John Carney (‘Flora and Son’ writer/director): ‘We should all come away from a truly great song, different from how we were before’ [Exclusive Video Interview]

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“It’s probably the most vulnerable you’ll ever be with someone, if you dare to do it,” declares John Carney about how experiencing a song with someone can be intimate and meaningful, which he explores in his latest music-infused dramedy “Flora and Son.” For our recent webchat he adds, “Music works in a really unique way whether it’s singing to somebody, writing a lyric, whether it’s a guitar or a piano or however you do it,” Carney explains. “It’s very risky. You can be laughed off the stage or the couch. You can write a love song for somebody and they’ll look at you and just go, ‘I’m sorry, I just, uh, I didn’t feel it.’ Or you can be a songwriter that sings to 5,000 people on a stage and they all feel that it’s written for them — if it’s working.” Watch our exclusive video interview above.

SEE ‘Flora and Son’ reviews: Eve Hewson’s star-making performance ‘carries the movie with magnetic zeal’

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In the Apple Original Films musical comedy/drama, Eve Hewson (“Bad Sisters”) plays the titular Flora, a single mom who is at war with her rebellious teenage son, Max (Orén Kinlan). Trying to find a hobby for Max, she rescues a guitar from a dumpster and finds that one person’s trash can be a family’s salvation. The feel-good dramedy features an array of catchy tunes (including new original songs by Carney and collaborator Gary Clark), and also stars Joseph Gordon-Levitt, Jack Reynor, Sophie Vavasseur and Kelly Thornton. After having its world premiere at the 2023 Sundance Film Festival earlier this year, the crowd-pleaser reportedly elicited a rapturous standing ovation, with audiences apparently enthusiastically clapping along to the film’s songs.

“Flora and Son” is Carney’s latest love letter to the profound effect that music has on us, how it brings people together and how a truly great song makes us feel. These themes feature throughout his filmmaking career from Oscar-winning “Once” (for Best Song “Falling Slowly,” written by Glen Hansard and Markéta Irglová) to his Golden Globe-nominated “Sing Street,” and “Begin Again,” which scored a Best Song Oscar nomination for “Lost Stars” (written by Gregg Alexander and Danielle Brisebois). A great song is “an incredibly strange, elusive three minute structure where it’s almost like a boxing round or something,” Carney explains. “Three minutes of your entire body, psychology, everything is on the line. And a three minute song, just for some reason, I don’t know what it does, but, I wrote the line in the film that it, you know, it pauses time,” he says. “I believe that. Time should pause. We should all come away from a truly great song, different from how we were before.”

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