A look back at our favorite shows of 2023 and what is coming to Cape Cod theater in 2024
As another year comes to an end, the Cape Cod Times looks back on the incredible productions that graced Cape stages in 2023, asking our reviewers to pick their favorites.
We are also including an early look at shows that are coming to the Cape in 2024 so you can start planning your theater season now.
With so many theaters and so many shows worthy of accolades, it's hard to touch on every single one staged throughout the year. With our subjective list of favorite picks, keep in mind that these are simply the choices of our reviewers. This isn't a matter of selecting the best, but highlighting the ones that stood out the most to us.
The reviewers who contributed to this list are Barbara Clark, Gwenn Friss, Shannon Goheen, Sue Mellen, Carol Panasci, Jay Pateakos, Ambermae Rivard and Frankie Rowley. We asked each reviewer to pick their favorite show, favorite performance and favorite moment from shows over the past year and write a brief explanation. They're listed alphabetically, with the aim of showing the wealth of talent here on Cape Cod.
Cape Cod theater: Our favorite shows of 2023
“Agnes of God,” Sandwich Arts Alliance, Sandwich: The Sandwich Art Alliance’s rendition of the 1979 play was both deeply disturbing and thrilling as we watched Dr. Martha Livingstone unearth the trauma that led Agnes to the position she finds herself in ― insane in a convent, awaiting a manslaughter trial after murdering her newborn baby. Each cast member — Kelly Kean, Miranda Daniloff and Janet Geist Moore — gave an outstanding performance coupled with superior directing from James Ring.
"American Idiot," Academy of Performing Arts: Putting up this ensemble show, based on music by "Green Day," is a coup for a community group. The small theater gives the outstanding, Tony award-winning "American Idiot" more emotional punch than ever. This up-close, in-your-face, coming-of-age production is painful, fragile and touched with a graceful beauty as a trio of friends flee their economically depressed hometown only to find different is not always better.
“Bread & Butter,” The Harbor Stage Company: The Harbor Stage Company's new take on an old chestnut, “Bread & Butter” is an adaptation of George S. Kaufman’s 1925 “The Butter and Egg Man,” a screwball comedy that is also a bristling commentary on the business of show business.
“Harvey”, Falmouth Theatre Guild: “Harvey” takes on the challenges of relationship, expectations and assumptions through the innocent and loving heart of Elwood Dowd and his best friend, a giant invisible rabbit.
"Jersey Boys," Cape Playhouse: Just the memory of enjoying “Jersey Boys” at Cape Playhouse last summer wins it my favorite vote — for the sheer fun of the performances and those songs you wanted to sing along to. The talented actors portraying four kids from Jersey who took the pop music world by storm in the 1960s and 1970s brought audiences to their feet again at the Playhouse, close to a half-century later.
"The Lightning Thief: The Percy Jackson Musical," Harwich Junior Theatre: I loved it, and my four-year-old son did too. Mind you, the entire cast was mainly high school students, and they brought their hearts to the set, but DJ Ormond's captivating performance was the emotional core, often making you forget he was acting.
“Something Rotten!” The Falmouth Theatre Guild: The Falmouth Theatre Guild’s May production of “Something Rotten!” was so full of unforgettable characters, expertly delivered one-liners, melodic and sometimes soaring musical numbers, energetic ensemble dance numbers and just plain fun that it was like a trip to Broadway without the mind-numbing traffic. Noted Cape performer Alex Valentine was superbly riotous as Nick Bottom, and his fellow cast members all turned in flawless performances.
“These Are the Bonus Years,” Cotuit Center for the Arts: “These Are the Bonus Years,” written and performed by Jason Mellin at Cotuit’s Black Box, is a live memoir linking bipolar condition to nuclear annihilation. It’s a riveting perspective on how we all dance daily on the knife-edge of disaster.
“Van Life,” Cotuit Center for the Arts: I picked this world-premiere production because it looked different, but it was also incredibly funny and had a lot of heart. The fact that it was written by a Cape resident, Rick Martin, made it that much more special.
Our favorite performances of 2023
Tom Hewitt in "Another Medea," Provincetown Theater: In the Provincetown Theater's October production of this one-man show, Hewitt literally became a charismatic psychopath, leading the audience down the path to the shattering yet inevitable conclusion. It’s a story as old as time, yet he made its horror ring true in a modern world that seems filled with human tragedy.
Sylvie Weimer in “Matilda,” Cotuit Center for the Arts, Cotuit: Weimer dazzled as Matilda during the show’s opening night at Cotuit. She brought the perfect amount of spunky, stubborn and sweet energy to the lead role and captivated with her performance for the whole show. For only 10 years old, Weimer certainly has a bright future in show business ahead of her.
Paige O’Connor in "The Complete Works of William Shakespeare (Abridged),” Wellfleet Harbor Actors Theater: O’Connor in WHAT's production of "The Complete Works of William Shakespeare (Abridged)” gave a hilarious, flawless performance.
Zack Johnson in "Company," Eventide Theatre Company: My review of “Company” at Eventide Theater last season included these notes on Zack Johnson’s star turn as Bobby: “I swear, he’ll steal your soul with that voice.” Johnson’s rendition of the signature “Being Alive” was performed “just the way you always knew it could be sung.”
Rachael Kenneally and Garrett Olson in “The Way It Is,” presented by WatermelonAlligator Theatre Company at Cotuit Center of the Art's black box theater: Kenneally and Olson are honored together because their performances as two people trapped in a dying relationship are so connected that one would not exist without the other.
Favorite theatrical moments of 2023
"An American in Paris," Cape Playhouse: The moment that Leigh-Ann Esty began dancing, in her role as Lise in “An American in Paris” at Cape Playhouse. As the Parisian dancer who steals Jerry’s heart, the mega-talented performer owned the stage, mesmerizing with her talent and soul.
"Camelot,” Cape Playhouse: The romance in the Cape Playhouse's August production of "Camelot" was unmatched. The chemistry was palpable between the three leads − Lissa deGuzman as Guenevere, Jonathan Burke as Arthur and Karl Josef Co as Lancelot. In one scene, Arthur rests his head on Guenevere’s lap as she gently kisses him on the forehead. Perfection. The scene made me believe in true love again.
“Pianist of Willesden Lane,” Cape Rep. Theater, Brewster: The story of Lisa Jura, a child prodigy pianist and one of the many children who escaped Nazi-occupied Europe to London on the Kindertransport, is eloquently told through her daughter, Mona Golabek. When Lisa discovers she is the daughter to receive the Kindertransport ticket her father won gambling, she flees the argument between her parents and escapes to the family piano. At this moment, the ever-familiar notes of Claude Debussy's “Clair de Lune” filled the crowded theater. Tears welled in my eyes as the song continued and I found a common trait between young Lisa and myself, that the soothing notes of “Clair de Lune” offer a light to many in their darkest times.
“That Dorothy Parker”, Provincetown Theater: “That Dorothy Parker” written and performed by Carol Lempert at Provincetown Theater. There isn’t a single moment that isn’t totally engrossing and fascinating. Lempert’s Mrs. Parker is spellbinding, witty, fast-talking and bitingly observant with few, if any, social filters.
"The Best Christmas Pageant Ever," Cape Cod Theatre Project/Harwich Junior Theatre: After nearly an hour of smart, funny banter, the mood turns reflective as tough kid Imogene Herdman, unfamiliar in the role of the Savior's mother, Mary, in the nativity play, hits the perfect note. She swaddles the doll representing Jesus, burps him and then cries a real tear as she lays the baby in the manger. Many of us cried with her.
Upcoming shows on the Cape
Check out the Cape Cod Times theater previews at capecodtimes.com as each season approaches to learn more about upcoming shows.
Academy of Performing Arts
"Stage Kiss": Feb. 8 to 25
"Helltown Players": March 1 to 10
"Annie": March 21 to April 7
"Noises Off": April 25 to May 12
"The Sound of Music": May 30 to June 16
"Rock of Ages": June 27 to July 21
"Heathers: The Musical": Aug. 1 to 18
"And Then There Were None": Sept. 5 to 22
"Oliver!": Nov. 7 to 24
"Elf: The Musical": Dec. 5 to 22
Barnstable Comedy Club
"39 Steps": Opens Jan. 4, closes Jan. 21
"Ripcord": Opens March 7, closes March 24
"Nuts": Opens May 2, closes May 19
Cape Cod Theatre/ Harwich Junior Theatre
"The Couch": Jan. 13
"24 Hour Play Festival": Jan. 20
College Light Opera Company
The College Light Opera Company's 2024 season opens on June 18.
"Brigadoon"
"Iolanthe"
"Holiday Inn"
"Gypsy"
"New Moon"
"Little Shop of Horrors"
"Patience"
"Legally Blonde"
"A Little Night Music"
Cotuit Center for the Arts
"Bitter": Jan. 11 to 28
"On Golden Pond": Feb. 22 to 25, Feb. 29, March 1 to 3, March 7 to 10
"Legally Blonde": May 9 to 12, 16 to 19, 23 to 26
"Little Shop of Horrors:" July 10 to 14, 17 to 21, 24 to 28
"Fiddler On The Roof": Oct. 9 to 13, 16 to 20, 23 to 27
"Death Of A Salesman": Aug. 8 to 11, 15 to 18, 22 to 25, 29 to 31, Sept. 1
"Stupid F#-king Bird": Oct. 24 to 27, 31, Nov. 1 to 3, 7 to 10
"Bandstand!": Nov. 26, 29, 30, Dec. 1, 5 to 8, 12 to 15, 19 to 22
Eventide Theatre Company
"Blithe Spirit": Feb. 1 to 11
"Pippin": April 25 to May 12
Falmouth Theatre Guild
"Clue": Feb. 2 to 18
"Willy Wonka": April 26 to May 12
Frankie Rowley is the Entertainment and Things To Do reporter at the Cape Cod Times. Email her at FRowley@capecodonline.com.
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This article originally appeared on Cape Cod Times: Cape Cod theater: Our reviewers name their favorite shows of 2023