artsonthecape.org

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This article originally appeared on Cape Cod Times: Review: 'September Morn' brings favorite Neil Diamond songs to Cape