Motown Hitmaker Lamont Dozier Dies at 81: 'Rest in Heavenly Peace'

·4 min read
Songwriter Lamont Dozier attends the 2013 BMI Pop Awards at the Beverly Wilshire Four Seasons Hotel on May 14, 2013 in Beverly Hills, California.
Songwriter Lamont Dozier attends the 2013 BMI Pop Awards at the Beverly Wilshire Four Seasons Hotel on May 14, 2013 in Beverly Hills, California.

Chelsea Lauren/Getty Lamont Dozier

Lamont Dozier, the Motown songwriter and producer who played an integral role in the success Motown Records, has died.

On Monday, Dozier's son, Lamont Dozier Jr. confirmed the news through an Instagram post, though a cause of death is yet to be revealed. The musician was 81.

"Rest in Heavenly Peace, Dad!" he captioned the photo with his father.

Dozier made up one-third of the Holland-Dozier-Holland team with brothers Brian and Eddie Holland. Together, the trio wrote, arranged and produced songs that led to the success of Motown in the 1960s like "Quicksand" and "Heat Wave" by Martha and the Vandellas, "Bernadette" and "I Can't Help Myself" by the Four Tops and more. Together, they created 15 songs that hit No. 1. He also worked with Marvin Gaye, a drummer-turned-singer at the time on "How Sweet It Is (To Be Loved By You)."

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Dozier was born in Detroit on June 16, 1941 and launched his career in music as a singer of multiple doo-wop groups like the Romeos and the Voice Masters. Later, in 1962, he signed to Motown Records as a songwriter — which led him to Brian and Eddie.

"It was like Brian and I could complete one another's musical ideas the way certain people can finish one another's sentences," Dozier wrote in his 2019 memoir, titled How Sweet It Is. "I realized right away that we shared a secret language of creativity."

He also wrote: "Brian was all music, Eddie was all lyrics, and I was the idea man who bridged both."

In 1964, when the trio partnered with girl group The Supremes to create three No. 1s — "Where Did Our Love Go," "Baby Love" and "Come See About Me" — they realized they were onto something.

During a 2003 interview with Rolling Stone, Dozier opened up about their chemistry.

Writer/producers Brian Holland, Lamont Dozier and Eddie Holland attend the 53rd Annual BMI Pop Awards on May 17, 2005 in Beverly Hills, California.
Writer/producers Brian Holland, Lamont Dozier and Eddie Holland attend the 53rd Annual BMI Pop Awards on May 17, 2005 in Beverly Hills, California.

Vince Bucci/Getty Eddie Holland, Lamont Dozier and Brian Holland

"Brian and I used to have lunch at that little walk-up, and once that wheel started rolling with 'Where Did Our Love Go,' I said, 'Man, we've stumbled up into something — are you feeling this?' He said, 'Yeah, I'm feeling it too,' " he told the outlet. "I said, 'I don't know what this is, but I don't think this thing is going to stop.' It was like being at the carnival and hitting that bell, bam! Number One! Bam! Number One! Bam! Number One! When we weren't doing that with The Supremes, we were over here with the Four Tops. Bam! It was surreal."

The trio left Motown in 1967 over a contract dispute with label founder Berry Gordy. They continued to make music and launched their own labels called Invictus and Hot Wax. Dozier also started making music himself and released hit songs like "Why Can't We Be Lovers" and "Trying to Hold on to My Woman."

In the late '80s, he partnered with Phil Collins to release "Two Hearts," which was featured on the film Buster. The song earned Dozier his first Grammy nomination and win, for best song written specifically for a motion picture or television.

Later, in 1988 he was inducted into the Songwriters Hall of Fame, and in 1990 the Rock & Roll Hall of Fame.

Photo of Lamont Dozier.
Photo of Lamont Dozier.

Michael Ochs Archives/Getty Lamont Dozier

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Dozier eventually served as an artist-in-residence professor at the University of Southern California's Thorton School of Music. He was also a chairman of the board of the National Academy of Songwriters.

During an interview with the Detroit Free Press in 2019, ahead of the release of his memoir, he reflected on his work.

"Everything I write, I give credit to God, the master muse," he said. "I thank him for letting me put my name on his music. That's how I started [regarding] it. I don't read music, and I can't write it either. I did it all by ear and feeling when I sat down at the piano… But I still hear that stuff over and over. It still hasn't let up. They still play that music, man. It's amazing. I thought some of it wouldn't last a day. But it's been here for 60 years, and that's a great feeling — all over the world."