The right-wing star claimed his friend left him to die in a "fiery tomb." The friend told The Washington Post he pulled Cawthorn from the wreck.
- U.S.Yahoo Finance
A new analysis by Yahoo Finance and Economic Innovation Group (EIG) highlights a subset of America for which the coronavirus pandemic has been particularly devastating.
- U.S.USA TODAY
A Michigan teacher wanted to use a BLM at School curriculum. She says the district said no, so she resigned.
Michigan's Mason School District said teachers are encouraged to discuss diversity, inclusion with approved Black History resources.
- U.S.The Telegraph
A vast painting of The Last Supper that has hung in a parish church in Herefordshire since the turn of the last century is being seen in a new light following the discovery of crucial evidence that links it to the workshop of Titian, one of the 16th-century’s greatest masters. A 12.5-foot-long painting in St Michael and All Angels church in Ledbury, was long assumed to be a much later copy. Hanging high on a wall, in a dark and dirty state, its potential had been missed. Ronald Moore, a conservator and art historian, removed centuries of discoloured varnish and was astonished to discover Titian’s inscribed name, a bold under-drawing worthy of Titian himself and an apostle that must be a portrait of him as the facial features precisely match his self-portrait. In a three-year study, he linked it to a 1775 letter in which its former owner, John Skippe, an Oxford-educated artist and noted collector, wrote of buying “a most capital and well-preserved picture by Titian” from a wealthy Venetian family, adding that it was commissioned by a Venetian convent. It was donated to the Ledbury church in 1909 by one of Skippe’s descendants. “It’s so big and nobody’s taken any notice of it for 110 years,” Mr Moore said. “Anything coming from Titian’s workshop is very important indeed.”