The stars and director offer different theories about the will-they-or-won't-they moment that will have everybody talking.
In perhaps the most horrifying moment in "Three Billboards Outside Ebbing, Missouri," Sam Rockwell's brutish cop casually beats the pulp out of a local advertising impresario before tossing him through a second-story window.
The Shape of Water and Three Billboards Outside Ebbing, Missouri each scored two more huge wins. If you’re the betting type, the Oscars forecast became a lot clearer this weekend after Saturday’s Producers Guild Awards and Sunday’s Screen Actors Guild Awards.
Not only is he currently starring in one of this year's Oscar favorites, but Hollywood's go-to character actor shines in the spotlight in crime thriller out this weekend.
In what's so far been a refreshingly unpredictable race for Oscar's Best Picture trophy, a pair of clear-cut favorites appear to be emerging out of the fog.
With the Golden Globes, the unpredictability makes for a suspenseful, entertaining show. Here are this year's biggest surprises, from Sam Rockwell to Allison Janney.
Oscar nominee Lucas Hedges, 21, shares his "Lady Bird" secrets and awards-season advice.
McDonagh's darkly hilarious drama captures the present American moment better than any other awards-season contender.
Actor takes us on a tour of his greatest hits, from "Cheers" to "White Men Can't Jump" to "Hunger Games" to "True Detective."
Frances McDormand's trip to the dentist takes a bad turn in the revenge drama that should figure in the Oscar race.
Acting ensemble shines in this kaleidoscope of a movie in which the emotions and alliances keep shifting.
Directed by Martin McDonagh, whose previous foul-mouthed crime-movie hits include In Bruges and Seven Psychopaths, Three Billboards Outside Ebbing, Missouri looks like it’ll strive to balance somber drama with ludicrous comedy via the story of McDormand’s grieving mother, whose increasingly outrageous efforts to get the attention of Harrelson’s law enforcement bigwig (via punches, kicks, and Molotov cocktails) is a little too successful. What ensues is chaos of a severely combative — and very foul-mouthed — sort, with McDormand looking like she’s relishing the opportunity to play a woman who does, and says, exactly what’s on her furious mind.