Ellis Marsalis, New Orleans Jazz Patriarch, Dead at 85
Ellis Marsalis, the New Orleans jazz pianist and patriarch of an accomplished family of musicians, has died. The Ellis Marsalis Center for Music confirmed his death to NBC News. Branford Marsalis said his father died of COVID-19 complications. He was 85.
Marsalis was the father of renowned musicians Wynton, Branford, Delfeayo, and Jason Marsalis; his grandson Slauson Malone (Jasper Marsalis) is a former member of Standing on the Corner. He was a renowned educator and pianist who recorded multiple albums.
“My dad was a giant of a musician and teacher, but an even greater father,” Branford Marsalis wrote. “He poured everything he had into making us the best of what we could be. And to quote my friend and Harvard Law Professor David Wilkins who just sent me the following text: ‘We can all marvel at the sheer audacity of a man who believed he could teach his black boys to be excellent in a world that denied that very possibility, and then watch them go on to redefine what excellence means for all time.’”
“Ellis Marsalis was a legend,” wrote New Orleans Mayor LaToya Cantrell. “He was the prototype of what we mean when we talk about New Orleans jazz. The love and the prayers of all of our people go out to his family, and to all of those whose lives he touched.”
The Ellis Marsalis Center for Music released the below statement following the pianist’s death, encouraging people to donate to the organization:
For those who want to ensure that Ellis’s legacy lives on, please consider making a donation to the Ellis Marsalis Center for Music. You can find out more about the Center here. The Center provides instruction in music and the arts, academic support, and even basic food security for hundreds of kids from the 9thWard, as well as providing a world-class performance and recording space for local musicians, many of whom live in the adjacent Musician’s Village that Branford, Harry Connick, and Ann Marie worked with Habitat for Humanity to build after Katrina.
Ellis was tremendously proud of the Center, and spent the last decade of his life there doing what he loved – educating young children and musicians. Nothing would make him happier than to see it continue to thrive and to spread his message of black excellence and the transformative power of music for generations to come.
Originally Appeared on Pitchfork
