James Cameron had a near-death experience filming The Abyss

The filmmaker almost came a cropper while making the underwater epic

LOS ANGELES, CALIFORNIA - SEPTEMBER 27: James Cameron attends
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James Cameron has revealed that he had a near-death experience filming The Abyss.

The 1989 sci-fi hit follows a diving team who come across something mysterious while trying to locate a missing submarine, so much of it took place underwater.

The filmmaker had to go 30ft (90m) down to shoot some scenes and he has shared that on one occasion a blunder saw him getting close to “check-out point”, reported Variety.

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Cameron, an experienced diver, explained that he had been running out of air but failed to get the attention of his underwater director of photography.

ED HARRIS, MARY ELIZABETH MASTRANTONIO, THE ABYSS, 1989
The movie was released in 1989. (PA Images/Alamy)

One of the safety divers spotted him and went over and popped a regulator in the director’s mouth.

However, Cameron said it wasn't checked and was ripped – meaning that when he took a deep breath he took in water rather than air.

“At that point it was almost check-out point and the safety divers are taught to hold you down so you don’t embolise and let your lungs over-expand going up,” said the 69-year-old filmmaker.

Abyss The abyss 1989 Real  James Cameron. Collection Christophel © Twentieth Century Fox Film Corporation / Pacific Western
Much of the movie takes place in the water. (Collection Christophel © Twentieth Century Fox Film Corporation / Pacific Western)

“But I knew what I was doing.

"And he wouldn’t let me go, and I had no way to tell him the regulator wasn’t working.

“So I punched him in the face and swam to the surface and therefore survived.”

Abyss The abyss 1989 Real  James Cameron. Collection Christophel © Twentieth Century Fox Film Corporation / Pacific Western
The movie won an Oscar. (Collection Christophel © Twentieth Century Fox Film Corporation / Pacific Western)

Cameron also wrote The Abyss, which starred Ed Harris, Michael Biehn and Mary Elizabeth Mastrantonio.

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It was a big success with critics and movie audiences alike and went on to win an Academy Award for the best visual effects.

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