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Andra Day, “The United States vs. Billie Holiday” • Andra Day’s debut album “Cheers to the Fall” and single “Rise Up” in 2015 earned her a Best R&B Album and Best R&B Performance Grammy nominations, respectively, the latter of which also scored a Daytime Emmy nod after she promoted it in “The View.” About her role in “TUSvBH,” Day told the New York Post, “When I embarked on it, I was like, ‘This is such a bad idea! I’m not an actress.'” She was wrong. She has the Golden Globe and Oscar nomination to prove it.
Mary J. Blige, “Mudbound” • Mary J. Blige’s music career began in 1991 when she signed with Uptown Records and went on to release 13 albums – eight of which went multi-platinum – and sold 80 million records worldwide. The winner of nine Grammys and the title of Queen of Hip-Hop Soul, Blige smoothly transitioned to acting, earning three Golden Globe nominations, as well as an Oscar nods for Best Supporting Actress and Best Original Song for “Mudbound.”
Jennifer Hudson, “Dreamgirls” • As one of the major success stories coming out of “American Idol,” where she placed seventh in Season 3, Jennifer Hudson was scooped for her film debut as Effie White in the big-screen adaptation of the Broadway musical. Her performance was a standout and she won both a Golden Globe and an Oscar for Best Supporting Actress. Oh, and she so impressed Arista Records with that success that they signed her. Her self-titled debut album was certified gold and won the Grammy for Best R&B Album.
Lady Gaga, “A Star Is Born” • Lady Gaga was an international superstar long before she dipped her toe into acting – 12 Grammys, more than 32 million albums sold and more than 129 million downloads, her estimated worth hovers around $320 million. And then the acting bug bit. After a run on “American Horror Story,” “A Star Is Born” made her the third actress in the lead role to have been nominated for an Oscar.
Diana Ross, “Lady Sings the Blues” • As the lead vocalist of the best-charting female group in U.S. history, The Supremes, Diana Ross stepped away from that fame to launch a solo career. And her star continued to rise. After record-setting worldwide concert tours, she tried her hand at acting with her debut performance in “Lady Sings the Blues,” a biographical drama about Billie Holiday. The result: a Golden Globe win and an Oscar nomination.
Mark Wahlberg, “The Departed” • Before Mark Wahlberg made his screen debut in Penny Marshall’s “Renaissance Man” in 1994 and his subsequent first lead role in “Fear” two years later, he was known for his music in the group Marky Mark and the Funky Bunch. He went on to star in “Boogie Nights,” “The Perfect Storm” and “Planet of the Apes,” to name a few. In 2006, he took on the role of Staff Sergeant Sean Dignam in “The Departed,” where he earned an Oscar nomination.
Cher, “Silkwood” and “Moonstruck” • Eighteen years passed between the start of Cher’s notoriety as half of the folk rock duo Sonny & Cher and their No. 1 hit “I Got You Babe” and her film debut in “Silkwood,” inspired by the life of a nuclear whistleblower. Up to that point, she showed off her comedy chops opposite (Sonny) Bono in “The Sonny & Cher Comedy Hour” and her Broadway debut in “Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean.” She went on to get an Oscar nomination for “Silkwood” and took home the gold in 1988 when she won for Best Actress in “Moonstruck.”
Frank Sinatra, “From Here to Eternity” and “The Man With the Golden Arm” • Frank Sinatra had bobby soxers swooning during the Big Band era of the 1940s and appeared in several MGM movie musicals at the time, frequently as the socially awkward nice guy with the golden voice. Around the time he was pulling in record crowds in Las Vegas as part of the Rat Pack, he took his acting career in a more serious direction. In 1954, he won an Oscar for his supporting role in “From Here to Eternity” and picked up a nomination for Best Actor two years later for “The Man With the Golden Arm.”
Judy Garland, “A Star Is Born” and “Judgement at Nuremberg” • Four years after MGM released her from contract, Judy Garland’s “comeback” role in “A Star Is Born” in 1954 had critics agreeing that her performance was Oscar-worthy. The Academy took note, and she was nominated for lead actress. It was widely believed that she would win, so much so that NBC had TV equipment set up outside the hospital room when she was with her newborn son Joe, so they could cut to her in case her name was announced. But it was Grace Kelly’s year, having won for “The Country Girl.” Garland had a second chance to take home an Oscar when she was nominated for Supporting Actress for “Judgment at Nuremberg” as a witness for the prosecution.
Doris Day, “Pillow Talk” • The quintessential All-American Girl, Doris Day, was a fan favorite in the ’40s as a Big Band singer and a No. 1 hit with “Sentimental Journey.” That success transferred nicely to film, where she became one of film’s biggest stars in numerous romantic comedies (with music, of course) of the ’50s and ’60s. Teamed with Rock Hudson, Day showcased her comedic talent in “Pillow Talk,” and the Academy took note.
Will Smith, “Ali” and “Pursuit of Happyness” • Once upon a time, Will Smith was just a young rapper with some modest success, who found greater fame when he starred in his own NBC sitcom, “The Fresh Prince of Bel-Air,” playing a fictionalized version of himself. He found even greater success when he transitioned to feature films, starring in eight consecutive films that grossed more than $100 million domestically and 11 consecutive that gross over $150 million globally. In 2001, he proved that music and light comedy wasn’t his only forte – the guy can really truly act. His performances as boxing legend Mohammad Ali in “Ali” and as homeless stockbroker Chris Gardner in “The Pursuit of Happyness” each earned him a Best Actor nomination.
Bette Midler, “The Rose” and “For the Boys” • The Divine Miss M, as her stage persona is known, got her start on Off-Off-Broadway, combining her musical and comedic talents in what many called adult shows because of the frequently bawdy tone. Her debut album of the same name (produced by Barry Manilow) turned platinum and, she earned a Best New Artist Grammy in 1973. When she stepped in front of the cameras to portray drug-addicted roc legend Janis Joplin in “The Rose” in 1980, critics cheered, earning an Oscar nomination for Best Actress. A second nomination came a dozen years later, playing a singer who entertained American troops during World War II in “For the Boys.”
Barbra Streisand, “Funny Girl” and “The Way We Were” • Although Barbra Streisand was a well-known nightclub and stage performer in the 1960s, the role of vaudeville singer and comedian Fanny Brice in “Funny Girl” gave her a career launch that most actors and entertainers can only dream of. After receiving a Tony nomination for leading the original Broadway cast, she was cast in the same role for the film adaptation (her film debut). She won the Oscar, tying with Katharine Hepburn (“The Lion in Winter”), marking the only Best Actress tie in Oscar’s history. She scored a second nomination in 1973 for “The Way We Were.”
Bobby Darin, “Captain Newman, M.D.” • Bobby Darin was a heartthrob in the late ’50s and ’60s with such megahits of the time “Splish Splash,” “Dream Lover” and “Mack the Knife.” His first film, “Come September” co-starring his wife Sandra Dee, earned him a Golden Globe Award for New Star of the Year, but it was his performance as a soldier with PTSD in “Captain Newman, M.D.” that brought him an Oscar nomination for Best Supporting Actor.
Bing Crosby, “Going My Way,” “The Bells of St. Mary’s” and “The Country Girl” • “The Crooner” was a star like no other during his time. Between 1930 and 1954, Bing Crosby’s velvet singing voice had him sitting atop radio ratings, leading record sales and motion picture grosses. Although some might only know him from the annual showing of “White Christmas” on TV or from “Road to…” buddy films with Bob Hope, in 1944, he won an Oscar for Best Actor in “Going My Way,” playing a young priest taking over an old parish. The following year, he was nominated (but didn’t win) for reprising the role in its sequel “The Belles of St. Mary’s.”
Peggy Lee, “Pete Kelly’s Blues” • Disney fans might recognize Peggy Lee’s voice as Darling in “The Lady and the Tramp,” as well as a number of other characters in the film. But lovers of jazz know Lee for her slow and easy, smooth vocal stylings of such standards as “Fever” and “Why Don’t You Do Right?” She was nominated for 13 Grammys, bringing home her only one in 1969 for “Is That All There Is?” Three years after starring opposite Danny Thomas in a remake of “The Jazz Singer,” Lee took on the role of Rose Hopkins, an alcoholic blues singer in “Pete Kelly’s Blues,” earning an Oscar nomination for Best Supporting Actress.
Burl Ives, “The Big Country” • Kids today might know Burl Ives as the voice of Sam the Snowman in the stop-motion animated Christmas film “Rudolph the Red-Nosed Reindeer.” Before that, he was known as a banjo-playing folk singer. But along the way, Burl Ives proved he was quite the dramatic actor, appearing in films like “East of Eden” with James Dean, “Cat on a Hot Tin Roof” with Elizabeth Taylor and “The Big Country” with Gregory Peck and Charlton Heston, the latter of which brought him an Oscar nomination and win for Supporting Actor.
Ann-Margret, “Carnal Knowledge” and “Tommy” • Ann-Margret’s six-decade career began in 1961 with RCA Victor as a singer with a “sexy, throaty contralto singing voice,” as the Independent-Star News called it. She made her film debut at 20 in the Bette David film “Pocketful of Miracles” and later starred in “Bye Bye Birdie,” opposite Elvis Presley in “Viva Las Vegas” and even voiced a cartoon version of herself (Ann-Margrock) in the animated series “The Flintstones.” But in 1971, her acting career began looking golden, with an Oscar nomination as Jack Nicholson’s emotionally abused girlfriend in “Carnal Knowledge” and again two years later for The Who’s rock opera “Tommy.”
Dexter Gordon, “Round Midnight” • Although Dexter Gordon was not a singer, we must throw the jazz saxophonist in as an honorable mention. His style of jazz improvisation made him one of the most influential musicians of the ’40s, ’50s and ’60s. In 1986, he stepped in front of the cameras to play Dale Turner, a struggling saxophone player with an alcohol addiction. The film, which has a rare 100% rating on Rotten Tomatoes, earned Gordon an Oscar nod for Best Actor in a Leading Role.
Read original story 19 Singers Who Became Oscar-Nominated Actors: From Frank Sinatra to Andra Day (Photos) At TheWrap