Germany Increases Film Funding by 55% to $161M
The German government on Wednesday approved a 55% increase in film funding, marking a major victory for the country’s film industry as well as for German culture and media commissioner Monika Grütters.
Chancellor Angela Merkel’s cabinet authorized a €75 million ($80.4 million) boost to approximately $161 million in film funding for next year.
The increase follows a recent hike in this year’s film funding pot of nearly $27 million to more than $80 million. Grütter’s office is allocating that $27 million to a separate funding pool within the German Federal Film Fund (DFFF) aimed specifically at international co-productions and big-budget domestic films.
Next year, the second funding pool, dubbed DFFF II, will grow to $80.4 million while the regular DFFF pot will remain at around $54 million. A further $27 million will go to cultural film funding for smaller projects, up from about $24 million currently.
Grütters has also said she would seek more funding for local VFX companies — a move that would likely increase the number of international projects coming to Germany, which boasts a large number of leading firms in the field.
Grütters has won loud praise from the local industry for her efforts, particularly in overcoming resistance from Germany’s hard-nosed finance minister Wolfgang Schäuble, who just two years ago had planned to gut government film funding altogether, according to German daily Die Welt. Yet as the newspaper reported, for every million that the DFFF grants, the finance ministry collects between €2 and €4 million in taxes — money it would not get if those productions went to Britain or the Czech Republic.
“We are obviously not alone in our vision, you share it, and that is a wonderful message,” Alexander Thies, chairman of the German Producers Alliance, said to Grütters following her announcement to increase the DFFF’s coffers this year.
The DFFF can provide international coproductions a rebate of up to 20% if they spend at least 25% of their budget in Germany, making it an essential instrument in luring major projects such as Gore Verbinski’s “A Cure for Wellness,” Marvel’s “Captain America: Civil War” and Steven Spielberg’s “Bridge of Spies.”
Yet despite the cheers from filmmakers, some high-profile TV producers appear to be feeling neglected.
In a recent interview with German daily Tagesspiegel, Nico Hofmann, co-CEO of leading TV production company UFA, said the company produces more than 50% of its major TV projects outside of Germany, primarily in the Czech Republic, due to a lack of funding for small-screen fare. UFA’s productions include such hits as “Deutschland 83” and the upcoming miniseries “Charité” and “The Same Sky.”
“UFA is spending about €10 million a year abroad instead of investing it in sustainable growth in Germany, in jobs and know-how,” Hofmann said. UFA is eager to produce more domestically, particularly in Berlin and the surrounding state of Brandenburg, but to do that, something has to change in the country’s film support system, he added.
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