‘Homicide: Life On The Street’ Writer David Simon Updates When Drama Will Be Available To Stream
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In the wake of André Braugher’s passing, Homicide: Life on the Street writer David Simon offered some encouraging news for fans regarding the police procedural’s future on a streaming platform.
Simon, who wrote the 1991 book Homicide: A Year on the Killing Streets that served as the basis for the NBC series, wrote on X that he’s “been informed by a reliable source that NBC/Universal is at last attempting, along with Fremantle on the overseas rights, to clear music rights on #Homicide for eventual streaming.”
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I have been informed by a reliable source that NBC/Universal is at last attempting, along with Fremantle on the overseas rights, to clear music rights on #Homicide for eventual streaming. Lot of work to do achieve that, however, I am also told.
Andre alone ought to rate such.— David Simon (@AoDespair) December 17, 2023
“Lots of work to do [sic] achieve that, however, I am also told. Andre alone ought to rate such.”
The NBC series followed a fictional version of the Baltimore Police Department. It ran for seven seasons from 1993 to 1999. Braugher, who died from lung cancer Monday at 61, played Detective Frank Pembleton.
Simon also paid tribute to Braugher on X in a long thread that addressed the actor’s talent and work ethic.
I've had some days to reflect on Andre Braugher and his passing, and with time and a bit more effort, I've been able to summon a variety of recollections and some real pride at for a time having the chance to write lines — some of them good — for a magnificent actor…
— David Simon (@AoDespair) December 17, 2023
But to honor him and his great skill, I'm going to tell you of the memory that came to me quickly after I heard he had died. It is altogether one my more embarrassing moments on a film set and it is, at my expense and to Andre's credit. So here goes:
— David Simon (@AoDespair) December 17, 2023
As the guy who had spent a year with Baltimore homicide detectives and written about it, my position on the writing staff of the television drama was often referred to as that of "non-fiction boy." I was the ruinous voice who was always explaining what probable cause was or how..
— David Simon (@AoDespair) December 17, 2023
…a veteran cop would answer a radio call or the difference between gun barrel grooving and striations. Annoying enough, but at times, for the actors, I would often write a scene that resulted in a copse of detectives all speaking in the same police jargon..
— David Simon (@AoDespair) December 17, 2023
Journalistically, this is realistic. Cops of all creeds and backgrounds, when standing around a crime scene or jawing in the office, tend to devolve to a brisk shorthand that is the common tongue of urban police work. Dramatically, this results in various actors all sounding…
— David Simon (@AoDespair) December 17, 2023
…like the same person, doing violence to the characters they have worked so hard to envelope and individualize. So comes an episode when I am writing a line for Braugher's Frank Pembleton, a precise, Jesuit-educated philosopher-king of the homicide unit…
— David Simon (@AoDespair) December 17, 2023
…a force of intellectual nature that Braugher had fully inhabited for more than fifty hours of television at that point. Pembleton is telling other detectives that he has raided a home twice but come up empty and the suspect's mother has told them he is no longer staying there.
— David Simon (@AoDespair) December 17, 2023
"We tried up his house twice but his mama said…" I wrote with the voices of about four dozen actual Baltimore detectives in my brain.
Come the day to film that scene on set and Andre appears before me at the video monitors.
"This line here," he says, pointing at the sides….— David Simon (@AoDespair) December 17, 2023
…"am I supposed to say this?"
"Sure. You tried twice to arrest…"
"I know what the line, but is Pembleton supposed to say this…"
"Any cop would."
"Any cop. Meldrick or Kellerman or Pembleton. They would call the woman 'mama'…
I had stepped right into it. I could now see…— David Simon (@AoDespair) December 17, 2023
…the headlights of the truck. Hell, I could see the smashed bugs on the windshield. Hell, I was one of the bugs. Andre looked at me and I think I actually blushed.
"I'll go rewrite it."
"No," he replied. "I will make it work."
On the first take, as I slouched in a set chair…— David Simon (@AoDespair) December 17, 2023
…frowning at the monitor, Frank Pembleton stalked through the squad room and informed his comrades that he had tried up the house twice but mama…
Braugher delivered the line as written, only changing the pronunciation of 'mama,' emphasizing the first syllable, adopting…— David Simon (@AoDespair) December 17, 2023
…a continental, upper-crust embrace of the word and keeping the moment utterly within character. At least, when the shot concluded, he was charitable enough to look over to the monitors and give me a tight, quick smile….
— David Simon (@AoDespair) December 17, 2023
That is the first big memory in the flood, god help me. And that is the great actor for whom I once had the chance to write words.
My only salvation is that many years later, when I had earned more of my keep writing scripts, I was on a panel in New York with Andre as a group…— David Simon (@AoDespair) December 17, 2023
…of us were asked to recollect our experiences on "Homicide." And yes, I told this story on myself and made Andre Braugher laugh warmly and long. So at least I have that going for me.
— David Simon (@AoDespair) December 17, 2023
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