Gilbert Gottfried’s ‘Problem Child’ Director Recalls Standing Up to Studio to Let Him Riff: “He’s That Funny”

Although Gilbert Gottfried had previously made small film appearances, including in 1987’s Beverly Hills Cop II, it was surprise hit Problem Child that served as a breakout role.

The 1990 movie, which is credited as Universal Pictures’ most profitable film of the year, starred John Ritter and Amy Yasbeck as a couple experiencing ups and downs after adopting Junior (Michael Oliver). Director Dennis Dugan hired Gottfried as a flustered adoption agent after seeing him deliver stand-up in Los Angeles, and the filmmaker learned that the performer’s boisterous on-stage persona was quite different from his real-life demeanor.

More from The Hollywood Reporter

• Conan O'Brien, Jon Stewart, Kathy Griffin, More Remember Gilbert Gottfried: "A Softie on the Inside"

• Gilbert Gottfried, Controversial Comedian With the Shrillest of Voices, Dies at 67

• Universal Picks Up Timely Spec Script 'Batsh**' (Exclusive)

“He was the sweetest guy,” Dugan, who had previously helmed episodes of Moonlighting but never led a feature, tells The Hollywood Reporter. “You’d think that maybe he was a guy who worked in the back of a library, putting books onto the racks. He was just the nicest, quietest little guy, and then you’d say action, and like an atomic bomb, he would just explode.”

Dugan, who would go on to direct numerous films for Adam Sandler, including Happy Gilmore (1996), Big Daddy (1999) and both Grown Ups movies, praises Gottfried as “one of the funniest guys I ever worked with, for sure.” He also recalls a time when he had to address Universal brass to defend the comedian, whose death was announced Tuesday.

“I got yelled at — this was early on in shooting,” Dugan says. “I got called by the vice president of Universal at the time, going, ‘What are you doing? You’re shooting so much film!’ If you normally shoot 6,000 feet of it — this is when you had film — one day, I shot 18,000 feet, and the next day, I shot 20,000 feet. Now it doesn’t matter, but at that time, film cost, and it was a low-budget film.”

Universal Pictures/courtesy Everett Collection

He continues, “So they were yelling: ‘What are you doing there? You’re way over budget on film.’ And I go, ‘Well, we’re doing a comedy, right?’ And they go, ‘Yeah.’ And I said, ‘Well, we got Gilbert Gottfried. And when I’d say action, Gilbert Gottfried does the script, and then he just starts going. You don’t say cut. You just let him go. Don’t look at how long it is — watch the film, and see what you think.’ And so they called me back, and they go, ‘All right. You’re OK because he’s that funny.'”

Dugan, whose latest project was the 2020 film Love, Weddings & Other Disasters starring Diane Keaton and Jeremy Irons, quips, “He was just a wonderful guy to work with — completely committed, and when he started acting, you’d think he should be committed because he would just go as crazy as you possibly can.”

The director emphasizes that a key to making a good comedy is to get a good script and then hire funny people to deliver it. He also shares that his experience with Gottfried had an impact on future movies.

“Working with him really helped me later on,” Dugan admits. “Going to Grown Ups was a great example because we’d shoot a scene with those five guys and then start rolling, and then they would just start yakking. I knew from working with Gilbert, if there’s a fire going, just throw kindling onto it. Because you can shout out stuff to them in the middle of it — ‘Try this, try that’ — and that was the same with him. He would do anything you asked, plus 3,000 times more.”

Dugan recalls Ritter having an easy time connecting with Gottfried. “Ritter was as funny and good a partner as you could imagine,” the director says. “If you’re on the set with Gilbert, and you’re around a shooting star, you just go, ‘Great, let me take the ride,’ and Ritter loved him.”

Best of The Hollywood Reporter

• Lena Dunham on Her First Film in a Decade, Youthful Blind Spots and Hope to Reboot 'Girls'

• What Ridley Scott Has Learned: "We Don’t Know S***"

• Lady Gaga on Mining Personal Pain for 'House of Gucci'

Click here to read the full article.