Great Scott! How could I not put Back to the Future on this list? Directed by Robert Zemeckis and starring Michael J. Fox, Christopher Lloyd, Lea Thompson, and Crispin Glover, Back to the Future is about a cool teen (Fox) who goes back in time and has to make sure his parents hook up so that he can be born. Too bad his mom has the hots for him.

Back to the Future became a mega hit for a reason. The first one is the best of the trilogy (though I have a soft spot for Part III), but like Bill & Ted, it’s kind of hard to think of it apart from its lesser sequels. It’s not the best sci-fi film of the ‘80s, but it’s definitely the most fun.

Directed by Nick Castle, and starring Lance Guest, Mary Stewart, and Robert Preston, The Last Starfighter is about a teenage boy (Guest) living in a trailer park who doesn’t seem to be going anywhere in his life. That is, of course, until he masters an arcade game, which is actually a beacon to an alien fleet that is seeking qualified starfighters. A warring alien force threatens the galaxy, and by certain circumstances, the teenager becomes the last starfighter. Hence the title.

And it’s a fun film. The special effects are SUPER ‘80s, and the movie is a great example of what CG used to look like. The story is silly, and the alien races are ridiculous, but it has a lot of charm where it needs it. Unfortunately, in the pantheon of great sci-fi flicks of the ‘80s, it’s a little forgettable in the long-run, but it makes for a good cult film. And hey, any movie that has a plot centered around video games is A-OK with me.

Speaking of plots centered around video games, Tron is the true OG. Directed by Steven Lisberger and starring Jeff Bridges, Bruce Boxleitner, and Cindy Morgan, Tron is about a programmer (Bridges) who gets trapped in a video game that he needs to escape. There are awesome light cycle races and disc fights, and visually, it’s definitely one of the most iconic movies from the ‘80s.

But the story is somewhat of a mess. It’s also pretty slow for a movie that takes place inside of a video game. The sequel, Tron: Legacy, also looked pretty slick, but it was also rather slow in the plot department, so maybe that’s just a trait of the series. But again, when you think of ‘80s sci-fi, Tron will likely race straight to your mind.

Like, most excellent, dude. Directed by Stephen Herek and starring Alex Winter, George Carlin, and Keanu Reeves, Bill and Ted’s Excellent Adventure is about two righteous high school students who time travel in a telephone booth and bring back historical figures like Napoleon and Joan of Arc in order to pass a test.

The film is a laugh riot, and Ted "Theodore” Logan (Keanu) and Bill S. Preston, Esq. (Winter) are a blast to spend time with. The only thing is, I think it’s a bit marred by its arguably less excellent sequels, Bill & Ted’s Bogus Journey and Bill & Ted Face the Music. The original is one of those movies, like The Matrix, that probably would have been better if there weren’t any sequels, but oh, well. I’m still very much a Wyld Stallyns fan forever.

Okay, no more good times. Now for the dark stuff. Directed by Paul Michael Glaser and starring Arnold Schwarzenegger, Maria Conchita Alonso, and Richard Dawson, The Running Man is based off of a Stephen King story, but it’s also nothing like it. In this version, Schwarzenegger’s character is a criminal who is forced into a killer game show and must fight to the death for his freedom. But the novel version is a lot less American Gladiators meets Smash TV, like the movie is.

I love the movie since it’s really fun (Clap if you love Dynamo!), but I almost feel like it wants to be much smarter than it actually is. It feels like a commentary on something, but a commentary on what? It’s not clever like say, Dawn of the Dead with its stance on people’s consumerism. But, like I said, it’s fun and never takes itself too seriously.

What’s Akira about exactly? Honestly, it’s hard to say. I know it’s about a motorcycle gang leader named Kaneda, and his friend, Tetsuo (Or rather, TETSUUUOOO!) who becomes telekinetic before transforming into a massive, pulsing, disgusting monster, but what’s it about outside of that? Honestly, I couldn’t tell you.

That said, Akira is one of those rare films that just invades your psyche the moment you watch it. As far as apocalyptic worlds go, it’s harder to find one bleaker than the one found in Neo-Tokyo. There’s definitely a sort of Godzilla, atomic-era message behind it, but it’s more the kind of movie that you just watch rather than comprehend, which is fine, but I’m sure the actual manga probably made a lot more sense. Hollywood is thinking of making it again, which they shouldn’t, but you know. Hollywood.

Directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, and Sean Young, Blade Runner is about a detective of sorts (Harrison) who hunts replicants, which are basically androids, but the detective might be a replicant himself, depending on which cut you watch.

I’ll be straight with you.  Blade Runner isn't my favorite movie since I find it kind of slow, but it's hard not to marvel at its audacious scope, and its stellar acting, most notably from Rutger "like tears in the rain" Hauer. But even though it's incredibly cerebral and it seems like my kind of movie, I still prefer the novel it's based on, Do Androids Dream of Electric Sheep, and even the sequel, Blade Runner 2049. But honestly, you can't go wrong with Blade Runner.

Directed by James Cameron and starring Sigourney Weaver, Michael Biehn, and Bill Paxton, I think Aliens is better than 1979’s Alien. There, I said it. Aliens finds Ripley (Weaver) connecting with a little girl and protecting her from a horde of aliens and their queen. 

Cameron is a master at action, and that’s why Aliens feels so much more visceral and exciting than Alien in my opinion. It’s a war picture rather than a horror movie, which is what makes it work. 

Directed by Paul Verhoeven, and starring Peter Weller, Nancy Allen, and Kurtwood Smith, RoboCop is about a mutilated cop (Weller) brought back to life by a greedy corporation and made into a cyborg. The cop is more machine than man, but he’s learning. And remembering.

RoboCop works because it’s the perfect balance of action and satire. It’s morbidly funny at times, and just plain funny at others. But it’s always cool. That’s why RoboCop is awesome. It sucks that we never got a RoboCop vs. Terminator movie. That would have ruled.

Directed by James Cameron (again!) and starring Arnold Schwarzenegger, Linda Hamilton, and Michael Biehn, The Terminator is about a killer robot sent from the future to kill the mother of the potential savior. It was part one of a series because, you know, “I’ll be back.”

The Thing and The Terminator were really the two films I thought about when I mentioned paranoia in the intro. Many will argue that T2 is the better movie, but I stand behind the original, which is more terrifying than an action movie. It made an imprint on sci-fi that still resonates today, and it feels way before its time. I’d call it the best sci-fi movie of the ‘80s, except for one other film.

Directed by Irvin Kershner and starring Luke Hamill, Harrison Ford, and Carrie Fisher, the middle film in the original Star Wars trilogy is often considered the best movie in the entire saga. That’s because it has probably the most iconic moments in the series— Luke training with Yoda, Han trapped in carbonite, the battle on Hoth, and of course, Luke getting his hand cut off by his own father. Honestly, what else could have topped this list?

And yes, I know, Star Wars isn’t even technically entirely sci-fi. It’s more space opera. Still, no other film on this list has had a bigger legacy than The Empire Strikes Back, so Episode V it is. The force always prevails.

I know what you’re thinking. Where’s E.T.? Where’s The Fly? And you’re right. They’re not here. But that just shows how good the ‘80s were for sci-fi.