Except the audience soon learns his sibling is not even a memory, but rather just a fantasy, because of China’s one-child policy. His parents were forced to abort his sister.
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In China, the one-child policy meant that prior to being relaxed in 2015, it was unheard of to have a sibling.
For Song, life was different. She has a sibling and is the second child. Song learned by living in America that it was normal to have a sibling — “or nine.”
“I wanted to tell this story because when my friends found out I had a brother, they always asked what it was like to have a sibling,” Song said.
It was important for Song to share her own experience. Song started writing the story in 2015 while still a student at Cal-Arts.
“I wrote a dozen versions because I had so many stories,” Song said. “In the end, I narrowed it down to three stories; the arrival of the newborn, the siblings at similar ages and growing up.”
Once she had that structure, Song spent a year refining the script. Song uses stop-motion animation and puppets made from wool.
“Initially, I experimented with clay, but settled on wool because it reminded me of ink paintings,” Song said, explaining that she was inspired by ink paintings as a child and using wool allowed her to tap into visual memories and imagery from growing up.
Song calls her Oscar-nomination greatly encouraging. “I’m still in the early stages of my career,” she said. “So to have this recognition is encouraging me to tell more original stories.”
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